In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children ­– often thought to have been raised by wolves and other animals – and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion. -- .

Unique and accessible approach to learning the fundamentals of music production, suitable for beginners of all backgrounds, in classroom contexts and self-learning contexts Chapter structure provides daily reading and exercises, covering individual topics over a month-long period to ensure coverage is comprehensive but not time consuming Supplemented by the author's growing YouTube channel, providing videos to accompany each chapter and provide additional context

Some two dozen boys tell of growing up in the Hebrew National Orphan Home. Though punishment was often brutal and where a few boys were victims of sexual predators, residents had many religious, recreational, educational, cultural, and athletic opportunities. Most agree that the good far outweighed the bad.

Orphanage horror stories of the 19th and early 20th centuries brought on the modern welfare system that includes foster-care programs. Yet as effective as the foster-care programs throughout the nation have been in providing good care and safety for many hundreds of thousands of children, there are still far too many youngsters who have been ill-served by these programs. Many are shunted from place to place. The authors argue that well-run orphanages offer a better solution. Their essays tell the story of The Home that reared them and provides understanding of what life in an orphanage was like.

Unique and accessible approach to learning the fundamentals of music production, suitable for beginners of all backgrounds, in classroom contexts and self-learning contexts Chapter structure provides daily reading and exercises, covering individual topics over a month-long period to ensure coverage is comprehensive but not time consuming Supplemented by the author's growing YouTube channel, providing videos to accompany each chapter and provide additional context

This collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change. A coherent narrative follows Enlightenment studies of the vampire's origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu's Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-siecle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola's film, Bram Stoker's Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more. Featuring distinguished contributors, including a prominent novelist, and aimed at interdisciplinary scholars or postgraduate students, it will also appeal to aficionados of creative writing and Undead enthusiasts. www.opengravesopenminds.com -- .

In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science. -- .

"My name is Sam George. In spite of everything that happened to me, by the grace of the Creator, I have lived to be an Elder." Set in the Vancouver area in the late 1940s and through to the present day, this unflinching account follows Sam from his idyllic childhood on the Eslha7an (Mission) reserve to the confines of St. Paul's Indian Residential School, and then into a life of addiction and incarceration. But an ember of Sam's spirit always burned within him, and so this is also a story of survival and redemption, of facing past trauma to rebuild a life and a future.

In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion. -- .

In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science. -- .