‘This splendid and often moving work of history… Schama has a gift for combining novelistically colourful detail, serious analysis and wryly amusing asides’ Daily Telegraph   ‘Superb’ Observer   ‘Extraordinary… A meticulous retelling of a terrible yet scientifically innovative period… Makes an urgent case for building a better future on our toxic past’ Guardian   ‘This is history of the best sort – humanly engaged but never sentimental’ Mail on Sunday  Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.    Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.   At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice.   Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

Written by a team of noted historians, these essays explore how ten 20th-century intellectuals and social reformers sought to adapt such familiar Victorian values as "civilisation", "domesticity", "conscience" and "improvement" to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world. "After the Victorians" is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians. Peter Mandler is also author of "Aristocratic Government in the Age of Reform: Whigs and Liberals, 1830-1852", and editor of "The Uses of Charity: The Poor on Relief in the 19th Century Metropolis".

It is a story like no other: an epic of endurance against destruction, of creativity in oppression, joy amidst grief, the affirmation of life against the steepest of odds. It spans the millennia and the continents - from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. Within these pages, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with spice and gems founder at sea. And a great story unfolds. Not - as often imagined - of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.

'Landscape & Memory' is a history book unlike any other. In a series of exhilarating journeys through space and time, it examines our relationship with the landscape around us – rivers, mountains, forests – the impact each of them has had on our culture and imaginations, and the way in which we, in turn, have shaped them to answer our needs. 'For although we are accustomed to separate nature and human perception into two realms,' writes Schama, 'they are, in fact, indivisible. Before it can ever be a repose for the senses, landscape is the work of the mind. Its scenery is built up as much from strata of memory as from layers of rock.'

Schama does not make his argument by any conventional historical method. Instead he builds it up by a series of almost poetic stories and impressions which cumulatively have the effect of a great novel. The forest primeval, the river of life, the sacred mount – at the end of 'Landscape & Memory' we understand where these ideas have come from, why they are so compelling, what they meant to our forebears, and how they still lie all around us if only we know how to look.

"Schama long ago established himself as one of the most learned, original and provocative historians in the English-speaking world… 'Landscape & Memory' offers not only a fine work of historical craft, but also something more like an ambitious work of literary art: a highly original study of the ways in which history not only shapes, but becomes inextricably embedded in, land and trees and water, and they in it … 'Landscape & Memory' has not only the range of a great nineteenth-century work of history, but also the disorientating power of a major work of art from our disorientated fin de siècle… Schama's ability to combine the personal with the philological, the scholarly with the artistic, makes his book fall outside normal categories… Unclassifiable, inimitable, sometimes irritating and often fascinating, 'Landscape & Memory' will inform and haunt, chasten and enrage, its readers. It is that rarest of commodities in our cultural marketplace, a work of genuine originality."
ANTHONY GRAFTON, 'New Republic'

"Schama does more than re-write our relation to nature; he wants us to re-think our relation to myth… Schama's originality lies in the brilliant persistence with which he follows a nature myth through the aeons of time… This is a 'tour de force' of vivid historical writing… It is astoundingly learned, and yet learning is offered with verve, humour and an unflagging sense of delight."
MICHAEL IGNATIEFF, 'Independent on Sunday'

"Schama's intensely visual prose is the product of a historical imagination which is not restrained by conventional academic inhibitions… It is his ability (and willingness) to write this sort of narrative prose – vivid, elaborate, unashamedly colourful… that makes Simon Schama the obvious modern successor to Macaulay … Schama is a masterly narrator who spins and embroiders his yarns with unflagging zest. The book abounds in virtuoso passages, some of them reminiscent of Rabelais or Sterne."
KEITH THOMAS, 'New York Review of Books'

"Simon Schama is a giant, a great thinking-machine and a golden lyricist as well. He is tremendously stimulating company, setting the reader off on journeys he never would have imagined for himself… He wants to take us beyond geology and vegetation into myth and memory, to unravel the ancient connections which bring mountain, forest and river into our soul."
BRIAN MASTERS, 'Mail on Sunday'

'Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.' Simon Schama Sir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world's foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging - from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama's tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world's most respected publications - the Times, the Guardian, the New Yorker, Harper's Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world's foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

Written by a team of eminent historians, these essays explore how ten twentieth-century intellectuals and social reformers sought to adapt such familiar Victorian values as civilisation', domesticity', conscience' and improvement' to modern conditions of democracy, feminism and mass culture. Covering such figures as J.M. Keynes, E.M. Forster and Lord Reith of the BBC, these interdisciplinary studies scrutinize the children of the Victorians at a time when their private assumptions and public positions were under increasing strain in a rapidly changing world.
After the Victorians is written in honour of the late Professor John Clive of Harvard, and uses, as he did, the method of biography to connnect the public and private lives of the generations who came after the Victorians.

Recognized as one of the greatest and most idiosyncratic artists of the postwar era, Cy Twombly left behind an oeuvre of incredible versatility, sensitivity and originality upon his death in 2011 at age 83. Working in the immediate aftermath of Abstract Expressionism, Twombly developed an intensely personal scription consisting of scrawled letters and words, in an effusive, calligraphic mark-making that suggests a kind of painted poetry. Working across painting, drawing, sculpture and photography with a restless energy, Twombly incorporated the gods of Ancient Greece, the poetry of Stephane Mallarme and the history, culture and mythology of the Occident into his art. "The Essential Cy Twombly," edited by Twombly's longtime collaborator Nicola Del Roscio, is the ultimate overview of his work, presenting the most important paintings and cycles of paintings, drawings, sculptures and photographs from Twombly's diverse oeuvre. The most accessible survey of his work to date, this volume includes essays by Laszlo Glozer, Thierry Greub, Kirk Varnedoe and Simon Schama.
Edwin Parker (Cy) Twombly (1928-2011) was born in Lexington, Virginia. He lived and worked in New York in the early 1950s (where he met Robert Rauschenberg, with whom he was to have a long personal and artistic relationship) and studied at the legendary Black Mountain College in North Carolina before traveling around North Africa, Spain and Italy and ultimately settling in Rome before the end of the decade, just as the art world was shifting its center of gravity to New York. Best known for his paintings and drawings, often executed on a massive scale across multiple canvases, Twombly also made sculptures and photographs.

A reissue of Simon Schama's landmark study of the Netherlands from 1780-1813, this is a tale of a once-powerful nation's desparate struggle to survive the treacheries and brutality of European war and politics. Between 1780 and 1813 the Dutch Republic - a country once rich enough to be called the cash till of Europe and powerful enough to make war with England - was stripped of its colonies, invaded by its enemies, driven to the edge of bankruptcy, and, finally, reduced to becoming an appendage of the French empire - an appendage not even the French seemed to value overmuch. Out of these events Simon Schama has constructed a gripping chronicle of revolution and privateering, constitutions and coups, in a tiny nation desperately struggling to stay afloat in a sea of geopolitics. Like his classics 'The Embarrassment of Riches' and 'Citizens', 'Patriots and Liberators' combines a mastery of historical sources with an unabashed delight in narrative. The result confirms Schama as a historian in the finest tradition - one whose study of the past reveals volumes about the present. This is one of our most revered historians' greatest works, and this new Perennial edition will reintroduce his genius to a new generation of readers.

On 13 September 1759, General James Wolfe, having led the British troops up the St Lawrence to victory in the Battle of Quebec, died on the Heights of Abraham. Schama examines this death, and how Wolfe was made to die again - through the spectacular painting by Benjamin West, and through the writings of the 19th-century historian Francis Parkman. Schama's second death concerns Parkman's uncle, George Parkman of Harvard Medical College, who disappeared in 1849 in mysterious circumstances and who was rumoured to have been murdered by a colleague. Through these incidents, Schama sheds light on the writing of history, the history of history, and the relationship of 'story' to 'history'.

One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced. 'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review 'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times 'Dazzling - beyond praise - He has chronicled the vicissitudes of that world with matchless understanding, wisdom, pity and truth, in the pages of this marvellous book' Bernard Levin, Sunday Times 'Provides an unrivalled impression of the currents and contradictions which made up this terrible sequence of events' Antony Beevor, Express Simon Schama is University Professor in Art History and History at Columbia University in New York, and one of the best-known scholars in Britain in any field. He is the prize-winning author of numerous books, including Dead Certainties (Unwarranted Speculations), Landscape and Memory, Rembrandt's Eyes and three volumes of A History of Britain. He is also the writer-presenter of historical and art-historical documentaries for BBC Television. He lives outside New York City with his wife and children.

'Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time. It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.' Simon Schama Sir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world's foremost publishers, broadsheet newspapers, periodicals and magazines. His commissioned subjects over the years have been numerous and wide ranging - from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama's tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world's most respected publications - the Times, the Guardian, the New Yorker, Harper's Bazaar and Rolling Stone magazine. Wordy is a celebration of one of the world's foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

If you were black in America at the start of the Revolutionary War, which side would you want to win?

When the last British governor of Virginia declared that any rebel-owned slave who escaped and served the king would be emancipated, tens of thousands of slaves fled from farms, plantations, and cities to try to reach the British camp. A military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in U.S. history. With powerfully vivid storytelling, Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture, shedding light on an extraordinary, little-known chapter in the dark saga of American slavery.

One of Time Magazine's Best Books of the Year


In Landscape and Memory Schama ranges over continents and centuries to reveal the psychic claims that human beings have made on nature. He tells of the Nazi cult of the primeval German forest; the play of Christian and pagan myth in Bernini's Fountain of the Four Rivers; and the duel between a monumental sculptor and a feminist gadfly on the slopes of Mount Rushmore. The result is a triumphant work of history, naturalism, mythology, and art.



"A work of great ambition and enormous intellectual scope...consistently provocative and revealing."--New York Times


"Extraordinary...a summary cannot convey the riches of this book. It will absorb, instruct, and fascinate."--New York Review of Books

This is the book that made Simon Schama’s reputation when first published in 1987. A historical masterpiece, it is an epic account of Dutch Culture in the Golden Age of Rembrandt and van Diemen. In this brilliant work that moves far beyond the conventions of social or cultural history, Simon Schama investigates the astonishing case of a people’s self-invention. He shows how, in the 17th-century, a modest assortment of farming, fishing and shipping communities, without a shared language, religion or government, transformed themselves into a formidable world empire – the Dutch republic.

Introduction by Simon Schama

‘Great art has dreadful manners…

…The hushed reverence of the gallery can fool you into believing masterpieces are visions that soothe, charm and beguile, but actually they are thugs. Merciless and wily, the greatest paintings grab you in a headlock and proceed in short order to re-arrange your sense of reality.’ In inimitable style, our greatest historian and master storyteller Simon Schama makes an irresistible case for the power of art and its necessary place in our lives, examining art through the prism of the troubling life and works of Italian master painter, and murderer, Caravaggio.

Selected from The Power of Art

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.    Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.   At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai he is tragically brought down in an act of shocking injustice.   Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

A passionate history of Judaism; a world unfolding across many continents and five centuries by one of our greatest and internationally bestselling historians. Belonging is a magnificent cultural history abundantly alive with energy, character and colour. From the Jews' expulsion from Spain in 1492 it tells the stories not just of rabbis and philosophers but of a poetess in the ghetto of Venice; a boxer in Georgian England; a general in Ming China; an opera composer in nineteenth-century Germany. The story unfolds in Kerala and Mantua, the starlit hills of Galilee, the rivers of Colombia, the kitchens of Istanbul, the taverns of Ukraine and the mining camps of California. It sails in caravels, rides the stage coaches and the railways; trudges the dawn streets of London, hobbles along with the remnant of Napoleon's ruined army. The Jewish story is a history that is about, and for, all of us. And in our own time of anxious arrivals and enforced departures, the Jews' search for a home is more startlingly resonant than ever. 'A magnificent achievement...' Jonathan Freedland, Guardian 'An extraordinary cultural journey, filled with astonishingly colourful and outrageous characters ... Schama delivers a superb and thrilling ride, both inspirational and tragic' Simon Sebag Montefiore, Mail on Sunday

If you were black in America at the start of the Revolutionary War, which side would you want to win? When the last British governor of Virginia declared that any rebel-owned slave who escaped and served the king would be emancipated, tens of thousands of slaves fled from farms, plantations, and cities to try to reach the British camp. A military strategy originally designed to break the plantations of the American South had unleashed one of the great exoduses in U.S. history. With powerfully vivid storytelling, Schama details the odyssey of the escaped blacks through the fires of war and the terror of potential recapture, shedding light on an extraordinary, little-known chapter in the dark saga of American slavery. Adapted for the stage by the award-winning playwright and novelist Caryl Phillips.

Schama explores the mysterious contradictions of the Dutch nation that invented itself from the ground up, attained an unprecedented level of affluence, and lived in constant dread of being corrupted by happiness. Drawing on a vast array of period documents and sumptuously reproduced art, Schama re-creates in precise detail a nation's mental state. He tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. He tells us how the Dutch celebrated themselves and how they were slandered by their enemies.



"History on the grand scale...An ambitious portrait of one of the most remarkable episodes in modern history."--New York Times


"Wonderfully inclusive; with wit and intense curiosity he teases out meaning from every aspect of Dutch seventeenth-century life."--Robert Hughes

In the second of two volumes of this magnificently illustrated cultural history--the tie-in to the PBS and BBC series The Story of the Jews--Simon Schama details the story of the Jewish people, spanning from their expulsion from Spain during the Inquisition across six hundred years to the present day.

It is a story like no other: an epic of endurance against destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life against the steepest of odds.

It spans the centuries and the continents--from the Iberian Peninsula and the collapse of "the golden age" to the shtetls of Russia to the dusty streets of infant Hollywood. Its voices ring loud and clear, from the philosophical musings of Spinoza to the poetry written on slips of paper in concentration camps. Within these pages, the Enlightenment unfolds, a great diaspora transforms a country, a Viennese psychiatrist forever changes the conception of the human mind.

And a great story unfolds. Not--as often imagined--of a people apart, but of a Jewish culture immersed in and imprinted by the peoples among whom they have dwelled. Which, as Simon Schama so brilliantly demonstrates, makes the story of the Jews everyone's story, too.

The Story of the Jews Volume 2 features 24 pages of color photos, numerous maps, and printed endpapers.

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness...."

The most famous and possibly the most popular of Dickens's novels, A Tale of Two Cities shows a master of dramatic narrative extracting gold from the ore of history. If the bloody tableau of the French Revolution were not in itself sufficient for a dozen novels, Dickens added to it a professional resurrectionist, an authentic ogress, and an antihero as convincingly flawed as any in modern literature. Here, too, are all of Dickens's recurring themes -- imprisonment, injustice, and cataclysmic violence, resurrection and the renunciation that makes renewal possible.