‘This splendid and often moving work of history… Schama has a gift for combining novelistically colourful detail, serious analysis and wryly amusing asides’ Daily Telegraph   ‘Superb’ Observer   ‘Extraordinary… A meticulous retelling of a terrible yet scientifically innovative period… Makes an urgent case for building a better future on our toxic past’ Guardian   ‘This is history of the best sort – humanly engaged but never sentimental’ Mail on Sunday  Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.    Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.   At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice.   Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

Written by a team of noted historians, these essays explore how ten 20th-century intellectuals and social reformers sought to adapt such familiar Victorian values as "civilisation", "domesticity", "conscience" and "improvement" to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world. "After the Victorians" is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians. Peter Mandler is also author of "Aristocratic Government in the Age of Reform: Whigs and Liberals, 1830-1852", and editor of "The Uses of Charity: The Poor on Relief in the 19th Century Metropolis".

Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.    Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.   At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai he is tragically brought down in an act of shocking injustice.   Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

Written by a team of eminent historians, these essays explore how ten twentieth-century intellectuals and social reformers sought to adapt such familiar Victorian values as civilisation', domesticity', conscience' and improvement' to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world.
After the Victorians is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians.

'Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.' Simon Schama Sir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world's foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging - from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama's tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world's most respected publications - the Times, the Guardian, the New Yorker, Harper's Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world's foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

The final stage of Simon Schama's epic voyage around Britain spans centuries, crosses the breadth of the empire and covers a vast expanse of topics - from the birth of feminism to the fate of freedom. The Fate of the Empire asks crucial questions about the nature of empire, journeying from celebrations of industrial and imperialist power at the Great Exhibition, to the catastrophic Irish potato famine and the Indian Mutiny. Through the military and economic shocks and traumas of our past, Schama asks the question that is still with us - is the immense weight of our history a blessing or a curse, a gift or a millstone around the neck of our future? This third and final volume in the series is a vast compelling history, made more so by the lively storytelling and big bold characters at the heart of the action. But alongside flamboyant heroes, like Nelson and Churchill, Schama recalls unsung heroines and virtually unknown enemies. Alongside the grand ideas, he exposes the grand illusions that cost untold lives.

If you were black in America at the start of the Revolutionary War, which side would you want to win?

When the last British governor of Virginia declared that any rebel-owned slave who escaped and served the king would be emancipated, tens of thousands of slaves fled from farms, plantations, and cities to try to reach the British camp. A military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in U.S. history. With powerfully vivid storytelling, Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture, shedding light on an extraordinary, little-known chapter in the dark saga of American slavery.

Like his The Embarrassment of Riches and the bestselling Citizens, Simon Schama's latest book is both history and literature of immense stylishness and ambition. But Dead Certainties goes beyond these more conventional histories to address the deeper enigmas that confront a student of the past. In order to do so, Schama reconstructs -- and at times reinvents -- two ambiguous deaths: the first, that of General James Wolfe at the battle of Quebec in 1759; the second, in 1849, that of George Parkman, an eccentric Boston brahmin whose murder by an impecunious Harvard professor in 1849 was a grisly reproach to the moral sanctity of his society. Out of these stories -- with all of their bizarre coincidences and contradictions -- Schama creates a dazzling and supremely vital work of historical imagination.

'Landscape & Memory' is a history book unlike any other. In a series of exhilarating journeys through space and time, it examines our relationship with the landscape around us – rivers, mountains, forests – the impact each of them has had on our culture and imaginations, and the way in which we, in turn, have shaped them to answer our needs. 'For although we are accustomed to separate nature and human perception into two realms,' writes Schama, 'they are, in fact, indivisible. Before it can ever be a repose for the senses, landscape is the work of the mind. Its scenery is built up as much from strata of memory as from layers of rock.'

Schama does not make his argument by any conventional historical method. Instead he builds it up by a series of almost poetic stories and impressions which cumulatively have the effect of a great novel. The forest primeval, the river of life, the sacred mount – at the end of 'Landscape & Memory' we understand where these ideas have come from, why they are so compelling, what they meant to our forebears, and how they still lie all around us if only we know how to look.

"Schama long ago established himself as one of the most learned, original and provocative historians in the English-speaking world… 'Landscape & Memory' offers not only a fine work of historical craft, but also something more like an ambitious work of literary art: a highly original study of the ways in which history not only shapes, but becomes inextricably embedded in, land and trees and water, and they in it … 'Landscape & Memory' has not only the range of a great nineteenth-century work of history, but also the disorientating power of a major work of art from our disorientated fin de siècle… Schama's ability to combine the personal with the philological, the scholarly with the artistic, makes his book fall outside normal categories… Unclassifiable, inimitable, sometimes irritating and often fascinating, 'Landscape & Memory' will inform and haunt, chasten and enrage, its readers. It is that rarest of commodities in our cultural marketplace, a work of genuine originality."
ANTHONY GRAFTON, 'New Republic'

"Schama does more than re-write our relation to nature; he wants us to re-think our relation to myth… Schama's originality lies in the brilliant persistence with which he follows a nature myth through the aeons of time… This is a 'tour de force' of vivid historical writing… It is astoundingly learned, and yet learning is offered with verve, humour and an unflagging sense of delight."
MICHAEL IGNATIEFF, 'Independent on Sunday'

"Schama's intensely visual prose is the product of a historical imagination which is not restrained by conventional academic inhibitions… It is his ability (and willingness) to write this sort of narrative prose – vivid, elaborate, unashamedly colourful… that makes Simon Schama the obvious modern successor to Macaulay … Schama is a masterly narrator who spins and embroiders his yarns with unflagging zest. The book abounds in virtuoso passages, some of them reminiscent of Rabelais or Sterne."
KEITH THOMAS, 'New York Review of Books'

"Simon Schama is a giant, a great thinking-machine and a golden lyricist as well. He is tremendously stimulating company, setting the reader off on journeys he never would have imagined for himself… He wants to take us beyond geology and vegetation into myth and memory, to unravel the ancient connections which bring mountain, forest and river into our soul."
BRIAN MASTERS, 'Mail on Sunday'

Change - sometimes gentle and subtle, sometimes shocking and violent - is the dynamic of Simon Schama's unapologetically personal and grippingly written history of Britain, especially the changes that wash over custom and habit, transforming our loyalties. What makes or breaks a nation? To whom do we give our allegiance and why? And where do the boundaries of our community lie - in our hearth and home, our village or city, tribe or faith? What is Britain - one country or many? Has British history unfolded 'at the edge of the world' or right at the heart of it? Schama delivers these themes in a form that is at once traditional and excitingly fresh. The great and the wicked are here - Becket and Thomas Cromwell, Robert the Bruce and Anne Boleyn - but so are countless more ordinary lives: an Irish monk waiting for the plague to kill him in his cell at Kilkenny; a small boy running through the streets of London to catch a glimpse of Elizabeth I. The first in a series, this volume paints a rich and vivid portrait of the life of the British people and their nation.

Simon Schama explores the forces that tore Britain apart during two centuries of dynamic change - transforming outlooks, allegiances and boundaries. From the beginning of July 1637, battles raged on for 200 years - both at home and abroad, on sea and on land, up and down the length of burgeoning Britain, across Europe, America and India. Most would be wars of faith - waged on wide-ranging grounds of political or religious conviction. But as wars of religious passions gave way to campaigns for profit, the British people did come together in the imperial enterprise of 'Britannia Incorporated'. The British Wars is a story of revolution and reaction, inspiration and disenchantment, of progress and catastrophe, and Schama's evocative narrative brings it vividly to life.

It is a story like no other: an epic of endurance against destruction, of creativity in oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the millennia and the continents - from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. Within these pages, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with spice and gems founder at sea. And a great story unfolds. Not - as often imagined - of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.

One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced. 'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review 'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times 'Dazzling - beyond praise - He has chronicled the vicissitudes of that world with matchless understanding, wisdom, pity and truth, in the pages of this marvellous book' Bernard Levin, Sunday Times 'Provides an unrivalled impression of the currents and contradictions which made up this terrible sequence of events' Antony Beevor, Express Simon Schama is University Professor in Art History and History at Columbia University in New York, and one of the best-known scholars in Britain in any field. He is the prize-winning author of numerous books, including Dead Certainties (Unwarranted Speculations), Landscape and Memory, Rembrandt's Eyes and three volumes of A History of Britain. He is also the writer-presenter of historical and art-historical documentaries for BBC Television. He lives outside New York City with his wife and children.

Instead of the dying Old Regime, Schama presents an ebullient country, vital and inventive, infatuated with novelty and technology--a strikingly fresh view of Louis XVI's France. A New York Times bestseller in hardcover. 200 illustrations.

Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama re-creates in precise detail a nation's mental state. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. He tells us how the Dutch celebrated themselves and how they were slandered by their enemies.



"History on the grand scale...An ambitious portrait of one of the most remarkable episodes in modern history."--New York Times


"Wonderfully inclusive; with wit and intense curiosity he teases out meaning from every aspect of Dutch seventeenth-century life."--Robert Hughes

‘Great art has dreadful manners…

…The hushed reverence of the gallery can fool you into believing masterpieces are visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock and proceed in short order to re-arrange your sense of reality.’ In inimitable style, our greatest historian and master storyteller Simon Schama makes an irresistible case for the power of art and its necessary place in our lives, examining art through the prism of the troubling life and works of Italian master painter, and murderer, Caravaggio.

Selected from The Power of Art

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

A passionate history of Judaism; a world unfolding across many continents and five centuries by one of our greatest and internationally bestselling historians. Belonging is a magnificent cultural history abundantly alive with energy, character and colour. From the Jews' expulsion from Spain in 1492 it tells the stories not just of rabbis and philosophers but of a poetess in the ghetto of Venice; a boxer in Georgian England; a general in Ming China; an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stage coaches and the railways; trudges the dawn streets of London, hobbles along with the remnant of Napoleon's ruined army. The Jewish story is a history that is about, and for, all of us. And in our own time of anxious arrivals and enforced departures, the Jews' search for a home is more startlingly resonant than ever. 'A magnificent achievement...' Jonathan Freedland, Guardian 'An extraordinary cultural journey, filled with astonishingly colourful and outrageous characters ... Schama delivers a superb and thrilling ride, both inspirational and tragic' Simon Sebag Montefiore, Mail on Sunday

Introduction by Simon Schama

Civilisations is a major nine-part series telling the story of art from the dawn of human history to the present day, for the first time on a global scale.

It is now nearly half a century since Kenneth Clark’s series Civilisation thrilled audiences with its authoritative interpretation of the glories of Western art. Inspired by that ground-breaking programme, this new series of Civilisation introduces a new generation to the great masterworks of beauty, ingenuity and illumination created across the continents. It explores the visual culture of societies from around the globe, revealing alongside the magnificent objects made in the West the wealth of treasures created by other cultures, from the landscape scrolls of classical China and the sculpture of the Olmecs to African bronzes, Japanese prints and Mughal miniatures.

Told by three presenters, each bringing their own skills and perspectives to the series – Simon Schama, Mary Beard and David Olusoga.

A combination of dramatic reconstruction, spectacular photography and Simon Schama's unique, personal style of storytelling transport the viewer back to the intense moments when great works were conceived and born: the murderous, messianic world of Baroque Rome; opulent, parvenu Amsterdam; paranoid, revolutionary Paris; Victorian England suffocating beneath riches and righteousness; the madhouses and brothels of Provence; the carnage of civil war Spain; 1950s New York, caught between Cold War jitters and Manhattan glitter.

In each place, a great artist is backed into a corner, facing a crisis, given a chance to confound his rivals, enemies and critics one more time.

One of Time Magazine's Best Books of the Year


In Landscape and Memory Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art.



"A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times


"Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness...."

The most famous and possibly the most popular of Dickens's novels, A Tale of Two Cities shows a master of dramatic narrative extracting gold from the ore of history. If the bloody tableau of the French Revolution were not in itself sufficient for a dozen novels, Dickens added to it a professional resurrectionist, an authentic ogress, and an antihero as convincingly flawed as any in modern literature. Here, too, are all of Dickens's recurring themes -- imprisonment, injustice, and cataclysmic violence, resurrection and the renunciation that makes renewal possible.