Critical Perspectives on Pat Barker brings together an international roster of scholars who pay detailed attention to the work and career of this prizewinning British writer, providing critical insight into each of her nine novels, from Union Street (1982) through the Regeneration trilogy (1991-95) to Double Vision (2003). The eighteen essays in the volume are organized into five sections: ""Writing Working-Class Women,"" ""Dialogue under Pressure,"" ""Men at War,"" ""The Talking Cure,"" and ""Regenerating the Wasteland."" Taken individually, each of the essays yields a variety of insights into Barker's fictions; taken as a whole, the collection provides a fresh and timely overview of Barker's oeuvre and her creative exploration of society. The volume probes Barker's keenly historicized and yet topical preoccupations: the social and psychological ramifications of planned violence in war and random violence in British villages and cities, and the comforts and tensions in relationships, whether between men in war, women in postindustrial cities, or men and women in sex and marriage. The volume also dissects Barker's unflinching gaze on class, sex, murder, and psychosis, and her provocative and emotionally moving images. It includes an interview with the novelist, incorporates her observations on writing her most recent novel, Double Vision, in the aftermath of wars in Bosnia and Iraq, and explores the film adaptation of Regeneration. The volume also presents Sarah Daniels's dramatic adaptation of Barker's novel Blow Your House Down, which has been staged but has not previously appeared in print.

When Pat Barker was published in 2002, it was the first study to investigate this award-winning and popular writer's fiction in a sustained way. This updated second edition coincides with the centenary of the First World War, a major preoccupation from Liza's England through the Regeneration Trilogyto Toby's Room. Many of Barker's stories balance on the serrated edges of the military experience as she depicts it, to include bombs, bullets and bayonets but also psychological pressures of conscience and class under which soldiers struggle, and debates over how to represent war in which painters, journalists and writers engage. A creative spur to other writers, Barker's work is also a primary source for filmmakers. Barker's leading critic, Monteith has interviewed the author about her work over three decades. Here she positions Barker as a supremely contemporary novelist: when she intervenes imaginatively in history, Barker speaks to present concerns over culture and memory.

In a new anthology of essays, an international group of scholars examines the powerful interaction between gender and race within the Civil Rights Movement and its legacy.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the 'historical turn' in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements. Key features *Contains a preface that explains the structure and organisation of the book *Chapter introductions provide a chronological sense of international developments *Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts

This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history. Key Features: * Focused case studies featuring key texts, genres, writers, artists and cultural trends * Detailed chronology of 1960s American culture * Bibliographies for each chapter * Over 30 black and white illustrations

This book is a collection of nine essays that analyse the people, the protests and the incidents of the civil rights movement through the lens of gender. More than just a study of women, the book examines the ways in which assigned sexual roles and values shaped the strategy, tactics and ideology of the movement. The essays deal with topics ranging from the Montgomery bus boycott and Rhythm and Blues to gangsta rap and contemporary fiction, from the 1950s to the 1990s. Referring to groups such as the National Council of African American Men and events such as the Million Man March, the authors address male gender identity as much as female, arguing that slave/master relations carried over from before the Civil War continued to affect Black masculinity in the post-war battle for civil rights. Whereas feminism traditionally deals with issues of patriarchy and prescribed gender roles, this volume shows how race relations continue to complicate sex-based definitions within the civil rights movement.

This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history. Key Features: * Focused case studies featuring key texts, genres, writers, artists and cultural trends * Detailed chronology of 1960s American culture * Bibliographies for each chapter * Over 30 black and white illustrations

Taking Albert Murray's South to a Very Old Place as a starting point, contributors to this exciting collection continue the work of critically and creatively remapping the South through their freewheeling studies of southern literature and culture. Appraising representations of the South within a context that is postmodern, diverse, widely inclusive, and international, the essays present multiple ways of imagining the South and examine both new places and old landscapes in an attempt to tie the mythic southern balloon down to earth. In his foreword, an insightful discussion of numerous Souths and the ways they are perceived, Richard Gray explains one of the key goals of the book: to open up to scrutiny the literary and cultural practice that has come to be known as ""regionalism."" Part I, ""Surveying the Territory,"" theorizes definitions of place and region, and includes an analysis of southern literary regionalism from the 1930s to the present and an exploration of southern popular culture. In ""Mapping the Region,"" essayists examine different representations of rural landscapes and small towns, cities and suburbs, as well as liminal zones in which new immigrants make their homes. Reflecting the contributors' transatlantic perspective, ""Making Global Connections"" challenges notions of southern distinctiveness by reading the region through the comparative frameworks of Southern Italy, East Germany, Latin America, and the United Kingdom and via a range of texts and contexts, from early reconciliation romances to Faulkner's fictions about race to the more recent parody of southern mythmaking, Alice Randall's The Wind Done Gone. Together, these essays explore the roles that economic, racial, and ideological tensions have played in the formation of southern identity through varying representations of locality, moving regionalism toward a ""new place"" in southern studies.

Though black and white women have long been associated with the heart of southern culture, their relationships with each other in the context of contemporary southern fiction have been largely glossed over until now. In "Advancing Sisterhood?" Sharon Monteith offers an enlightening map of this new literary ground. Beginning with an overview of the theory and literary incarnations of friendship, "Advancing Sisterhood?" examines how prevalent specific relationships between black and white women have become in the works of Ellen Douglas, Kaye Gibbons, Connie Mae Fowler, Lane von Herzen, Ellen Gilchrist, Carol Dawson, and others. Monteith explains that interracial friendships have become an alluring topic for white women writers. She also examines these friendships in relation to the ways black women writers and critics have pictured black and white girls and women in the South.

"Advancing Sisterhood?" explores childhood female relationships in such works as "Ellen Foster" and "Before Women Had Wings" and considers recent ecocriticism and its role in charting the female southern landscape. Monteith also provides an in-depth examination of the archetypal friendship between white housewives and their black servants. Through these discussions, "Advancing Sisterhood?" demonstrates how contemporary white women writers have broadened their work to include friendships between women of diverse backgrounds and to influence literary expression.

Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were "new abolitionists," but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through "projects" embedded in Freedom Houses, especially in the South: the setting for most of SNCC's stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC's responsibility to communities, to the "walking wounded" damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC's Stories examines the organization's print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC's dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC's writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC's print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.

Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were "new abolitionists," but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through "projects" embedded in Freedom Houses, especially in the South: the setting for most of SNCC's stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC's responsibility to communities, to the "walking wounded" damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC's Stories examines the organization's print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC's dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC's writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC's print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.

This collection brings together new and original critical essays by eleven established European American Studies scholars to explore the 1960s from a transatlantic perspective. Intended for an academic audience interested in globalized American studies, it examines topics ranging from the impact of the American civil rights movement in Germany, France and Wales, through the transatlantic dimensions of feminism and the counterculture movement. It explores, for example, the vicissitudes of Europe's status in US foreign relations, European documentaries about the Vietnam War, transatlantic trends in literature and culture, and the significance of collective and cultural memory of the era.

This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions, and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality, and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies, and the history of storytelling in America.

This Companion maps the dynamic literary landscape of the American South. From pre- and post-Civil War literature to modernist and civil rights fictions, and writing by immigrants in the 'global' South of the late-twentieth and twenty-first centuries, these newly commissioned essays from leading scholars explore the region's established and emergent literary traditions. Touching on poetry and song, drama and screenwriting, key figures such as William Faulkner and Eudora Welty, and iconic texts such as Gone with the Wind, chapters investigate how issues of class, poverty, sexuality, and regional identity have textured Southern writing across generations. The volume's rich contextual approach highlights patterns and connections between writers while offering insight into the development of Southern literary criticism, making this Companion a valuable guide for students and teachers of American literature, American studies, and the history of storytelling in America.

A wide-ranging introduction to film history, this anthology covers the history of film from 1895 to the present day. The book is arranged chronologically, and each chapter contains an introduction by the editors on the key developments within the period, followed by a classic piece of historical research about that period. Various types of film history are undertaken in the articles, so that students can become familiar with different types of film historical research. For example, topics include the history of audiences; exhibition; marketing; censorship; aesthetic history; political history; and historical reception studies. The book is therefore designed to provide students with a narrative history spine while simultaneously introducing them to different approaches to the study and research of film history. Concentrating on the plurality of the 'historical turn' in film studies, this book demonstrates that film history is, and should be, about more than simply key films, directors and movements. Key features *Contains a preface that explains the structure and organisation of the book *Chapter introductions provide a chronological sense of international developments *Includes key articles of film history that illustrate differences in methodological approach, and which are devoted both to America and to a wide range of non-American contexts