One of the great political strategists of his era, V. I. Lenin continues to attract historical interest, yet his complex personality eludes full understanding. This new edition of Moshe Lewin's classic political biography, including an afterword by the author, suggests new approaches for studying the Marxist visionary and founder of the Soviet state. Lenin's Last Struggle offers invaluable insights into the rise of the Bolshevik party and the Soviet Union, a saga complicated by complex strategic battles among the leaders of Lenin's generation: leaders whose names are universally known, but whose personalities and motivations are even now not sufficiently understood.

Moshe Lewin was a collective farm worker in the USSR and a soldier in the Soviet army. He later became director of studies at the Ecole Pratique des Hautes Etudes in Paris, a fellow of the Kennan Institute, a senior fellow of Columbia University's Russian Institute, and is now emeritus professor of history at The University of Pennsylvania.

National treasure Sheridan Smith returns to the role of Lucie Miller in these four new adventures with the Eighth Doctor! 1. The Dalek Trap by Nicholas Briggs. The thing about black holes is, they’re big and they’re black and they’re deadly, and you’d have to be mad to go anywhere near them. Because anything that falls inside a black hole ends up crushed in the singularity. Unfortunately, the Doctor just went mad, or so it seems, and flew his TARDIS beyond a black hole’s event horizon, causing him and his companion Lucie Miller to end up marooned on a planetoid just inside the event horizon. Along with a Dalek saucer… and something else. Because this is no ordinary black hole… This is the Cradle of the Darkness. 2. The Revolution Game by Alice Cavender. It’s Lucie’s birthday, and her birthday treat awaits. But whatever she’s expecting, it’s not what she’s getting on the colony world of Castus Sigma in the year 3025: ringside seats for the interplanetary Retro Roller Derby – sponsored by Heliacorp, “turning sunlight into gold”! It’s more than just a game, though. For the competitors, it’s a matter of life or death – a New Life with Heliacorp, or a living death on Castus Sigma. Or, on this fateful day, a very actual death. Because there are strange creatures living out on the plain, beyond the colony. Creatures with every reason to want to sabotage the games. Creatures with a grudge. 3. The House on the Edge of Chaos by Eddie Robson. The TARDIS brings the Doctor and Lucie to a vast house on the planet known as Horton’s Orb. The only house on Horton’s Orb, in fact. Outside its outsized windows there’s nothing. No land. No sea. No sky. No life. Just an endless expanse of static. Inside the house, there’s an upstairs and a downstairs – servants below, gentlefolk from the finest of the house’s families above. Alas, there are altogether too few eligible ladies on the upper floors these days. Meaning there’s a vacancy for Miss Lucie Miller, single and unattached…Outside the house, the static howls on. Except now, the static wants to get in. 4. Island of the Fendahl by Alan Barnes. The Fendahl is the death of evolution, the horror that lies in wait at the far end of the food chain. The Fendahl is death itself. And the Fendahl is dead. The Doctor destroyed it many years ago, in another incarnation, when he encountered it in a place called Fetchborough. But if the Fendahl is dead… how can it live again, on the remote island of Fandor? CAST: Paul McGann (The Doctor), Sheridan Smith (Lucie Miller), Matt Lloyd Davies (Jik Gelliska), Amanda Hurwitz (Raz Kalisto), Jonathan Keeble (Clegg), Madeline Duggan (Sash), Tom Alexander (George), Alicia Ambrose-Bayly (Tallulah / Alana Kelly), Carla Mendonca (Evangeline Horton), Rupert Vansittart (Darius Horton), Emily Woodward (Frances Horton), Joe Jameson (Berrigan Horton), Carlyss Peer (Diane Howard), Atilla Akinci (Dieter Fendelman), Paul Panting (Freddie), Lauren Cornelius (Maxine Mitchell), Bethan Dixon Bate (Landlady) and Nicholas Briggs (The Daleks). Other parts played by members of the cast.

He belonged to the solemn race of men whose lives unfold too quickly to their close.?Jean Cocteau
"The Devil in the Flesh," one of the finest, most delicate love stories ever written, is set in Paris during the last year of the First World War. The narrator, a boy of sixteen, tells of his love affair with Martha Lacombe, a young woman whose soldier husband is away at the front. The liaison soon becomes a scadal and their friends, horrified and incredulous, refuse to accept what is happening - even when the affair reaches its tragic climax.
In the film "Le Diable au Corps" (with Gerard Philipe and Micheline Presle), Claude Autant-Lara recreated this story of the First World War with nostalgic tenderness. His sensitive dramatization treats the affair with such delicacy that many critics consider the love scenes to be among the most beautiful ever photographed. The film won the Grand Prix and the International Critics Prize.
Raymond Radiguet wrote "The Devil in the Flesh" between the ages of sixteen and eighteen, about his own adolescent love affair with an older woman. He died from typhoid fever at the age of twenty. His only other novel is "Comte d'Orgel," also available from Marion Boyars Publishers.
..".a triumph of the poetic intelligence: a masterpiece..."?"New Statesman"

At the height of the Algerian war, Jean-Paul Sartre embarked on a fundamental reappraisal of his philosophical and political thought. The result was the Critique of Dialectical Reason, an intellectual masterpiece of the twentieth century, now republished with a major original introduction by Fredric Jameson. In it, Sartre set out the basic categories for the renovated theory of history that he believed was necessary for post-war Marxism. Sartre's formal aim was to establish the dialectical intelligibility of history itself, as what he called 'a totalisation without a totaliser'. But, at the same time, his substantive concern was the structure of class struggle and the fate of mass movements of popular revolt, from the French Revolution at the end of the eighteenth century to the Russian and Chinese revolutions in the twentieth: their ascent, stabilisation, petrification and decline, in a world still overwhelmingly dominated by scarcity.