Samuel Hahnemann was a German physician who created and introduced homeopathy, a system of alternative medicine which claims that a substance which causes diseases in some individuals can cure it in others. Writing in the early 19th century, Hahnemann set out the principles of homoeopathic medicine in a total of 297 aphorisms. Each of these discussed the various attributes of healing that underpin homeopathy as a method of curing. The notion of 'miasms' as the origin and cause of all chronic disease, and how such can be alleviated, is elaborated upon by the author. Today, homeopathy has been widely discredited, with its methodology and teachings contrasted with established discoveries in biology and chemistry. Numerous studies of homeopathy's efficacy have shown that the results of treatment are no better than placebo. In the 19th century however, its use was popular with Hahnemann himself contrasting his methods by terming conventional medicine 'allopathic'.

Fifty years after his death in 1965 the essays in this collection return to Paul Tillich to investigate his theology and its legacy, with a focus on contemporary British scholarship. Originating in a conference held in Oxford in 2014, the book contains 16 original contributions from a mixture of junior and more established scholars, most of whom have a connection to Britain. The contributions are diverse, but four themes emerge throughout the volume. Several essays are concerning with a characterisation of Tillich's theology. In dialogue with recent emphases on the radical Tillich, some essays suggest a more conservative estimation of Tillich's theology, rooted in the Idealist and classical Christian platonic traditions, whilst in constant engagement with changing existential situations. Secondly, and perhaps reflecting the context of religious diversity and theories of religious pluralism in Britain, many essays engage Tillich's approach to non-Christian religions. Thirdly, some essays address the importance of existentialist philosophy for Tillich, notably via an engagement with Sartre. Finally, a number of essays take up the diagnostic potential of Tillich's theology as a resource for engaging contemporary challenges.

When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to that which had been voiced before. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

Development in Crisis: Threats to human well-being in the Global South and Global North, is a provocative, engaging and interesting collection of real-world case studies in development and globalization focusing on under-emphasized threats to growth and human welfare worldwide. Created by two of America's top development sociologists, it targets undergraduates, graduates, academics and development professionals. Crises such as falling state capacity, declining technological innovation, increasing class inequality and persisting gender inequality are considered, along with their economic and social consequences.

Development in Crisis: Threats to human well-being in the Global South and Global North, is a provocative, engaging and interesting collection of real-world case studies in development and globalization focusing on under-emphasized threats to growth and human welfare worldwide. Created by two of America's top development sociologists, it targets undergraduates, graduates, academics and development professionals. Crises such as falling state capacity, declining technological innovation, increasing class inequality and persisting gender inequality are considered, along with their economic and social consequences.

This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600-1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe

... must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. The Guardian They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure -- William Wordsworth, from the Advertisment prefacing the original 1798 edition. When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere. Movement, deeply influenced by a love of nature. the founders of the Romantic Movement.

Diary of a Currency Trader is Samuel J. Rae's no-nonsense, full disclosure look at his approach to the retail foreign exchange markets. In the book Samuel takes you through his personal journey and how he got to where he is today followed by a step-by-step, illustrated description of the strategy he uses and the principles that underlie his approach. Having described the way he trades, Samuel then journals ninety days' worth of market operations with full explanations as to how and why he enters each and every trade, the results he achieves and his thoughts on the markets he operates in. Fully illustrated and set out in an easy to follow format, Diary of a Currency Trader takes you into the daily operations of a retail trader to an unprecedented level of detail. If you are looking to discover what it actually means to trade forex full time, this book is for you.

This first volume of Music in Black American Life collects research and analysis that originally appeared in the journals American Music and the Black Music Research Journal, and in the University of Illinois Press's acclaimed book series Music in American Life. In these selections, experts from a cross-section of disciplines engage with fundamental issues in ways that changed our perceptions of Black music. The topics includes the culturally and musically complex Black music-making of colonial America; string bands and other lesser-known genres practiced by Black artists; the jubilee industry and its audiences; and innovators in jazz, blues, and Black gospel. Eclectic and essential, Music in Black American Life, 1600-1945 offers specialists and students alike a gateway to the history and impact of Black music in the United States. Contributors: R. Reid Badger, Rae Linda Brown, Samuel A. Floyd Jr., Sandra Jean Graham, Jeffrey Magee, Robert M. Marovich, Harriet Ottenheimer, Eileen Southern, Katrina Dyonne Thompson, Stephen Wade, and Charles Wolfe