Featuring a new foreword by Robin D. G. Kelley, this updated edition of the classic exploration of the economic inequality that fuels systematic racism, from one of the leading Black public intellectuals of the 19th century, is as timely and radical today as it was when it was first published. "The preeminent Black journalist of his age" (Henry Louis Gates, Jr., author of The Black Church) and an early agitator for civil rights, T. Thomas Fortune astutely and compellingly analyzes the relationship between capitalism and racism in the United States. He reveals that the country's racial hierarchy has been part of our national fabric since the first European set foot here and is rooted in a much larger system of economic exploitation. He argues that in order for the United States to realize its founding ideals and end racial discrimination, this system must be dismantled, reparations made, and labor fairly remunerated. Fortune's passionate analysis and radical vision of the United States will force you to rethink what America could have been if his arguments had been heeded in the 1880s and what must be done for us to move forward as a unified nation.

In Mourning Modernity, Seth Moglen argues that American literary modernism is, at its heart, an effort to mourn for the injuries inflicted by modern capitalism. He demonstrates that the most celebrated literary movement of the 20th century is structured by a deep conflict between political hope and despair - between the fear that alienation and exploitation were irresistible facts of life and the yearning for a more just and liberated society. He traces this conflict in the works of a dozen novelists and poets - ranging from Eliot, Hemingway, and Faulkner to Hurston, Hughes, and Tillie Olsen. Taking John Dos Passos' neglected U.S.A. trilogy as a central case study, he demonstrates how the struggle between reparative social mourning and melancholic despair shaped the literary strategies of a major modernist writer and the political fate of the American Left. Mourning Modernity offers a bold new map of the modernist tradition, as well as an important contribution to the cultural history of American radicalism and to contemporary theoretical debates about mourning and trauma.

In Mourning Modernity, Seth Moglen argues that American literary modernism is, at its heart, an effort to mourn for the injuries inflicted by modern capitalism. He demonstrates that the most celebrated literary movement of the 20th century is structured by a deep conflict between political hope and despair - between the fear that alienation and exploitation were irresistible facts of life and the yearning for a more just and liberated society. He traces this conflict in the works of a dozen novelists and poets - ranging from Eliot, Hemingway, and Faulkner to Hurston, Hughes, and Tillie Olsen. Taking John Dos Passos' neglected U.S.A. trilogy as a central case study, he demonstrates how the struggle between reparative social mourning and melancholic despair shaped the literary strategies of a major modernist writer and the political fate of the American Left. Mourning Modernity offers a bold new map of the modernist tradition, as well as an important contribution to the cultural history of American radicalism and to contemporary theoretical debates about mourning and trauma.