Examines a diverse range of house types in an effort to understand how people imagined and articulated their place in the Roman world, from Britain to Syria. Shelly Hales considers the nature and role of domestic decoration and its role in promoting social identities. From the Egyptian themes of imperial residences in Italy, to the viticultural designs found in the rock-cut homes in Petra, this decoration consistently appeals to fantasies beyond the immediate realities of their inhabitants. Hales contends that fantasy served a key role in allowing individuals and communities to meet expectations and indulge aspirations, to confirm and to compete within the diverse empire. Employing a wide range of approaches to the study of the house and acculturation in the Roman Empire, her book serves as the first synthesis of Roman domestic architecture and offers new insights into the complexities and contradictions of being Roman.

Recent studies have highlighted the diversity, complexity, and plurality of identities in the ancient world. At the same time, scholars have acknowledged the dynamic role of material culture, not simply in reflecting those identities but their role in creating and transforming them. This volume explores and compares two influential approaches to the study of social and cultural identities, the model of globalization and theories of hybrid cultural development. In a series of case studies, an international team of archaeologists and art historians considers how various aspects of material culture can be used to explore complex global and local identity structures across the geographical and chronological span of antiquity. The essays examine the civilizations of the Greeks, Romans, Etruscans, Persians, Phoenicians, and Celts. Reflecting on the current state of our understanding of cultural interaction and antiquity, they also dwell on contemporary thoughts of identity, cultural globalization, and resistance that shape and are shaped by academic discourses on the cultural empires of Greece and Rome.

The city of Pompeii has had an enormous impact on Western imaginations since its rediscovery under the ashes of the volcano that destroyed it in 79 CE. In the 250 years since excavations began, Pompeii has helped to bring the ancient world to life for everyone, from music hall audiences to gentleman scholars, and it continues to have an impact on the way in which we think about the past, and the human condition itself. The contributors to this generously illustrated volume, who include the novelist Robert Harris, in a recorded interview, investigate how Pompeii has been used in film, fiction, and art on both sides of the Atlantic over three centuries. They explore the many different ways in which Pompeii inhabits our imaginations: as ghostly relic of human suffering, romantic ruin, model of cultural inspiration, home of a distant, decadent culture, and comforting model for everyday life.

Recent studies have highlighted the diversity, complexity, and plurality of identities in the ancient world. At the same time, scholars have acknowledged the dynamic role of material culture, not simply in reflecting those identities but their role in creating and transforming them. This volume explores and compares two influential approaches to the study of social and cultural identities, the model of globalization and theories of hybrid cultural development. In a series of case studies, an international team of archaeologists and art historians considers how various aspects of material culture can be used to explore complex global and local identity structures across the geographical and chronological span of antiquity. The essays examine the civilizations of the Greeks, Romans, Etruscans, Persians, Phoenicians, and Celts. Reflecting on the current state of our understanding of cultural interaction and antiquity, they also dwell on contemporary thoughts of identity, cultural globalization, and resistance that shape and are shaped by academic discourses on the cultural empires of Greece and Rome.