Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures seeks to "re-orient" the fairy tale across different cultures, media, and disciplines and proposes new approaches to the ever-expanding fairy-tale web in a global context with a special emphasis on non-Euro-American materials. Editors Mayako Murai and Luciana Cardi bring together emerging and established researchers in various disciplines from around the world to decenter existing cultural and methodological assumptions underlying fairy-tale studies and suggest new avenues into the increasingly complex world of fairy-tale cultures today. Divided into three parts, the fourteen essays cover a range of materials from Hawaiian wonder tales to Japanese heroine tales to Spanish fairy-tale film adaptation. Chapters include an invitation from Cristina Bacchilega to explore the possibilities related to the uncanny processes of both disorientation and re-orientation taking place in the "journeys" of wonder tales across multiple media and cultures. Aleksandra Szugajew's chapter outlines the strategies adopted by recent Hollywood live-action fairy-tale films to attract adult audiences and reveals how this new genre offers a form of global entertainment and a forum that invites reflection on various social and cultural issues in today's globalizing world. Katsuhiko Suganuma draws on queer theory and popular musicology to analyze the fairy-tale intertexts in the works of the Japanese all-female band Princess Princess and demonstrate that popular music can be a medium through which the queer potential of ostensibly heteronormative traditional fairy tales may emerge. Daniela Kato's chapter explores the ecological dimensions of Carter's literary fairy tale and offers an ecofeminist interpretation of a fairy-tale forest as a borderland that lies beyond the nature-culture dichotomy. Readers will find inspiration and new directions in the cross-cultural and interdisciplinary approaches to fairy tales provided by Re-Orienting the Fairy Tale.

This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author's adaptation of the story. Whereas Charles Dickens, for example, expresses a sympathetic identification with Bluebeard, and a discernable strain of misogyny emerges in his recreation of the tale and recurrent allusions to it, his contemporary, William Makepeace Thackeray, uses the tale as a springboard for his critique of avarice, hypocrisy, pretension, and the subjugation of women in Victorian society.

This project provides an in-depth study of narratives about Bluebeard and his wives, or narratives with identifiable Bluebeard motifs, and the intertextual and extratextual personal, political, literary, and sociocultural factors that have made the tale a particularly fertile ground for an author 's adaptation of the story. Whereas Charles Dickens, for example, expresses a sympathetic identification with Bluebeard, and a discernable strain of misogyny emerges in his recreation of the tale and recurrent allusions to it, his contemporary, William Makepeace Thackeray, uses the tale as a springboard for his critique of avarice, hypocrisy, pretension, and the subjugation of women in Victorian society.

"Lacan and the Matter of Origins" traces the development of Lacan's thinking about the role of the mother in psychical formation. It examines the conceptual struggle throughout his work over issues of maternal agency in relation to the constitution of human subjectivity, and the theoretical, historical, and autobiographical reasons for this struggle. Lacan is widely held to emphasize the paternal dimension of human subjectivity and the phallic signifier. This book demonstrates that the mother occupies a crucial position in the Lacanian project, even if the maternal relation is not systematically theorized. The maternal figure appears as a Cheshire Cat who fades away and reappears at different times.
The book traces the major shifts in Lacan's understanding of the maternal within an intertextual framework that includes Augustine, Klein, Kojeve, and Rank. Pursuing in Lacan's writings the sometimes contradictory or unassimilable functions of the mother, the book closely tracks his variations on and departures from the Freudian definition of such concepts as primary identification, narcissism, castration, deferred action, and the death drive. Lacan's major contribution to twentieth-century thought emerges here in the context of his ostensibly loyal yet revisionist stance toward Freud as his major precursor in the psychoanalytic field.
For those reading Lacan's often recondite work for the first time, "Lacan and the Matter of Origins" provides an accessible point of entry, with its clear explication of key terms together with their historical and conceptual background. For readers familiar with Lacanian theory, the book offers a reconceptualization of the evolution of his teachings from literary-critical, cultural, and biographical perspectives; it also presents a new approach to Lacan through the interplay of influences integral to the formation of his revisionary thought.

Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures seeks to "re-orient" the fairy tale across different cultures, media, and disciplines and proposes new approaches to the ever-expanding fairy-tale web in a global context with a special emphasis on non-Euro-American materials. Editors Mayako Murai and Luciana Cardi bring together emerging and established researchers in various disciplines from around the world to decenter existing cultural and methodological assumptions underlying fairy-tale studies and suggest new avenues into the increasingly complex world of fairy-tale cultures today. Divided into three parts, the fourteen essays cover a range of materials from Hawaiian wonder tales to Japanese heroine tales to Spanish fairy-tale film adaptation. Chapters include an invitation from Cristina Bacchilega to explore the possibilities related to the uncanny processes of both disorientation and re-orientation taking place in the "journeys" of wonder tales across multiple media and cultures. Aleksandra Szugajew's chapter outlines the strategies adopted by recent Hollywood live-action fairy-tale films to attract adult audiences and reveals how this new genre offers a form of global entertainment and a forum that invites reflection on various social and cultural issues in today's globalizing world. Katsuhiko Suganuma draws on queer theory and popular musicology to analyze the fairy-tale intertexts in the works of the Japanese all-female band Princess Princess and demonstrate that popular music can be a medium through which the queer potential of ostensibly heteronormative traditional fairy tales may emerge. Daniela Kato's chapter explores the ecological dimensions of Carter's literary fairy tale and offers an ecofeminist interpretation of a fairy-tale forest as a borderland that lies beyond the nature-culture dichotomy. Readers will find inspiration and new directions in the cross-cultural and interdisciplinary approaches to fairy tales provided by Re-Orienting the Fairy Tale.

"Lacan and the Matter of Origins" traces the development of Lacan's thinking about the role of the mother in psychical formation. It examines the conceptual struggle throughout his work over issues of maternal agency in relation to the constitution of human subjectivity, and the theoretical, historical, and autobiographical reasons for this struggle. Lacan is widely held to emphasize the paternal dimension of human subjectivity and the phallic signifier. This book demonstrates that the mother occupies a crucial position in the Lacanian project, even if the maternal relation is not systematically theorized. The maternal figure appears as a Cheshire Cat who fades away and reappears at different times.
The book traces the major shifts in Lacan's understanding of the maternal within an intertextual framework that includes Augustine, Klein, Kojeve, and Rank. Pursuing in Lacan's writings the sometimes contradictory or unassimilable functions of the mother, the book closely tracks his variations on and departures from the Freudian definition of such concepts as primary identification, narcissism, castration, deferred action, and the death drive. Lacan's major contribution to twentieth-century thought emerges here in the context of his ostensibly loyal yet revisionist stance toward Freud as his major precursor in the psychoanalytic field.
For those reading Lacan's often recondite work for the first time, "Lacan and the Matter of Origins" provides an accessible point of entry, with its clear explication of key terms together with their historical and conceptual background. For readers familiar with Lacanian theory, the book offers a reconceptualization of the evolution of his teachings from literary-critical, cultural, and biographical perspectives; it also presents a new approach to Lacan through the interplay of influences integral to the formation of his revisionary thought.