-Offers a practical guide to using the tools of narrative cinema in nonfiction film, focusing on storytelling as it applies to every part of the filmmaking process. -5th edition is updated to include new examples, increased coverage of documentary ethics and research for nonfiction film (especially using web-based material), an exploration of short-form nonfiction forms, and new interviews, giving documentary filmmakers the tools to make effective, ethically-responsible films for a range of different audience types. -Interviews with award-winning documentary filmmakers including Stanley Nelson (The Black Panthers), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new names], offering contemporary insight into the craft.

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

-Offers a practical guide to using the tools of narrative cinema in nonfiction film, focusing on storytelling as it applies to every part of the filmmaking process. -5th edition is updated to include new examples, increased coverage of documentary ethics and research for nonfiction film (especially using web-based material), an exploration of short-form nonfiction forms, and new interviews, giving documentary filmmakers the tools to make effective, ethically-responsible films for a range of different audience types. -Interviews with award-winning documentary filmmakers including Stanley Nelson (The Black Panthers), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms), and [tbc - new names], offering contemporary insight into the craft.

Working with Young People is designed to help you develop the knowledge and skills you need for supporting young people as they learn about themselves, others and society and prepare for the transition to adulthood. It introduces the fundamental concepts and issues that lie at the heart of contemporary work with young people and challenges you to think deeply about:

- the social context of young people - values and principles that underpin practice - the variety of settings in which practice takes place, and

- the importance of informal learning in the lives of young people. Whether you are a new student or returning to study, Working with Young Poeple provides a stimulating introduction and a foundation for further study.

Sheila Curran is Senior Lecturer at The Open University. Roger Harrison is Senior Lecturer at The Open University. Donald Mackinnon is Lecturer at The Open University.

Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.

A wise and triumphant novel about four women who've come of age together only to discover that--when it comes to the essentials--life's little instruction book will always need revising. Penelope Cameron has convinced her husband and four closest friends to sign an outlandish pact. If she should die before her two daughters are eighteen, her husband will not remarry without the permission of Penelope's sister and three college roommates. For years, this contract gathers dust until the unthinkable happens--a disaster that only lovable, worrisome Penelope could have predicted--and everyone she loved is left in a world without her. With the help of Penelope's friends, her husband and children slowly build new lives. But just when things start to come together, the fragile serenity they have gained is suddenly threatened from within, and the unbreakable bonds they share seem likely to dissolve after all. Entertaining and uplifting, Everyone She Loved explores the faith one woman placed in those she held dearest, the care she took to protect her family, the many ways in which romantic entanglements will confound and confuse even the most determined of planners, but above all, the abiding strength of friendship.

`This is the first book about managing youth work for a very long time and is very welcome. The book will help the developing practitioner become better equipped to lead youth work that is soundly informed by their professional values. It will also be a valuable source for more experienced practitioners wanting to dip in for some analytical sustenance for their daily youth work management' - Mary Tyler, Principal Lecturer, De Montfort University Leading Work with Young People provides a selection of writing from a complex and dynamic field of work. The editors bring together key readings and newly commissioned material to present a variety of theoretical and practical perspectives on leading and managing work with young people. The book will equip students with the knowledge, skills, values and principles required for successful qualification as a worker in the field. Chapters include: " understanding leadership " supervision " multi-agency work " managing change Leading Work with Young People is a student-friendly and engaging text which examines the leadership roles which practitioners take on as members of teams, organisations and interagency partnerships. The book is an essential text for all those studying for qualification in work with young people and for those who wish to extend their understanding of the field. It is also an invaluable resource for experienced professionals and practice supervisors working with young people in statutory or voluntary organisations. Leading Work with Young People is a Course Reader for the Open University course Leading Work with Young People (E132).