Sebastian Gardner competently tackles one of Sartre's more complex and challenging works in this new addition to the "Reader's Guides" series."Sartre's 'Being and Nothingness': A Reader's Guide" follows the successful format of "Continuum's Reader's Guides" series, designed specifically to meet the needs of undergraduate students. Gardner provides a brief biographical and contextual sketch, introducing Sartre's novels and political activism. He also includes an overview of contemporary French philosophy and the influence of World War II. The book gives a unified view of the (seemingly disparate) topics discussed in "Being and Nothingness" by taking them as answers to the problem of human freedom. It also shows how Sartre's work can be placed in a long and distinguished tradition of philosophical reflection deriving from Kant.Gardner's 'Reading the Text' section reveals the systematic nature of Sartre's thought and the subtleties of his arguments (both of which can remain hidden form the first-time reader in his dense prose). Finally, the book includes a discussion of the post-war reception of existentialism; criticisms of Being and Nothingness, including Sartre's own following his conversion to Marxism and Merleau-Ponty's in the Phenomenology of Perception; the temporary eclipsing of Sartre's thought by structuralism and Sartre's influence and importance today. This is an invaluable companion to study of this important and influential philosophical text."Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

In this throat-ripping zombie play, Tobias hates mash and Steve hates Tobias, but when they discover their Mom is patient zero in a world of flesh-eating zombies, there’s no time left for ‘feelings’. Pitting the gore of horror against the hysterical instability of family life, we watch brothers torn apart get pieced back together, only to be torn apart all over again. Steve and Tobias versus Death is a comedy about two brothers trapped in their living room during a zombie apocalypse. Under-pinned by a deep sense of tragedy through a kaleidoscope of black comedy, we follow Steve and Tobias as they care for their infected mother, fend off the incoming zombies and mend their fractured relationship. Improvised physical comedy and a post-modern backdrop collide to tell the nightmare story of an absentee father, an uncommunicative mother and a zombie apocalypse bursting through the door. CASTING: 3 women / 3 men This book is illustrated with blood-curdling anime by Daniel Kettle, introducing the characters and action in all their gruesomeness.  "Borderline anarchic and beyong absurd" - LondonTheatre1 "Hilarious script - perfect comic timing" - Korean Theatre Review "An onglaught of bloody good fun" - Theatre Weekly

The last night of a dysfunctional relationship precedes its one-night stand beginnings in this bittersweet heartbreak comedy. Tender, awkward and painfully funny, 'I Lost My Virginity to Chopin's Nocturne in B-Flat Minor' probes the murky line between devotion and destruction in a modern relationship. 'Chopin' is a bittersweet comedy which focuses in on the disparity between classes and how much of your self identity you would comprise for someone you love. Its fresh look at 'privilege', challenges how this is defined by both gender and upbringing, highlighting darker elements of toxic masculinity and the unhealthy nature of a dependent relationship. The piece explores a modern relationship being pulled apart by the divides of the class system and treads a murky line between devotion and destruction. It explores the politics of both the middle class and the working class, pitting them against each other to interrogate privilege, the gender divide and stereotypes. ' a delightful slice of relationship hell' - Christopher Brett Bailey 'A terrific two-hander. I'd prescribe this show for a bit of short sharp relationship counseling. - THE SCOTSMAN, * * * * 'Sebastian Gardner is a truly gifted writer, and one you will want to keep an eye on if your interest is cutting edge theatre. His dialogue bounces back and forth with unabashed vigour and viewed as a whole, I Lost My Virginity To Chopin's Nocturne in B-Flat Minor is its own symphony of modern theatre, pulling together all of the elements required for a fascinating and intuitive character study. A searing insight into modern-day relationships. 'The heated and often distressing confrontation in Act I tells us more about our characters than any other dramatic device could ever hope to achieve. - Theatre Weekly, * * * * 'There is no point in this show during which you might be tempted to wonder off in thoughts to your own life - you are riveted to the situation unfolding in front of your eyes.' -SCOTSGAY, * * * * 'An honest, bitter, and endearing portrayal of modern relationships that throws away any pretence of romanticism to create an original work. A must-see during this year's fringe.' - Ed Fringe Review, * * * *

Philosopher, novelist, dramatist and existentialist Jean-Paul Sartre is one of the greatest writers of all time. He was fascinated by the role played by the emotions in human life and placed them at the heart of his philosophy. This brilliant short work - which contains some of the principal ideas later to appear in his masterpiece Being and Nothingness - is Sartre at his best: insightful, engaging and controversial. Far from constraining one's freedom, as we often think, Sartre argues that emotions are fundamental to it and that an emotion is nothing less than 'a transformation of the world'. With a new foreword by Sebastian Gardner.

Art and Morality is a collection of groundbreaking new papers on the theme of aesthetics and ethics, and the link between the two subjects. A group of distinguished contributors tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life.

The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include: the relation of aesthetic to ethical judgement; the relation of artistic experience to moral consciousness; the moral status of fiction; the concepts of sentimentality and decadence; the moral dimension of critical practice, pictorial art and music; the moral significance of tragedy; and the connections between artistic and moral issues elaborated in the writings of central figures in modern philosophy, such as Kant, Schopenhauer and Nietzsche.

The contributors share the view that progress in aesthetics requires detailed study of the practice of criticism. This volume will appeal both to the philosophical community and to researchers in areas such as literary theory, musicology and the theory of art.

eBook available with sample pages: 0203454766

Kant's "The Critique of Pure Reason" is arguably the single most important philosophical work in Western philosophy. It is also one of the most difficult philosophical texts to study. This clear, straightforward guide to the "Critique" recasts Kant's thought in more familiar language, avoiding the technicalities that plague other secondary sources on Kant. Sebastian Gardner examines Kant's thought by contrasting two interpretive traditions--those of Strawson and Allison--while setting the "Critique" in the context of both pre-Kantian and post-Kantian philosophy. Ideal for anyone coming to Kant's thought for the first time, this accessible guide will be vital reading for all students of Kant in philosophy.

This GuideBook introduces and assesses Kant's Critique of Pure Reason, arguably the single most important work in western philosophy. It is ideal for newcomers to Kant's thought.

The relation between aesthetic and moral concerns or values, especially as regards art and its place in our lives, has become a prominent focus of recent philosophical aesthetics. This collection of high quality papers, some historical and some contemporary in orientation, should do much to further debate on this crucial issue.' Jerrold Levison, University of Maryland
Art and Morality is a collection of groundbreaking new papers on the theme of aesthetics and ethics, and the link between the two subjects. A group of distinguished contributors tackle the important questions that arise when one thinks about the moral dimensions of art and the aesthetic dimension of moral life.
The volume is a significant contribution to philosophical literature, opening up unexplored questions and shedding new light on more traditional debates in aesthetics. The topics explored include: the relation of aesthetic to ethical judgment; the relation of artistic experience to moral consciousness; the moral status of fiction; the concepts of sentimentality and decadence; the moral dimension of critical practice, pictorial art and music; the moral significance of tragedy; and the connections between artistic and moral issues elaborated in the writings of central figures in modern philosophy, such as Kant, Schopenhauer and Nietzsche.
The contributors share the view that progress in aesthetics requires detailed study of the practice of criticism. This volume will appeal both to the philosophical community and to researchers in areas such as literary theory, musicology and the theory of art.

Kant's influence on the history of philosophy is vast and protean. The transcendental turn denotes one of its most important forms, defined by the notion that Kant's deepest insight should not be identified with any specific epistemological or metaphysical doctrine, but rather concerns the fundamental standpoint and terms of reference of philosophical enquiry. To take the transcendental turn is not to endorse any of Kant's specific teachings, but to accept that the Copernican revolution announced in the Preface of the Critique of Pure Reason sets philosophy on a new footing and constitutes the proper starting point of philosophical reflection. The aim of this volume is to map the historical trajectory of transcendental philosophy and the major forms that it has taken. The contributions, from leading contemporary scholars, focus on the question of what the transcendental turn consists in-its motivation, justification, and implications; and the limitations and problems which it arguably confronts-with reference to the relevant major figures in modern philosophy, including Kant, Fichte, Hegel, Nietzsche, Husserl, Heidegger, Merleau-Ponty, and Wittgenstein. Central themes and topics discussed include the distinction of realism from idealism, the relation of transcendental to absolute idealism, the question of how transcendental conclusions stand in relation to (and whether they can be made compatible with) naturalism, the application of transcendental thought to foundational issues in ethics, and the problematic relation of phenomenology to transcendental enquiry.

In a reconstruction of the theories of Freud and Klein, Sebastian Gardner asks: what causes irrationality, what must the mind be like for it to be irrational, to what extent does irrationality involve self-awareness, and what is the point of irrationality? Arguing that psychoanalytic theory provides the most penetrating answers to these questions, he rejects the widespread view of the unconscious as a 'second mind', in favour of a view of it as a source of inherently irrational desires seeking expression through wish-fulfilment and phantasy. He meets scepticism about psychoanalytic explanation by exhibiting its continuity with everyday psychology.

Sebastian Gardner competently tackles one of Sartre's more complex and challenging works in this new addition to the Reader's Guides series - Sartre's Being and Nothingness. A Reader's Guide follows the successful format of Continuum's Reader's Guides series, designed specifically to meet the needs of undergraduate students. Gardner provides a brief biographical and contextual sketch, introducing Sartre's novels and political activism. He also includes an overview of contemporary French philosophy and the influence of World War II. The book gives a unified view of the (seemingly disparate) topics discussed in Being and Nothingness by taking them as answers to the problem of human freedom. It also shows how Sartre's work can be placed in a long and distinguished tradition of philosophical reflection deriving from Kant.