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Ever since the 1990s, school shootings have shocked the public in
their brutality, their suddenness, and their inexplicability. While
film and literature have played a role in the heated debates about
so-called copycat crimes, the growing body of fictionalizations of
school shootings has been neglected thus far. However, in a
discourse in which the boundaries between fiction and reality are
increasingly blurred, this book shows how fiction shapes and
structures, challenges and disrupts cultural processes of
meaning-making. Hence, for a better understanding of the school
shooting phenomenon, the relevance of fiction on all levels of
discourse construction requires thorough analysis. This book
therefore develops a new approach to the role of fiction for
contemporary forms of excessive violence. By combining narrative
theory with insights from sociology and other disciplines, it
provides the means for apprehending and describing the relevance of
fiction for contemporary discourses. Furthermore, it provides
exemplary analyses of more specific functions of literary and
filmic fictionalizations of school shootings between 2000 and 2016.
Ever since the 1990s, school shootings have shocked the public in
their brutality, their suddenness, and their inexplicability. While
film and literature have played a role in the heated debates about
so-called copycat crimes, the growing body of fictionalizations of
school shootings has been neglected thus far. However, in a
discourse in which the boundaries between fiction and reality are
increasingly blurred, this book shows how fiction shapes and
structures, challenges and disrupts cultural processes of
meaning-making. Hence, for a better understanding of the school
shooting phenomenon, the relevance of fiction on all levels of
discourse construction requires thorough analysis. This book
therefore develops a new approach to the role of fiction for
contemporary forms of excessive violence. By combining narrative
theory with insights from sociology and other disciplines, it
provides the means for apprehending and describing the relevance of
fiction for contemporary discourses. Furthermore, it provides
exemplary analyses of more specific functions of literary and
filmic fictionalizations of school shootings between 2000 and 2016.
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