More journalists are being killed, attacked and intimidated than at any time in history. Reporting Dangerously: Journalist Killings, Intimidation and Security examines the statistics and looks at the trends in journalist killings and intimidation around the world. It identifies what factors have led to this rise and positions these in historical and global contexts. This important study also provides case studies and first-hand accounts from journalists working in some of the most dangerous places in the world today and seeks to understand the different pressures they must confront. It also examines industry and political responses to these trends and pressures as well as the latest international initiatives aimed at challenging cultures of impunity and keeping journalists safe. Throughout, the authors argue that journalism contributes a vital if often neglected role in the formation and conduct of civil societies. This is why reporting from 'uncivil' places matters and this is why journalists are often positioned in harm's way. The responsibility to report in a globalizing world of crises and human insecurity, and the responsibility to try and keep journalists safe while they do so, it is argued, belongs to us all.

What are global crises and how do they differ from earlier crises?. What do recent studies of global crises reporting tell us about the role of the news media in the global age?. What are the current trends in the fields of journalism and civil society that are now re-shaping the public communication of crises? . . From climate change to the global war on terror, from forced migration to humanitarian disasters these are just some of the global crises addressed in this accessible, ground-breaking book. For the first time, the author situates diverse threats to humanity in a global context and examines how, why and to what extent they are conveyed in todays news media. Global crises are conceived as the dark side of a globalizing world, but how they become reported and constituted in the news media can also help sustain emergent forms of global awareness, global citizenship and global civil society.

. . The book: . . Draws on original research and scholarship in the field of media and communications. Deliberately moves beyond nationally confined research studies. Examines diverse global crises and their communicative politics. Recognizes global crises and their constitution within global news reporting as defining characteristics of the global age. . "Global Crisis Reporting" is key reading for students in media, communications, globalization and journalism studies.

* What are the latest developments in the production, representation and reception of media output, produced by, for or about ethnic minorities?
* What informs the questions media researchers ask and pursue when examining the mass media and ethnic minorities?
* What are the principal forces of change currently shaping the field?
There are few media issues more pressing, or potentially more consequential, than the representation of ethnic minorities. This authoritative text therefore brings together leading international researchers who have examined some of the latest processes of change (and continuity) informing the field of ethnic minorities and the media. Numerous studies of 'race', racism and the mass media have been conducted in the past. However, both the media landscape and the cultural field of ethnic minorities are fast changing, and this book addresses the recent developments which have threatened to outpace our ability to map, understand and intervene in processes of change. Presented in an accessible style, this book provides the reader with an overview of the very latest research findings and informed discussion. It opens with an introductory essay which maps recent approaches to the field, followed by substantive chapters which are structured thematically to address key processes of change such as media representations, media production, and cultures of identity.

More journalists are being killed, attacked and intimidated than at any time in history. Reporting Dangerously: Journalist Killings, Intimidation and Security examines the statistics and looks at the trends in journalist killings and intimidation around the world. It identifies what factors have led to this rise and positions these in historical and global contexts. This important study also provides case studies and first-hand accounts from journalists working in some of the most dangerous places in the world today and seeks to understand the different pressures they must confront. It also examines industry and political responses to these trends and pressures as well as the latest international initiatives aimed at challenging cultures of impunity and keeping journalists safe. Throughout, the authors argue that journalism contributes a vital if often neglected role in the formation and conduct of civil societies. This is why reporting from 'uncivil' places matters and this is why journalists are often positioned in harm's way. The responsibility to report in a globalizing world of crises and human insecurity, and the responsibility to try and keep journalists safe while they do so, it is argued, belongs to us all.

Disasters in today's globalized world are becoming not only more frequent but, often, more catastrophic. The media play a critical role in communicating and making sense of these cataclysmic events. This book offers unique insights into how news media today make disasters culturally meaningful and politically important, drawing on cutting-edge theoretical work and recent examples. It looks at how globalization is affecting the meanings of disaster but also considers the continued relevance of nations and their citizens as interpretive frameworks. It examines how journalists' witnessing of disasters is changing in response to new technologies, including social media, and how the ideal of objectivity might be challenged by new, more emotional and more compassionate forms of story-telling premised on an injunction to care. Ultimately, the book calls attention to the media possibilities for addressing disasters as global social, political, cultural and economic events in which we all have a stake.

Drawing on the work of international contributors Media Organization and Production examines a wide range of global-local media organizations and the production of different mediums and genres. Following the editor's introduction which sets out the principal differences of approach and defining debates, chapters address: transnational and national, commercial and public service corporations; international film and TV co-productions; children's television news production, the historical development of 'liveness' on radio, and music journalism; the politics and organizational forms of alternative media production including radical newspapers, video and the internet; and the changing 'production ecology' of natural history television.

These topics are examined through a variety of theoretical and conceptual frameworks that help to illuminate how cultural production often involves a complex articulation of differing influences and constraints, both material and discursive, intended and unintended, structurally determined and culturally mediated.Together the chapters in this book help to recover this complexity and thereby help us to better understand the nature and output of today's media.

Humanitarianism, Communications and Change is the first book to explore humanitarianism in today's rapidly changing media and communications environment. Based on the latest academic thinking alongside a range of professional, expert and insider views, the book brings together some of the most authoritative voices in the field today. It examines how the fast-changing nature of communications throws up new challenges but also new possibilities for humanitarian relief and intervention. It includes case studies deployed in recent humanitarian crises, and significant new communication developments including social media, crisis mapping, SMS alerts, big data and new hybrid communications. And against the backdrop of an increasingly globalized and threat-filled world, the book explores how media and communications, both old and new, are challenging traditional relations of communication power.

Humanitarianism, Communications and Change is the first book to explore humanitarianism in today's rapidly changing media and communications environment. Based on the latest academic thinking alongside a range of professional, expert and insider views, the book brings together some of the most authoritative voices in the field today. It examines how the fast-changing nature of communications throws up new challenges but also new possibilities for humanitarian relief and intervention. It includes case studies deployed in recent humanitarian crises, and significant new communication developments including social media, crisis mapping, SMS alerts, big data and new hybrid communications. And against the backdrop of an increasingly globalized and threat-filled world, the book explores how media and communications, both old and new, are challenging traditional relations of communication power.

Over the past few years, coverage of terror attacks has featured prominently in numerous media outlets. Drawing on both popular and academic articles, the essays in Media, Terrorism, and Theory: A Reader analyze the larger issues surrounding media's portrayal of terrorism, including terrorism as a media event, war and media, nationalism and media, public responsibility, and journalistic accountability. Renowned contributors from around the world explore these issues as they relate to a global community. From such diverse fields as cultural studies, political science, media studies, architecture, and information science, each brings a distinctive perspective. Answering a growing need to understand media discourse on terrorism, Media, Terrorism, and Theory complements readings in upper-level mass communication courses and will appeal to students and scholars of international media and terrorism.

Over the past few years, coverage of terror attacks has featured prominently in numerous media outlets. Drawing on both popular and academic articles, the essays in Media, Terrorism, and Theory: A Reader analyze the larger issues surrounding media's portrayal of terrorism, including terrorism as a media event, war and media, nationalism and media, public responsibility, and journalistic accountability. Renowned contributors from around the world explore these issues as they relate to a global community. From such diverse fields as cultural studies, political science, media studies, architecture, and information science, each brings a distinctive perspective. Answering a growing need to understand media discourse on terrorism, Media, Terrorism, and Theory complements readings in upper-level mass communication courses and will appeal to students and scholars of international media and terrorism.

There have been many racially motivated murders in Britain in recent years that have received little media attention or public expressions of concern. The 1993 murder of 18-year-old Stephen Lawrence, a black student, proved to be very different. Through time and growing media interest, the name of Stephen Lawrence became a potent symbol and catalyst for change. This particular killing prompted widespread re-examination of questions of (in)justice, cultural identity, and continuing racism in British society, and it eventually initiated processes of institutional reflexivity, including government policies targeting institutional racism within Britain's most powerful organizations of state and civil society. This book examines the media's role in "performing" the Stephen Lawrence case over the ten-year period since Lawrence's murder. Developing the framework of "mediatized public crisis," this book carefully examines how and why the British and international media turned the Stephen Lawrence case into a watershed moment with potentially transformative effects. To understand this, we need to attend to the expressive possibilities of symbols and journalism forms, the dynamics and contingencies that inhere within both politics and narrative, as well as the strategic interventions of involved interests and identities. This important book provides new insights into how and why the media report and, occasionally, "perform" issues of "race" in ways that can unleash moral forces for social change. Includes many newspaper images from the British press; a list of racially motivated murders from 1970 to 2003; a detailed chronology of the Stephen Lawrence case; and the Macpherson recommendations andsocial reforms.

Disasters in today's globalized world are becoming not only more frequent but, often, more catastrophic. The media play a critical role in communicating and making sense of these cataclysmic events. This book offers unique insights into how news media today make disasters culturally meaningful and politically important, drawing on cutting-edge theoretical work and recent examples. It looks at how globalization is affecting the meanings of disaster but also considers the continued relevance of nations and their citizens as interpretive frameworks. It examines how journalists' witnessing of disasters is changing in response to new technologies, including social media, and how the ideal of objectivity might be challenged by new, more emotional and more compassionate forms of story-telling premised on an injunction to care. Ultimately, the book calls attention to the media possibilities for addressing disasters as global social, political, cultural and economic events in which we all have a stake.

Introducing theoretical ideas and the latest empirical findings in this fast-developing field of media communication scholarship and study News, Public Relations and Power has contributions from leading international researchers who address issues such as: the rapid growth of public relations and its impact on news production; state information management strategies in times of internal political dissent; political parties and mediated `spin' conducted at national and local levels; the historically changing nature of war journalism; and tabloid television and forms of cultural representation. The book begins with Simon Cottle's introduction which sets out the key ideas and approaches in the field.