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In 2003 the former Women's Press editor and critic Sarah LeFanu
published her acclaimed biography of Rose Macaulay with Virago
Press. 'A magnificent job ... imaginative and thoughtful, dense
with distilled information ... LeFanu offers a skilled, visual,
intellectual and emotional picture of a complex woman' -Independent
'A fine biography ... rich and perceptive ... Sarah LeFanu [is] an
able and astute judge of Macaulay's writings' - Times Literary
Supplement As well as writing the biography, LeFanu was keeping a
detailed journal of her research trips and her processes as a
biographer, arguing with herself over what to include, what to
pursue, and what to leave behind. Her immersion in her research led
to Rose intruding in her dreams, and fantastical imaginings of what
Rose would say or do, at each fork in the road. Dreaming of Rose is
a remarkable record of the art of biography, and the search for
another woman's life. Research trips to Varazze in Italy to look
for Rose's childhood, and to Trabzon in Turkey to find traces of
The Towers of Trebizond, were remarkably intuitive ventures that
found treasures in unexpected places. Dreaming of Rose is also a
memoir of a woman juggling the demands of teaching, research and
writing while patching together a living. LeFanu's work on Rose was
squeezed in between many other commitments and responsibilities:
she wrote for the BBC and taught creative writing and English
literature. Suffused with the tensions and dramas of everyday life,
and the necessity for intellectual integrity, this is an important
memoir of women and writing.
In early 1900, the paths of three British writers-Rudyard Kipling,
Mary Kingsley and Arthur Conan Doyle-crossed in South Africa,
during what's become known as Britain's last imperial war. Each of
the three had pressing personal reasons to leave England behind,
but they were also motivated by notions of duty, service,
patriotism and, in Kipling's case, jingoism. Sarah LeFanu
compellingly opens an unexplored chapter of these writers' lives,
at a turning point for Britain and its imperial ambitions. Was the
South African War, as Kipling claimed, a dress rehearsal for the
Armageddon of World War One? Or did it instead foreshadow the
anti-colonial guerrilla wars of the later twentieth century?
Weaving a rich and varied narrative, LeFanu charts the writers'
paths in the theatre of war, and explores how this crucial period
shaped their cultural legacies, their shifting reputations, and
their influence on colonial policy.
Exploring a host of female parts, rites of passage, love, loss,
danger, revelations, strange relationships, the pleasures and pains
of growing up female, a fantastic collection of short stories from
some of the best women writers today dealing with all aspects of
female life from youth to old age. Includes stories from: Hilary
Bailey, Sally Cameron, Betzy Dinesen, Souad Faress, Chrissie
Gittins, Bonnie Greer, Vicky Grut, Kirsty Gunn, Brigid Howarth,
Mizzy Hussain, Geraldine Kaye, Carolyn Patrick, Ellen Phethean,
Kate Pullinger, Stella Rafferty, Ravinder Randhawa, Maire Ni
Reagain, Michele Roberts, Daphne Rock, Elisa Segrave, Kirsty
Seymour-Ure, Susanna Steele & Karen Whiteson.
Samora Machel led FRELIMO, the Mozambican Liberation Front, to
victory against Portuguese colonialism in 1974, and the following
year became independent Mozambique's first President. He died
eleven years later in a mysterious plane crash. Drawing on stories,
speeches, documents, and the memories of those who knew him, this
biography presents the many different faces of the man Nelson
Mandela called 'a true African revolutionary'. Machel was a trained
nurse who became a consummate military strategist, a farmer's son
with the diplomatic skills first to tread the tightrope between
China and the Soviet Union and then to charm Margaret Thatcher, a
man of the people who found himself utterly alone, a dedicated
seeker of peace who never saw anything but war. The book examines
the discourse of equality, liberty and comradeship that flourished
during the 1960s and 1970s in the liberation struggles of the
countries of southern Africa, in the face of the dominant rhetoric
of the cold war. It meditates on the different languages through
which the Mozambican dream was articulated: the linguistic
currencies of anti-colonialism, of anti-racism, and of Marxism-
Leninism, while exploring the gaps between then and now, between
Mozambicans and the western idealists who wanted to be part of
their new society, and between the polyglottal Mozambicans
themselves.
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