Sentence (1) represents the phenomenon of reported thought, (2) that of reported speech: (1) Sasha thought: "This is fine" or Sasha thought that this would be fine (2) Sasha said: "This is fine" or Sasha said that this would be fine While sentences as in (1) have often been discussed in the context of those in (2) the former have rarely received specific attention. This has meant that much of the semantic and structural complexity, cross-linguistic variation, as well as the precise relation between (1) and (2) and related phenomena have remained unstudied. Addressing this gap, this volume represents the first collection of studies specifically dedicated to reported thought. It introduces a wide variety of cross-linguistic examples of the phenomenon and brings together authors from linguistic typology, corpus and interactional linguistics, and formal and functional theories of syntax to shed light on how talking about thoughts can become grammar in the languages of the world. The book should be of interest to linguists, philosophers of language, linguistic anthropologists and communication specialists seeking to understand topics at the boundary of stylistics and morphosyntax, as well as the grammar of epistemicity.

In this volume Silvio Cruschina uses a comparative analysis to determine the syntax of the functional projections associated with discourse-related features, and to account for the marked word orders found in Romance - particularly in the fronting phenomena. Several language-specific analyses of discourse-related phenomena have been proposed in the literature, including studies on the notions of topic and focus in Romance, but the lack of a uniform definition of these notions, together with different assumptions in relation to the triggering features, has led to the perception that the Romance languages show many distinct and heterogeneous properties with respect to dislocation and fronting constructions. This volume is intended to complement the existing literature by integrating recent work on the topic and by emphasizing original and unifying reflections that combine and coordinate diverse elements. Cruschina's investigations clarify fundamental notions such as topic, focus, and contrast, drawing on new data from Sicilian, Sardinian, and other Romance varieties.