Featuring four new plays written and devised in collaboration with groups of secondary school children, this collection examines immigration to and emigration from the UK. A theatre-in-education project coordinated by Tamasha theatre company and The Migration Museum, children worked on exercises designed to develop their understanding of, and feelings about, migration. Their reactions were then incorporated into a piece of theatre by a professional playwright that the students then performed. This collection brings together these plays along with the unique exercises that inspired them. The plays include: Nothing to Declare by Sharmila Chauhan follows three precious keepsakes and the stories attached to them as their owners are stopped at a hostile border. Potato Moon by Satinder Chohan focuses on the potatoes buried in a share allotment. They become people's memories in a magical realist Southall and so when they start to go missing, schoolgirl Mira set out to find out why. Wilkommen by Asif Khan follows 11 year Ammar on the most dangerous journey of his life, from war-torn country, across sea and land, to take up the offer of a new life in Europe. Jigsaw by Sumerah Srivstav tells the story of how three angels, horrified by mankind's cruelty, prepare to wipe them out... until they find an unlikely friend who changes their mind. This is an invaluable collection that gives both teachers the resources to address the sometimes tricky issues surrounding migration and students the opportunity to create and in doing so counteract and humanize the narratives hear in the media and society as a whole.

It's Aya's wedding day. Her third. Her current two husbands aren't too fussed. In a society in which there are few women, that's just what happens. But as the household prepares for the wedding feast, a stranger arrives - one who threatens to challenge everything they believe in. Against a backdrop of modern rural India, Sharmila Chauhan weaves an extraordinary tale of love and wonder. From the preparation of luxury food and the sacrifice of the lamb to the dressing of the bride and the dance to end all dances, this will be an exuberant, joyful and challenging piece of theatre. 'In parts of India, polyandry has become a necessity. Gendercide, as a consequence of the ancient preference for boys, the modern desire for smaller families and the increasing availability of ultrasound techniques to detect the gender of a baby still in the womb means that the number of females is declining. I wrote The Husbands both as a response to this but also as an exploration of the complexity of love, intimacy and trust between one woman and three men where gender differences and expectations are amplified. In a sense this play is as much a warning as an allegory for the fate of women in The West today.' - Sharmila Chauhan