John Lyly's Euphues: The Anatomy of Wit and Euphues and his England, created a literary sensation in their own age, and had a profound influence on Elizabethan prose. This modern-spelling edition of the two works, the first for nearly a century, is designed to allow the twenty-first century reader access to this culturally significant text and to explore the fascination that it exerted. Attuned to the needs of both students and specialists, the text is edited from the earliest complete witnesses, is richly annotated, and facilitates an understanding of Lyly's narrative technique by distinguishing typographically between narrative levels. The introduction explores the relationship between the dramatic and non-dramatic work, locating Lyly's highly influential plays in a wider context and Euphues' Latin poem in praise of Elizabeth I, translated for the first time, is discussed in an Appendix. A work of primary importance for students of Renaissance prose, this edition complements the on-going publication of Lyly's dramatic works in The Revels Plays. -- .

Reflective practice is at the heart of becoming a competent and confident social worker. It's both a key element of learning and development on social work courses and an important aspect of social work practice. This accessible and introductory text explores a range of approaches to reflective practice, it's main aim being to help students become more confident in answering key questions, including 'what is reflective practice?', 'how do I develop as a reflective practitioner?', 'how do I maintain reflective practice in key contexts?'. There are sections on writing reflective journals, communicating well with service users and carers and reflective practice while on placements.

Jonathan Scragg documents his work on a very promising material suitable for use in solar cells. Copper Zinc Tin Sulfide (CZTS) is a low cost, earth-abundant material suitable for large scale deployment in photovoltaics. Jonathan pioneered and optimized a low cost route to this material involving electroplating of the three metals concerned, followed by rapid thermal processing (RTP) in sulfur vapour. His beautifully detailed RTP studies - combined with techniques such as XRD, EDX and Raman - reveal the complex relationships between composition, processing and photovoltaic performance. This exceptional thesis contributes to the development of clean, sustainable and alternative sources of energy

Studies and editions of Anglo-Saxon apocryphal materials, filling a gap in literature available on the boundaries between apocryphal and orthodox in the period. Apocrypha and apocryphal traditions in Anglo-Saxon England have been often referred to but little studied. This collection fills a gap in the study of pre-Conquest England by considering what were the boundaries between apocryphaland orthodox in the period and what uses the Anglo-Saxons made of apocryphal materials. The contributors include some of the most well-known and respected scholars in the field. The introduction - written by Frederick M. Biggs, one of the principal editors of Sources of Anglo-Saxon Literary Culture - expertly situates the essays within the field of apocrypha studies. The essays themselves cover a broad range of topics: both vernacular and Latin texts, those available in Anglo-Saxon England and those actually written there, and the uses of apocrypha in art as well as literature. Additionally, the book includes a number of completely new editions of apocryphal texts which were previously unpublished or difficult to access. By presenting these new texts along with the accompanying range of essays, the collection aims to retrieve these apocryphal traditions from the margins of scholarship and restore tothem some of the importance they held for the Anglo-Saxons. Contributors: DANIEL ANLEZARK, FREDERICK M. BIGGS, ELIZABETH COATSWORTH, THOMAS N. HALL, JOYCE HILL, CATHERINE KARKOV, PATRIZIA LENDINARA, AIDEEN O'LEARY, CHARLES D. WRIGHT.

Essays demonstrating how the careful study of individual words can shed immense light on texts more broadly. Dedicated to honoring the remarkable achievements of Dr Antonette di Paolo Healey, the architect and lexicographer of the Old English Concordance, the Dictionary of Old English Web Corpus, and the Dictionary of Old English, the essays in this volume reflect firsthand the research made possible by Dr. Healey's landmark contributions to her field. Each chapter highlights how the careful consideration and study of words can lead to greater insights, from an understanding of early medieval English concepts of time and identity, to reconceptualizations of canonical Old English poems, reappraisals of early medieval English authors and their works, greater understanding of the semantic fields of Old English words and manuscript traditions, and the solving of lexical puzzles. MAREN CLEGG HYER is Professor of English at Valdosta State University; HARUKO MOMMA is Professor of English at NewYork University; SAMANTHA ZACHER is Professor of English and Medieval Studies at Cornell University. Contributors: Brianna Daigneault, Damian Fleming, Roberta Frank, Robert Getz, Joyce Hill, Joan Holland, Maren Clegg Hyer, Christopher A. Jones, R.M. Liuzza, Haruko Momma, Katherine O'Brien O'Keeffe, Andy Orchard, Stephen Pelle, Christine Rauer, Terri Sanderson, Donald Scragg, Paul Szarmach, M. J. Toswell, Audrey Walton, Samantha Zacher.

Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage. -- .

Preface - Acknowledgements - Verse and Prose - Imagery and Spectacle - Shakespeare's Expositions - Plays within Plays - Parallel Actions - The Treatment of Character - The Use of the Soliloquy - Art and Artifice - Conclusion: Discovering Shakespeare's Meaning - Index

"This thoroughly annotated volume provides a detailed study of the play's sources. " Patrick Richards, Day by Day His last known work and the only one to be written primarily in verse, The Woman in the Moon is among Lyly's most entertaining plays. Turning upon the construction of the female character, it has been read as highly misogynistic, and as a sixteenth-century feminist manifesto. The biblical version of the creation of woman is overturned in the first scene when the play's supreme deity, Nature, presents her ultimate creation, Pandora (memorably played in 1928 by Katharine Hepburn), to a group of Utopian shepherds, who compete for her love. Their amatory pursuit is complicated by the seven planets, whose attributes have been bestowed by Nature on her new creation, and who decide to take revenge by subjecting Pandora to their influence. The action rapidly develops into a dazzling comedy of intrigue, resulting in both an explanation for the female disposition and the creation of an 'alternative' version of the myth of the man in the moon. Newly edited from the first edition (1597), The Woman in the Moon will be of interest to all students of sixteenth-century drama. It is complemented by generous notes and commentary, as well as a full introduction and stage history.

Where the Cool Kids Hung Out is the story of the UEFA Cup's glory years, when it was a tournament that boasted a stronger field of teams than its senior siblings, the European Cup and the European Cup Winners' Cup. Since then it has drifted into its poor current form as the Europa League, the Champions League having siphoned off most of Europe's biggest clubs. Yet the UEFA Cup enjoyed some very stylish years, no more so than during the two-legged final period. It was an era when Ipswich Town swept to glory, Liverpool conditioned themselves to conquer the continent, Tottenham Hotspur twice captured the cup and Dundee United came agonisingly close. It was also a time when Borussia Monchengladbach made their name, Real Madrid regenerated as a force and Serie A came to dominate. Drawing on an encyclopaedic knowledge of the tournament plus interviews with players, journalists and fans who lived and loved the competition, Steven Scragg brings you the definitive account of the UEFA Cup's halcyon days.

In this useful guide, Leah Scragg indicates some of the ways in which meaning is generated in Shakespearian drama and the kinds of approaches that might lead to a fuller understanding of the plays. Each chapter focuses on one aspect of the dramatic composition, such as verse and prose, imagery and spectacle, and the use of soliloquy, and explores how this contributes to the overall meaning. Written in a clear and helpful style, Discovering Shakespearian Meaning enables students to discover the meaning for themselves.

A knowledge of the history and evolution of the tales on which Shakespeare drew in the composition of his plays is essential for the understanding of his work. In re-telling a particular story, a Renaissance writer was not simply reshaping the structure of the narrative but participating in a species of debate with earlier writers and the meanings their tales had accrued. The stories upon which Shakespeare's plays are constructed did not descend to him as innocent collections of incidents, but brought with them considerable cultural baggage, substantially lost to the modern spectator but an essential component, for a contemporary audience, of the meaning of the work.Shakespeare's Alternative Tales explores this literary dialogue, focusing on those plays in which the expectations generated by an inherited story are in some way overthrown, setting up a tension for a Renaissance spectator between 'received' and 'alternative' readings of the text. Each chapter opens with a familiar story, supplying a context for the subsequent discussion, and exhibits the way in which the dramatist's reworking of a traditional motif interrogates the assumptions implicit in his source.While offering the twentieth-century reader a fresh perspective from which to view the plays, the approach also supplies an introduction to contemporary readings of the Shakespearean canon. The tales Leah Scragg considers may be seen as 'alternative' in more than one sense: they radically rework conventional situations, while lending themselves to analysis in terms of new critical methodologies.The text will be of interest to both students of Shakespeare and the general reader. In conjunction with the author's companion volume, Shakespeare's Mouldy Tales, it provides an ideal introduction to contemporary developments in source studies.

In the Heat of the Midday Sun is a love letter to the 1986 World Cup. A tournament viewed via the shimmering satellite images of an age before the dawn of high-definition coverage - which was introduced four years later, at Italia '90 - it was the last World Cup where the commentaries sounded like they were broadcast from the surface of the moon. Mexico took on the tournament after Colombia failed to deliver on their host candidature, relinquishing the rights in 1983. With a devastating Mexico City earthquake just eight months before the big kick-off, it was a miracle that the Estadio Azteca was still able to be the venue of Diego Maradona's greatest and most infamous hours. As well as Argentina's most gifted son, Mexico '86 was blessed by the presence of Socrates, Platini, Francescoli, Butragueno, Belanov and Elkjaer to name but a few of the icons on display. This is the story of an evocative World Cup that seemed to be held together by Sellotape.

Fresh assessments of Edgar's reign, reappraising key elements using documentary, coin, and pictorial evidence. King Edgar ruled England for a short but significant period in the middle of the tenth century. Two of his four children succeeded him as king and two were to become canonized. He was known to later generations as "the Pacific" or"the Peaceable" because his reign was free from external attack and without internal dissention, and he presided over a period of major social and economic change: early in his rule the growth of monastic power and wealth involved redistribution of much of the country's assets, while the end of his reign saw the creation of England's first national coinage, with firm fiscal control from the centre. He fulfilled King Alfred's dream of the West Saxon royalhouse ruling the whole of England, and, like his uncle King AEthelstan, he maintained overlordship of the whole of Britain. Despite his considerable achievements, however, Edgar has been neglected by scholars, partly because his reign has been thought to have passed with little incident. A time for a full reassessment of his achievement is therefore long overdue, which the essays in this volume provide. CONTRIBUTORS: SIMON KEYNES, SHASHIJAYAKUMAR, C.P, LEWIS, FREDERICK M. BIGGS, BARBARA YORKE, JULIA CRICK, LESLEY ABRAMS, HUGH PAGAN, JULIA BARROW, CATHERINE KARKOV, ALEXANDER R. RUMBLE, MERCEDES SALVADOR-BELLO.

The Undisputed Champions of Europe is a trilogy-ending homage to the golden era of the European Cup. A place where the gods of the game battled for the biggest prize in club football; a place where the likes of Di Stefano, Eusebio, Best, Cruyff, Beckenbauer, Dalglish, Gullit and so many others became legends, as they skated across thin ice to glory, in the colours of clubs that are now considered European royalty. An entirely different beast than the Champions League, it was a competition where you had to win your domestic league title to gain entry. With no safety net of group stages, one bad night of football was enough to send you back to square one. In contrast to today's Champions League winners - whose status as Europe's best team is regularly disputed - the winners of the European Cup truly were the undisputed kings of Europe. These are the stories and glories of football's highest achievers.

A knowledge of the history and evolution of the tales on which Shakespeare drew in the composition of his plays is essential for the understanding of his work. In re-telling a particular story, a Renaissance writer was not simply reshaping the structure of the narrative but participating in a species of debate with earlier writers and the meanings their tales had accrued. The stories upon which Shakespeare's plays are constructed did not descend to him as innocent collections of incidents, but brought with them considerable cultural baggage, substantially lost to the modern spectator but an essential component, for a contemporary audience, of the meaning of the work. Shakespeare's Alternative Tales explores this literary dialogue, focusing on those plays in which the expectations generated by an inherited story are in some way overthrown, setting up a tension for a Renaissance spectator between 'received' and 'alternative' readings of the text. Each chapter opens with a familiar story, supplying a context for the subsequent discussion, and exhibits the way in which the dramatist's reworking of a traditional motif interrogates the assumptions implicit in his source. While offering the twentieth-century reader a fresh perspective from which to view the plays, the approach also supplies an introduction to contemporary readings of the Shakespearean canon. The tales Leah Scragg considers may be seen as 'alternative' in more than one sense: they radically rework conventional situations, while lending themselves to analysis in terms of new critical methodologies. The text will be of interest to both students of Shakespeare and the general reader. In conjunction with the author's companion volume, Shakespeare's Mouldy Tales, it provides an ideal introduction to contemporary developments in source studies.

This book provides an outline history of English spelling from the Anglo-Saxon' adoption of the Roman alphabet to the present day. It shows the respective influences on modern usage of native French and Latin orthographies and attempts a definition of the manner in which spelling stabilised. A final chapter traces changing notions of correctness in spelling during the last four centuries, and also gives a summary of the principle movements for its reform in favour of a more consistent and phonetic system of notion. Students in higher education specialising in English or linguistics and also those studying other languages at an advanced level should find this a useful book. The general reader with an interest in the history of his language or the question of spelling will find it most readable -- .

Devised as an entertainment for a Tudor monarch, Galatea might be seen, paradoxically, as a parable for our time. Inhabiting a world engaged in a process of change, the characters find themselves locked in a series of transgressive situations that speak directly to contemporary experience and twenty-first-century critical concerns. Same-sex relationships, shifts of authority, and the destabilization of meaning all lend the play a surprising modernity, making it at once the most accessible of Lyly's plays and the one most frequently performed today.
Designed for the student reader, Leah Scragg's edition offers a range of perspectives on the work. An extensive introduction locates the play in the context of the Elizabethan court, opening a window onto a kind of drama very different from that of more familiar sixteenth-century writers, such as Marlowe and Shakespeare. The latter's indebtedness to the play is fully documented, while detailed critical and performance histories allow an insight into the work's susceptibility to reinterpretation.

Designed to introduce the student or general reader to a largely unfamiliar area of Elizabethan theatrical activity, Five Elizabethan progress entertainments focuses on a group of entertainments mounted for the monarch in the closing years of her reign. Richly annotated, and prefaced by a substantial introduction, the texts enable an understanding of the motives underlying not only the progress itself, but the choice of locations the monarch elected to visit and the personal and political preoccupations of those with whom she determined to stay. Selected for their diversity, the entertainments exhibit the tensions underlying some royal visits, the lavish expenditure entailed for the monarch's hosts and the overlap in terms of both material and authorship between the progress entertainments and the more widely studied products of the sixteenth-century stage. -- .

The presentation of mental illness at work has different implications and consequences depending on the specific nature of the job, work context, regulatory framework and risks for the employee, organisation and society. Naturally there are certain occupational groups where human factors and/or mental illness could impair safety and mental acuity, and with potentially devastating consequences. For pilots, the medical criteria for crew licensing are stipulated by regulatory aviation authorities worldwide, and these include specific mental illness exclusions. The challenge of assessment for mental health problems is, however, complex and the responsibility for psychological screening and testing falls to a range of different specialists and groups including AMEs (authorised aviation medical examiners), GPs and physicians, airline human resources departments, psychologists, human factor specialists and pilots themselves. Extending and developing the ideas of Aviation Mental Health (2006), which described a range of psychological issues and problems that may affect pilots and the consequences of these, this book presents an authoritative, comprehensive and practical guide to modern, evidence-based practice in the field of mental health assessment, treatment and care. It features contributions from experts in the field drawn from several countries, professions and representing a range of aviation-related organisations, displaying a range of different skills and methods that can be used for the clinical assessment of pilots and in relation to specific mental-health problems and syndromes.

Jonathan Scragg documents his work on a very promising material suitable for use in solar cells. Copper Zinc Tin Sulfide (CZTS) is a low cost, earth-abundant material suitable for large scale deployment in photovoltaics. Jonathan pioneered and optimized a low cost route to this material involving electroplating of the three metals concerned, followed by rapid thermal processing (RTP) in sulfur vapour. His beautifully detailed RTP studies - combined with techniques such as XRD, EDX and Raman - reveal the complex relationships between composition, processing and photovoltaic performance. This exceptional thesis contributes to the development of clean, sustainable and alternative sources of energy

Comprehensive, annotated list of over a thousand Anglo-Saxon scribal hands, linking them to place and manuscript. This book documents the entire corpus of scribal hands writing in the vernacular from the eighth century to post-Conquest. More than a thousand hands are listed, together with details of their work, which ranges from a few words or sentences in marginalia to multiple volumes; glosses and marginalia are included, together with Latin charters containing some English. Overall, it offers a comprehensive view of the scale of literacy in early medieval England, locating the familiar material produced in Alfred's day in a significantly wider context, and providing an invaluable starting point for a variety of manuscript studies.

In this useful guide, Leah Scragg indicates some of the ways in which meaning is generated in Shakespearian drama and the kinds of approaches that might lead to a fuller understanding of the plays. Each chapter focuses on one aspect of the dramatic composition, such as verse and prose, imagery and spectacle, and the use of soliloquy, and explores how this contributes to the overall meaning. Written in a clear and helpful style, Discovering Shakespearian Meaning enables students to discover the meaning for themselves.

Essays centred round the representation of weaving, both real and imagined, in the early middle ages. The triple themes of textile, text, and intertext, three powerful and evocative subjects within both Anglo-Saxon studies and Old English literature itself, run through the essays collected here. Chapters evoke the semantic complexities of textile references and images drawn from the Bayeux Tapestry, examine parallels in word-woven poetics, riddling texts, and interwoven homiletic and historical prose, and identify iconographical textures in medieval art. The volume thus considers the images and creative strategies of textiles, texts, and intertexts, generating a complex and fascinating view of the material culture and metaphorical landscape of the Anglo-Saxon peoples. It is therefore a particularly fitting tribute to Professor Gale R. Owen-Crocker, whose career and lengthy list of scholarly works have centred on her interests in the meaning and cultural importance of textiles, manuscripts and text, and intertextual relationships between text and textile. MAREN CLEGG HYER is Associate Professor and Graduate Coordinator in the Department of English at Valdosta State University; JILL FREDERICK is Professor of English at Minnesota State University Moorhead. Contributors: Marilina Cesario, Elizabeth Coatsworth, Martin Foys, Jill Frederick, Joyce Hill, Maren Clegg Hyer, Catherine E. Karkov, Christina Lee, Michael Lewis, Robin Netherton, Carol Neuman de Vegvar, Donald Scragg, Louise Sylvester, Paul Szarmach, Elaine Treharne.

Fresh assessments of Edgar's reign, reappraising key elements using documentary, coin, and pictorial evidence. King Edgar ruled England for a short but significant period in the middle of the tenth century. Two of his four children succeeded him as king and two were to become canonized. He was known to later generations as "the Pacific" or"the Peaceable" because his reign was free from external attack and without internal dissention, and he presided over a period of major social and economic change: early in his rule the growth of monastic power and wealth involved redistribution of much of the country's assets, while the end of his reign saw the creation of England's first national coinage, with firm fiscal control from the centre. He fulfilled King Alfred's dream of the West Saxon royalhouse ruling the whole of England, and, like his uncle King AEthelstan, he maintained overlordship of the whole of Britain. Despite his considerable achievements, however, Edgar has been neglected by scholars, partly becausehis reign has been thought to have passed with little incident. A time for a full reassessment of his achievement is therefore long overdue, which the essays in this volume provide. CONTRIBUTORS: SIMON KEYNES, SHASHI JAYAKUMAR, C.P. LEWIS, FREDERICK M. BIGGS, BARBARA YORKE, JULIA CRICK, LESLEY ABRAMS, HUGH PAGAN, JULIA BARROW, CATHERINE KARKOV, ALEXANDER R. RUMBLE, MERCEDES SALVADOR-BELLO