Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Russian war in Ukraine has been accompanied, fuelled and legitimized by a Russian information war campaign that is unprecedented in its scope and nature. Increasingly lurid in form, sometimes surreal, the Russian state-media propaganda campaign has been surprisingly successful in disguising and distorting the nature of the war and shaping the way it is perceived and understood, both in Russia and beyond.This special issue sets out to launch an interdisciplinary discussion on the Russian information warfare being waged in parallel with the military war in Ukraine. How is the war being packaged and narrated for domestic and international audiences? How are these narratives being received in Russia and in the West? How do we interpret and explain the imperial hysteria and hatred currently on display on Russian TV? What are the appropriate responses? How can we avoid the trap of allowing Kremlin propagandists to shape the terms and language in which the war is viewed? The JOURNAL OF SOVIET AND POST-SOVIET POLITICS AND SOCIETY is a new bi-annual journal about to be launched as a companion journal to the Soviet and Post-Soviet Politics and Society book series (founded 2004 and edited by Andreas Umland, Dr. phil., Ph. D.). Like the book series, the journal will provide an interdisciplinary forum for new original research on the Soviet and post-Soviet world. The journal aims to become known for publishing creative, intelligent and lively writing tackling and illuminating significant issues and capable of engaging wider educated audiences beyond the academy.