The personal diaries of one of America's best-loved naturalists, revealing his difficult and inspiring path to finding his voice and becoming a writer Few writers are as renowned for their eloquence about the natural world, its power and fragility, as Sigurd F. Olson (1899-1982). Before he could give expression to The Singing Wilderness, however, he had to find his own voice. It is this struggle, the painstaking and often simply painful process of becoming the writer and conservationist now familiar to us, that Olson documented in the journal entries gathered here. Written mostly during the years from 1930 to 1941, Olson's journals describe the dreams and frustrations of an aspiring writer honing his skills, pursuing recognition, and facing doubt while following the academic career that allowed him to live and work even as it consumed so much of his time. But even as he speaks with immediacy and intensity about the conditions of his apprenticeship, Olson can be seen developing the singular way of observing and depicting the natural world that would bring him fame-and also, more significantly, alert others to the urgent need to understand and protect that world. Author of Olson's definitive biography, editor David Backes brings a deep knowledge of the writer to these journals, providing critical context, commentary, and insights along the way. When Olson wrote, in the spring of 1941, "What I am afraid of now is that the world will blow up just as I am getting it organized to suit me," he could hardly have known how right he would prove to be. It is propitious that at our present moment, when the world seems once more balanced on the precipice, we have the words of Sigurd F. Olson to remind us of what matters-and of the hard work and the wonder that such a reckoning requires.

The Singing Wilderness is Sigurd Olson's first and best-selling book, with over 70,000 copies sold in hardcover since its release in 1956. Now available in paperback for the first time, this volume established Olson as a major writer renowned for the beauty of his prose and the clarity of his vision.

"The singing wilderness has to do with the calling of the loons, northern lights, and the great silences of a land lying northwest of Lake Superior", Olson writes. "It is concerned with the simple joys, the timelessness and perspective found in a way of life that is close to the past. I have heard the singing in many places, but I seem to hear it best in the wilderness".

Olson tells his story through descriptions of the simple events in nature that bring meaning to his life: picking berries, looking for pine knots, fly-fishing, hiking through the forest, paddling a canoe. "The movement of a canoe is like a reed in the wind", he writes. "Silence is part of it, and the sounds of lapping water, bird songs, and wind in the trees. It is part of the medium through which it floats, the sky, the water, the shores".

Sigurd Olson's love affair with the wilderness began in a stream near his house in Wisconsin -- he caught his first trout there with a tamarack wand, black thread, and a grasshopper as bait. Open Horizons is his autobiography, and in it he recounts a life lived on and for the land, from the wonder of boyhood fishing expeditions to decades-long conservation battles.

Writing always with the sensitive, lyric prose that characterizes his works, Olson recalls his pioneering youth on a remote Wisconsin farm, his summers as a wilderness canoe guide, and his thousands of miles of travel through the wilds of this country and Canada. "Open Horizons is the story of the unknowns I have discovered, and gone through", he writes.

While telling his story, Olson makes a compelling case for preserving the wilderness. He puts forth his own life as an example of how nature can have a spiritual effect on the human soul, and proposes diligence on behalf of those who fight to conserve our forests, wet-lands, and dunes. "If we can move into an open horizon where we can live in our modern world with ancient dreams that have always stirred us, then our work will have been done".

Written in the last years of his life, Reflections from the North Country is often considered Sigurd Olson's most intellectually significant work. In an account alive with anecdote and insight, Olson outlines the wilderness philosophy he developed while working as an outspoken advocate for the conservation of America's natural heritage.

Based on speeches delivered at town meetings and government hearings, this book joins The Singing Wilderness and Listening Point as the core of Olson's work. Upon its initial publication in 1976, Reflections from the North Country, with Olson's unique combination of lyrical nature writing and activism, became an inspiration to the burgeoning environmental movement, selling over 46,000 copies in hardcover.

In this wide-ranging work, Olson evokes the soaring grace of raven, osprey, and eagle, the call of the loon, and the song of the hermit thrush. He challenges the reader to loosen the grasp of technology and the rush of contemporary life and make room for a sense of wonder heightened by being in nature. From evolution to the meaning and power of solitude, Olson meditates on the human condition, offering eloquent testimony to the joys and truths he discovered in his beloved north-country wilderness.

In the evocative words of one of America's best-loved nature writers, Wilderness Days brings together the essence of the magnificent wilderness with which he so deeply identifies. Sigurd F. Olson collects from his writings those moments that most vividly depict the turn of the seasons in the great woodlands and waters of the legendary Quetico-Superior region overlapping the Ontario-Minnesota border.