Rima, a young girl from Damascus, longs to walk, to be free to follow the will of her feet, but instead is perpetually constrained. Rima finds refuge in a fantasy world full of coloured crayons, secret planets, and The Little Prince, reciting passages of the Qur'an like a mantra as everything and everyone around her is blown to bits. In Planet of Clay, Samar Yazbek offers a surreal depiction of the horrors taking place in Syria, in vivid and poetic language and with a sharp eye for detail and beauty.

A well-known novelist and journalist from the coastal city of Jableh, Samar Yazbek witnessed the beginning four months of the uprising first-hand and actively participated in a variety of public actions and budding social movements. Throughout this period she kept a diary of personal reflections on, and observations of, this historic time. Because of the outspoken views she published in print and online, Yazbek quickly attracted the attention and fury of the regime, vicious rumours started to spread about her disloyalty to the homeland and the Alawite community to which she belongs. The lyrical narrative describes her struggle to protect herself and her young daughter, even as her activism propels her into a horrifying labyrinth of insecurity after she is forced into living on the run and detained multiple times, excluded from the Alawite community and renounced by her family, her hometown and even her childhood friends. With rare empathy and journalistic prowess Samar Yazbek compiled oral testimonies from ordinary Syrians all over the country. Filled with snapshots of exhilarating hope and horrifying atrocities, she offers us a wholly unique perspective on the Syrian uprising. Hers is a modest yet powerful testament to the strength and commitment of countless unnamed Syrians who have united to fight for their freedom. These diaries will inspire all those who read them, and challenge the world to look anew at the trials and tribulations of the Syrian uprising.

'ONE OF THE FIRST POLITICAL CLASSICS OF THE 21st CENTURY'- Observer 'EXTRAORDINARILY POWERFUL, POIGNANT AND AFFECTING. I WAS GREATLY MOVED' Michael Palin FOREWORD BY CHRISTINA LAMB Journalist Samar Yazbek was forced into exile by Assad's regime. When the uprising in Syria turned to bloodshed, she was determined to take action and secretly returned several times. The Crossing is her rare, powerful and courageous testament to what she found inside the borders of her homeland. From the first peaceful protests for democracy to the arrival of ISIS, she bears witness to those struggling to survive, to the humanity that can flower amidst annihilation, and why so many are now desperate to flee.

An English PEN Award-winning collection of personal testimony from participants in the Arab Spring
As revolution swept through the Arab world in spring of 2011, much of the writing that reached the West came via analysts and academics, experts and expats. We heard about Facebook posts and tweeted calls to action, but what was missing was testimony from on-the-ground participants--which is precisely what Layla Al-Zubaidi and Matthew Cassel have brought together in "Diaries of an Unfinished Revolution." These essays and profoundly moving, often harrowing, firsthand accounts span the region from Tunisia to Syria and include contributors ranging from student activists to seasoned journalists--half of whom are women. This unique collection explores just how deeply politics can be held within the personal and highlights the power of writing in a time of revolution.

Celebrating the first ten years of the Writers in Translation Programme Writers in Translation, established in 2005 and supported by Bloomberg and Arts Council England, champions the best literature from across the globe. To mark the programme's tenth anniversary, English PEN and Pushkin Press present Life from Elsewhere: Journeys Through World Literature - ten new essays by leading international writers, with an introduction by award-winning novelist and critic Amit Chaudhuri. These illuminating, invigorating pieces reflect on the question of identity, both personal and political, in a many-frontiered world. Alain Mabanckou writes on how the Congo remains his umbilical cord, Andres Neuman on growing up in Argentina, Chan Koonchung on the impossibility of defining China, Israel's Ayelet Gundar-Goshen on a meta-fictional encounter between writer and translator, Samar Yazbek on post-revolutionary Syria, Asmaa al-Ghul on how every experience in Palestine is linked to occupation, Mahmoud Dowlatabadi on the defiance of literature in the face of Iran's revolution, Hanna Krall on the lasting effects of the Holocaust in Poland, Andrey Kurkov on the dead and living languages of the Caucasus, and Turkey's Elif Shafak on the necessity of a cosmopolitan and diverse Europe.

In the dark of night, Hanan al-Hashimi awakens from a nightmare, confused and shaken. Roaming the house in search of some reassurance, she is drawn towards the streak of light under her husband's bedroom door. Little does she know that the beckoning glow will turn her life on its head, unsettling her fragile mind and sending her servant Aliyah tumbling back to the dusty alleyways of her childhood. Banished from her mistress's villa in the small hours of the morning, Aliyah's route back to her old neighbourhood is paved with the memories of the family she left behind and the mistress she betrayed. Exhausted by the night's events, both maid and mistress seek refuge in sleep. In their dreams, the women's memories - of troubled childhoods, loneliness, love and their lives together - combine seamlessly to narrate the story of two Damascene women's search for security and tenderness. From the tinroofed shack of Aliyah's family home, to the isolated grandeur of Hanan's imprisoning villa, the characters' recollections journey through Damascus, painting a portrait of the city in all of its contradictions: poverty and luxury, dormancy and change. Samar Yazbek's quick-paced narrative balances intense drama with the insightful portrayal of her characters' precarious mental states. Bizarre and darkly humorous, yet with clear emotional realism Cinnamon is a tale from the inner world of the women of Damascus.