Noted Asian Americanist Sau-ling C. Wong presents a thought-provoking overview of critical issues surrounding Kingston's contemporary classic, such as reception by various interpretive communities, canon formation, cultural authenticity, fictionality in autobiography, and feminist and poststructuralist subjectivity. Eight critical essays are supplemented by headnotes, an interview, and an annotated bibliography.

Asian America.Net demonstrates how Asian Americans have both defined and been defined by electronic technology. From 'model minority' stereotypes in the software industry to the "techno-orientalism" of computer games, these associations weigh heavily on contemporary discourses of race, ethnicity, gender, and technology. The thirteen essays gathered here critically examine the intersections of these discourses in mainstream media including novels and film, in alternative currents such as chat rooms and comic books, and in 'real life'. A landmark contribution to the study of cyberculture, Asian America.Net illuminates the complex networks of identity, community, and history in the digital age.

Asian America.Net demonstrates how Asian Americans have both defined and been defined by electronic technology. From 'model minority' stereotypes in the software industry to the "techno-orientalism" of computer games, these associations weigh heavily on contemporary discourses of race, ethnicity, gender, and technology. The thirteen essays gathered here critically examine the intersections of these discourses in mainstream media including novels and film, in alternative currents such as chat rooms and comic books, and in 'real life'. A landmark contribution to the study of cyberculture, Asian America.Net illuminates the complex networks of identity, community, and history in the digital age.

A recent explosion of publishing activity by a wide range of talented writers has placed Asian American literature in the limelight. As the field of Asian American literary studies gains increasing recognition, however, questions of misreading and appropriation inevitably arise. How is the growing body of Asian American works to be read? What holds them together to constitute a tradition? What distinguishes this tradition from the "mainstream" canon and other "minority" literatures? In the first comprehensive book on Asian American literature since Elaine Kim's ground-breaking 1982 volume, Sau-ling Wong addresses these issues and explores their implications for the multiculturalist agenda.

Wong does so by establishing the "intertextuality" of Asian American literature through the study of four motifs--food and eating, the Doppelg, nger figure, mobility, and play--in their multiple sociohistorical contexts. Occurring across ethnic subgroup, gender, class, generational, and historical boundaries, these motifs resonate with each other in distinctly Asian American patterns that universalistic theories cannot uncover. Two rhetorical figures from Maxine Hong Kingston's "The Woman Warrior," "Necessity" and "Extravagance," further unify this original, wide-ranging investigation. Authors studied include Carlos Bulosan, Frank Chin, Ashley Sheun Dunn, David Henry Hwang, Lonny Kaneko, Maxine Hong Kingston, Joy Kogawa, David Wong Louie, Darrell Lum, Wing Tek Lum, Toshio Mori, Bharati Mukherjee, Fae Myenne Ng, Bienvenido Santos, Monica Sone, Amy Tan, Yoshiko Uchida, Shawn Wong, Hisaye Yamamoto, and Wakako Yamauchi.

Noted Asian Americanist Sau-ling C. Wong presents a thought-provoking overview of critical issues surrounding Kingson's 'contemporary classic', such as reception by various interpretive communities, canon formation, cultural authenticity, fictionality in autobiography, and feminist and poststructuralist subjectivity. Eight critical essays are supplemented by headnotes, an interview, and an annotated bibliography.