'A groundbreaking work . . . Federici has become a crucial figure for . . . a new generation of feminists' Rachel Kushner, author of The Mars Room A cult classic since its publication in the early years of this century, Caliban and the Witch is Silvia Federici's history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages through the European witch-hunts, the rise of scientific rationalism and the colonisation of the Americas, it gives a panoramic account of the often horrific violence with which the unruly human material of pre-capitalist societies was transformed into a set of predictable and controllable mechanisms. It Is a study of indigenous traditions crushed, of the enclosure of women's reproductive powers within the nuclear family, and of how our modern world was forged in blood. 'Rewarding . . . allows us to better understand the intimate relationship between modern patriarchy, the rise of the nation state and the transition from feudalism to capitalism' Guardian

What do we mean by Western Civilization? When did the expression originate and why? At a time when there is a widespread perception that Western Civilization is undergoing a historic crisis, and when postmodernism, feminist theory, afrocentrism, deconstruction, and other current philosophical schools define themselves as alternatives to, or critiques of, Western Civilization, this book seeks to trace the development of the concept of Western Civilization and to examine the reasons for its endurance. It also suggests ways in which proponents of Western Civilization can co-opt ideas from opponents. Written from a multidisciplinary viewpoint, the essays in this volume trace the development of the concept of Western Civilization and seek to explode many standing beliefs-primarily those which concern the very existence of a Western tradition. Bound to be controversial, the book will be of interest to scholars and activists in the fields of cultural history, anthropology, and the history of ideas, as well as general readers interested in the enduring discussion of the notion of Western Civilization.

We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations.

In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the “New World,” this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity.

As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici’s work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.

“Dalla Costa shows that with the New Deal, the state began to plan the ‘social factory’—that is, the home, the family, the school, and above all women’s labor, on which the productivity and pacification of industrial relations was made to rest.”—Silvia Federici In a groundbreaking study, Family, Welfare, and the State offers a comprehensive reading of the welfare system through the dynamics of women's resistance and class struggle. Mariarosa Dalla Costa, a key figure in the International Wages for Housework campaigns, highlights how the New Deal concretized the central role of women and the family in ensuring the capacity for economic growth and the reproduction of labor power necessary for the maintenance of capitalism. As social movements fight for and secure government relief for mass unemployment in a way not seen for decades, it is essential to understand how the deals—especially governing race, class, and family relations—struck by earlier generations of activists have shaped our world. A new foreword makes clear Dalla Costa’s importance to understanding the functioning of social reproduction in a world ravaged by COVID-19.

How does the criminal justice system affect women's lives? Do prisons keep women safe? Should feminists rely on policing and the law to achieve women's liberation? The mainstream feminist movement has proposed "locking up the bad men," and called on prisons, the legal system, and the state to protect women from misogynist violence. This carceral approach to feminism, activist and scholar Gwenola Ricordeau argues, does not make women safer: it harms women, including victims of violence, and in particular people of color, poor people, and LGBTQ people. In this scintillating, comprehensive study, Ricordeau draws from two decades as an abolitionist activist and scholar of the penal justice system to describe how the criminal justice system hurts women. Considering the position of survivors of violence, criminalized women, and women with criminalized relatives, Ricordeau charts a new path to emancipation without incarceration. With a new foreword by Silvia Federici.

'It is my thesis that this general production of life, or subsistence production - mainly performed through the non-wage labour of women and other non-wage labourers as slaves, contract workers and peasants in the colonies - constitutes the perennial basis upon which "capitalist productive labour" can be built up and exploited.' First published in 1986, Maria Mies's progressive book was hailed as a major paradigm shift for feminist theory, and it remains a major contribution to development theory and practice today. Tracing the social origins of the sexual division of labour, it offers a history of the related processes of colonization and 'housewifization' and extends this analysis to the contemporary new international division of labour. Mies's theory of capitalist patriarchy has become even more relevant today. This new edition includes a substantial new introduction in which she both applies her theory to the new globalized world and answers her critics.

Cultural Writing. CALIBAN AND THE WITCH is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization. "It is both a passionate work of memory recovered and a hammer of humanity's agenda"--Peter Linebaugh, author of The London Hanged.

The complexity of African society entering the 21st century necessitates an interdisciplinary examination of Africa's political, social, and cultural developments and challenges. Focusing on Social Movements and Literature, Social Change and Culture, the book brings together a wide range of essays by committed scholars, writers, and activists concerned with progressive approaches to Africa's dilemmas. Beginning with an overview by anthropologist Cheryl Mwaria, African Visions addresses such issues as structural adjustments, religious freedom, human rights, democratization, educational movements, and health care. Particular analyses consider intellectual property, student activism, and the AIDS epidemic. Mwaria, Federici, and McLaren also explore the way social and cultural questions have been treated in literary works and theoretical studies dealing with hybridity, sexual politics, literacy, socialist orientations, and language. Noted literary scholars Odun Balogun and Alamin Mazrui consider aspects of these issues. The collection also examines trends in literature, publishing, and theater in such countries as Algeria, Niger, Nigeria, and South Africa in relation to themes such as gender, popular culture, African novels, and protest. Highlighting articles by two of Africa's leading activist/writers Dennis Brutus of South Africa, stressing regional cooperation, and Ngugi wa Thiong'o of Kenya, advocating African languages, African Visions avoids the pessimism associated with numerous 20th century studies. Brutus and Ngugi consider the economic and cultural effects of globalization and the necessity for promoting self-determination. An essential resource for all scholars and students concerned with contemporary African life and culture.

What do we mean by Western Civilization? When did the expression originate and why? At a time when there is a widespread perception that Western Civilization is undergoing a historic crisis, and when postmodernism, feminist theory, afrocentrism, deconstruction, and other current philosophical schools define themselves as alternatives to, or critiques of, Western Civilization, this book seeks to trace the development of the concept of Western Civilization and to examine the reasons for its endurance. It also suggests ways in which proponents of Western Civilization can co-opt ideas from opponents.

Written from a multidisciplinary viewpoint, the essays in this volume trace the development of the concept of Western Civilization and seek to explode many standing beliefs--primarily those which concern the very existence of a Western tradition. Bound to be controversial, the book will be of interest to scholars and activists in the fields of cultural history, anthropology, and the history of ideas, as well as general readers interested in the enduring discussion of the notion of Western Civilization.