Here are Sappho's songs and poems as English poems, all her famous pieces, all the fragments that can make connected sense, and all the discoveries of 2004 and 2014. These translations set out to be good English poetry first and foremost, and succeed well beyond other current versions. They have been made directly from Sappho's Greek, by a poet with three collections to his credit, and are relatively close to the Greek. Each piece has a concise footnote that explains references and allusions, and suggests critical appreciation. A substantial Afterword says much more about Sappho's themes, her art and style, and her historical setting. Sappho is one of the greatest poets of the western world. She lived on the Greek island of Lesbos around 600 BCE, near the very beginning of western literature, and composed 300 or so poems and songs. Her poems create a woman-centred world in which women and relationships are highly valued, a world of beauty and grace, love and loss, sandals and hairbands, all sometimes exalted and idealised. She opposes women's values to those of the dominant male society around her, and is the first to do this in the western canon. She was famous in her lifetime and has been deeply admired ever since.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The object of this book is to provide with a popular and a comprehensive edition of Sappho, containing all that is so far known of her unique personality and her incompatible poems Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. Sappho is rated as the supreme poetess and is regarded in the same vein as Shakespeare and Homer the supreme poets.

The object of this book is to provide with a popular and a comprehensive edition of Sappho, containing all that is so far known of her unique personality and her incompatible poems Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. Sappho is rated as the supreme poetess and is regarded in the same vein as Shakespeare and Homer the supreme poets.

Called the "Tenth Muse" by the ancients, Greece's greatest female lyric poet Sappho (ca. 610-580 b.c.e.) spent the majority of her life on the famed island of Lesbos. Passionate and breathtaking, Sappho's poems survive only in fragments following religious conspiracies to silence her. Sappho penned immortal verse on the intense power of the female libido; on the themes of romance, love, yearning, heartbreak, and personal relationships with women. This work retains the standard numerical order of the fragments and has been arranged in six sections. Distinguished poet and lecturer Paul Roche's translation of The Love Songs of Sappho is enhanced with his brilliant essay, "Portrait of Sappho," as well as a lucid historical introduction by celebrated feminist and classicist Page duBois.

These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct-the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.

'Yes, we did many things, then - all Beautiful ...' Lyrical, powerful poems about love, sexuality, sun-soaked Greece and the gods. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Sappho (c.630-570 BCE). Sappho's Stung with Love is available in Penguin Classics.

"In this expanded edition of his distinguished Sappho: Poems and Fragments (2002), Stanley Lombardo offers over 100 fragments not included in the original edition, as well as the new poems discovered in 2004 and 2014. His translation of this latter material yields fresh insights into Sappho's representations of old age, two of her brothers, and her special relationship with Aphrodite. Pamela Gordon's engaging, balanced, and informative Introduction has been revised to incorporate discussion of the new fragments, which subtly alter our previous understanding of the archaic poet's corpus. Complete Poems and Fragments also offers a useful updated bibliography, as well as a section on 'Elegiac Sappho' that presents the reception of the Lesbian poet in later Greek and Latin elegiac poems. A wonderful find for any Greekless reader searching for a complete and up-to-date Sappho. -Patricia A. Rosenmeyer, Department of Classics, University of Wisconsin--Madison

For the first time in Penguin Classics--the incomparable verse of the ancient Greek lyric poet Sappho, in a brilliant new translation
Sappho's writings are said to have filled nine papyrus rolls in the great library at Alexandria, but only one poem survives complete. This new translation of all of Sappho's extant poetry showcases the wide variety of themes in her work, from amorous songs celebrating adolescent females to poems of invocation, desire, spite, celebration, resignation, and remembrance. Aaron Poochigian captures the eros and mystery of Sappho's verse, bringing to readers of English the living voice of the poet Plato called "the tenth Muse," whose lyric power remains undiminished after 2,500 years.

This second, expanded edition of Josephine Balmer's classic translation of the Greek poet Sappho has new, recently-discovered fragments, including the Brothers Poem, the Kypris Song and the Cologne Fragment. In a new essay on these additions she discusses the issues raised in the translating - and in some cases retranslating - of these fragmentary and ever-shifting texts. Poems & Fragments is now the only complete, readily-available translation in English of Sappho's surviving work. Sappho was one of the greatest poets in classical literature. Her lyric poetry is among the finest ever written, and although little of her work has survived and little is known about her, she is regarded not just as one of the greatest women poets, but often as the greatest woman poet in world literature. She lived on the island of Lesbos around 600 BC, and even in her lifetime, her work was widely known and admired in the Greek world. Plato called her 'the tenth muse', and she was a major influence on other poets, from Horace and Catullus to more recent lyric poets. Yet in later centuries, speculation about her sexuality has tended to diminish her poetic reputation. One medieval pope considered her so subversive that her poems were burned. Some of her poems were written for the women she loved, but her circle of women friends and admirers was not unlike Socrates' circle of followers. She may have been a lesbian in the modern sense, or she may not, but to call her a lesbian poet is an over-simplification. What remains is her poetry, or the fragments which have survived of it, and her intense, sensuous, highly accomplished love poems are among the finest in any language. First published in 1984 and revised in 1992, Josephine Balmer's edition brings together all the extant poems and fragments of Sappho. In a comprehensive introduction, she discusses Sappho's poetry, its historical background and critical reputation, as well as aspects of contemporary Greek society, sexuality and women.

Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric—or, to use Sappho’s words, as “thin fire . . . racing under skin.” By combining the ancient mysteries of Sappho with the contemporary wizardry of one of our most fearless and original poets, If Not, Winter provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.

The question of inequality has moved decisively to the top of the contemporary intellectual agenda. Going beyond Thomas Piketty's focus on wealth, increasing inequalities of various kinds, and their impact on social, political and economic life, now present themselves among the most urgent issues facing scholars in the humanities and the social sciences. Key among these is the relationship between inequality, crime and punishment. The propositions that social inequality shapes crime and punishment, and that crime and punishment themselves cause or exacerbate inequality, are conventional wisdom. Yet, paradoxically, they are also controversial. In this volume, historians, criminologists, lawyers, sociologists and political scientists come together to try to solve this paradox by unpacking these relationships in different contexts. The causal mechanisms underlying these correlations call for investigation by means of a sustained programme of research bringing different disciplines to bear on the problem. This volume develops an interdisciplinary approach which builds on but goes beyond recent comparative and historical research on the institutional, cultural and political-economic factors shaping crime and punishment so as better to understand whether, and if so how and why, social and economic inequality influences levels and types of crime and punishment, and conversely whether crime and punishment shape inequalities.

Little remains today of the writings of the archaic Greek poet Sappho (fl. late 7th and early 6th centuries B.C.E.), whose work is said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry--among them, poems of invocation, desire, spite, celebration, resignation, and remembrance--that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. Stanley Lombardo's translations give us a virtuoso embodiment of Sappho's voice, whose telltale charm, authority, immediacy, directness, intensity, and sudden changes of tone are among the hallmarks of his masterly translation. Pamela Gordon introduces us to the world of Sappho, discusses questions surrounding the transmission of her manuscripts, offers advice on reading these texts, and concludes with an enlightening discussion of same-sex desire in Sappho.