THE SUNDAY TIMES MUSIC BOOK OF THE YEAR A TELEGRAPH BEST MUSIC BOOK OF THE YEAR A NEW STATESMAN BEST BOOK OF THE YEAR Faith, Hope and Carnage is a book about Nick Cave's inner life. Created from more than forty hours of intimate conversations with the journalist Sean O'Hagan, this is a profoundly thoughtful exploration, in Cave's own words, of what really drives his life and creativity. The book examines questions of belief, art, music, freedom, grief and love. It draws candidly on Cave's life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years. Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.

Published in 2006 following Damien Hirst's first major print exhibition at the Paul Stolper Gallery in London in 2005, New Religion explores Hirst's central themes: "I was thinking that there are four important things in life: religion, love, art and science... Of them all, science seems to be the right one now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end." With full colour reproductions of this entire series of Hirst silkscreen prints produced for the 'New Religion' exhibition, such as 'The Apostles', 'The Wound of Christ', 'The Last Supper' and 'The Stations of the Cross', as well as editioned sculptures and multiples such as 'The Fate of Man' and the 'box/cabinet' called 'New Religion', this hardback publication is a modern day biblical picture-book exploring combinations between science and religion. And the ideas about Hirst's science/religion dichotomy are further explored through an intriguing interview with Sean O'Hagan that moves effortlessly from the macro to the micro, and back again, "I just can't help thinking that science is the new religion for many people. It's as simple and as complicated as that really." Hardback with 6 gatefolds.

Made in Dublin winner of Photography category in the British Design and Production Awards 'A singular new vision and an original contribution to the development of street photography' Martin Parr Focused on D1, Dublin's city centre, Eamonn Doyle's three major bodies of work, 'i', 'On' and 'End' - with new and previously unpublished images brought together here for the first time - tell the tale of today's Dublin and, in doing so, tell a broader story of today's Ireland. Setting aside the nostalgia and cliche so often seen in 'stories of Ireland', Doyle's vernacular photography is a thrill to the system, revealing the extraordinary within the ordinary to paint a striking portrait of a modern and multicultural capital city. Vivified in colour, the commonplace is seen anew, the everyday made epic as the city's inhabitants appear in stark, graphic black and white going about their daily business. Far from pedestrian, Doyle's work is the archetype of good street photography: real life brought to life through the lens and voice of the street. Punctuating the photography with specially commissioned narratives is the distinctive voice of Kevin Barry, evoking the world beyond the frame: the sights, smells, sounds and sensations of a Dubliner's daily life. Designed by Doyle's longtime collaborator Niall Sweeney, fusing contemporary Irish word and contemporary Irish image, Made in Dublin is one of the most exciting and original books of street photography in recent years.