The Theatre of the Dream is a profound study of our dream world and its place in everyday life. The author grounds his ideas in Freud and psychoanalysis authors such as Klein, Bion, Rosenfeld and Matte Blanco, but also draws on the approach to dream phenomena in the work of philosophers, artists and poets. He argues that dreams are indeed, as the ancients held, messages. The dream is a theatrical re-recreation of certain unconscious experiences, which are both subjective and objective at the same time. It expresses not only desire but a complex working over of a problematic situation that is not quite resolved. In waking the dream is a new elaboration of everyday experience and one which creates the seeds of oracular awareness. Resnik develops his thesis with ample and enlightening examples of dreams and their significance from his own patients. The author's achievement is a new psychoanalytic reading of dreams one which does justice to Freud's momentous discovery but which broadens it and places it within the wider context of subsequent developments in psychoanalysis, semiotics and social and cultural anthropology. The book will be of great value to the professional psychotherapist or psychoanalyst as well as to students of literature, the arts and linguistics and the wider public interested in the ongoing relationship between dream reality and what is commonly called external reality. As has been remarked, each era can be defined on the basis of relations between dream and life.

In Glacial Times, Salomon Resnik brings together various facets of his work as a psychoanalyst and psychiatrist, working in both the private sector and in institutional settings and in a wide range of cultural contexts, to provide a careful summary of a lifetime of clinical work. Drawing on a wide range of psychoanalytic, philosophical and literary sources, and vignettes from the author's extensive clinical experience, this book brings the subject of psychosis to life and demonstrates how the study of psychoanalysis and psychosis forces us to confront fundamental ontological questions. Subjects covered include: Transmission and Learning The role of the body in psychosis The Universe of Madness: Frozen words and thoughts The Internal world and the philosophy of the unconcsious Psychotic thinking and language The Symbolic order and its deficiencies. This synthesis of over fifty years of experience as a psychoanalyst and psychiatrist treating psychotic patients will fascinate anyone working in these fields.

This book is a collection of lessons on psychotic experience. A question of experience of living and communicating rather than of lessons in the traditional sense. His contributions are the expression of a culture that is both psychoanalytical and psychiatric but above all bound up with the human sciences.

The Theatre of the Dream is a profound study of our dream world and its place in everyday life. The author grounds his ideas in Freud and psychoanalysis authors such as Klein, Bion, Rosenfeld and Matte Blanco, but also draws on the approach to dream phenomena in the work of philosophers, artists and poets. He argues that dreams are indeed, as the ancients held, messages. The dream is a theatrical re-recreation of certain unconscious experiences, which are both subjective and objective at the same time. It expresses not only desire but a complex working over of a problematic situation that is not quite resolved. In waking the dream is a new elaboration of everyday experience and one which creates the seeds of oracular awareness. Resnik develops his thesis with ample and enlightening examples of dreams and their significance from his own patients. The author's achievement is a new psychoanalytic reading of dreams one which does justice to Freud's momentous discovery but which broadens it and places it within the wider context of subsequent developments in psychoanalysis, semiotics and social and cultural anthropology. The book will be of great value to the professional psychotherapist or psychoanalyst as well as to students of literature, the arts and linguistics and the wider public interested in the ongoing relationship between dream reality and what is commonly called external reality. As has been remarked, each era can be defined on the basis of relations between dream and life.

This book is a collection of lessons on psychotic experience. A question of experience of living and communicating rather than of lessons in the traditional sense. His contributions are the expression of a culture that is both psychoanalytical and psychiatric but above all bound up with the human sciences.

In this book, the author describes his psychoanalytic work with psychotic patients and the logic that underlies their often-delusional constructions. He explores how the concept of psychosis has evolved over time and shows how the delusional world, with its proto-symbolic equations, may amount to a philosophy of life. Clinical examples taken from his own clinical work, both in individual psychoanalysis and in group therapy with schizophrenic patients, illustrate his theses. In his exploration of the psychotic ego and multi-dimensionality, he shows how his work is a continuation of the ideas initially put forward by psychoanalysts such as D. W. Winnicott, Melanie Klein and Hanna Segal, as well as how much it owes to his own analysis with Herbert Rosenfeld and supervision with Wilfred Bion. For Resnik, working with psychotic patients amounts to an "archaeology of the present". He discusses in detail such concepts as narcissistic depression, the atmosphere of the psychoanalytic encounter, the role and impact of dreams in psychosis, and the dimensionality of the psychotic universe.

In Glacial Times, Salomon Resnik brings together various facets of his work as a psychoanalyst and psychiatrist, working in both the private sector and in institutional settings and in a wide range of cultural contexts, to provide a careful summary of a lifetime of clinical work. Drawing on a wide range of psychoanalytic, philosophical and literary sources, and vignettes from the author's extensive clinical experience, this book brings the subject of psychosis to life and demonstrates how the study of psychoanalysis and psychosis forces us to confront fundamental ontological questions. Subjects covered include: Transmission and Learning The role of the body in psychosis The Universe of Madness: Frozen words and thoughts The Internal world and the philosophy of the unconcsious Psychotic thinking and language The Symbolic order and its deficiencies. This synthesis of over fifty years of experience as a psychoanalyst and psychiatrist treating psychotic patients will fascinate anyone working in these fields.