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Showing 1 - 5 of 5 matches in All Departments

Green Chemistry Handbook: Volume II (Hardcover): Simon Doyle Green Chemistry Handbook: Volume II (Hardcover)
Simon Doyle
R3,145 Discovery Miles 31 450 Ships in 12 - 19 working days
Green Chemistry Handbook: Volume I (Hardcover): Simon Doyle Green Chemistry Handbook: Volume I (Hardcover)
Simon Doyle
R3,144 Discovery Miles 31 440 Ships in 12 - 19 working days
Green Chemistry: Advanced Principles and Techniques (Hardcover): Simon Doyle Green Chemistry: Advanced Principles and Techniques (Hardcover)
Simon Doyle
R3,467 R3,134 Discovery Miles 31 340 Save R333 (10%) Ships in 10 - 15 working days
Most Pretty Girls are Bitches (Paperback): Simon Doyle Manny Most Pretty Girls are Bitches (Paperback)
Simon Doyle Manny
R413 Discovery Miles 4 130 Ships in 10 - 15 working days
The Oberon Anthology of Contemporary Irish Plays - 'This Is Just This. This Is Not Real. It's Just Money'... The Oberon Anthology of Contemporary Irish Plays - 'This Is Just This. This Is Not Real. It's Just Money' (Paperback)
Thomas Conway; Grace Dyas, Mark O'Halloran, Lynda Radley, Phillip McMahon, …
R636 Discovery Miles 6 360 Ships in 12 - 19 working days

HEROIN by Grace Dyas, Trade by Mark O'Halloran, The Art of Swimming by Lynda Radley, Pineapple by Phillip McMahon, I ? Alice ? I by Amy Conroy, The Big Deal edited by Una McKevitt, Oedipus Loves You by Simon Doyle & Gavin Quinn, The Year of Magical Wanking by Neil Watkins Edited and introduced by Thomas Conway This anthology comprises eight new plays by Irish playwrights premiered between the years 2006 and 2011. These playwrights ride, however, in no slipstream of the identifiably Irish play. Here, the enterprise of playwriting itself is being re-imagined. Here, above all else, is a commitment to becoming in the theatre. For all that, each play is concerned with what is unfinished business in Ireland. How astonishing, then, that these plays should revolve for the most part around identity and, in particular, sexual identity. How identity comes into play, how we open up the field of play, how we raise into collective experience the exercise of that play - the urgency in the playwriting would appear to lie precisely here. We can read from the historical moment - from a narrative emphasizing an economic bubble and its hangover - into these plays. Or we can take these playwrights at their word and observe lives lived at the contour of identities in the making. It is for us as readers, just as we have as theatre-goers - frequently scandalized, enthralled, shamed, appalled, unburdened, tickled pink - to decide.

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