Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Along with his Confessions, The City of God is undoubtedly St. Augustine's most influential work. In the context of what begins as a lengthy critique of classic Roman religion and a defence of Christianity, Augustine touches upon numerous topics, including the role of grace, the original state of humanity, the possibility of waging a just war, the ideal form of government, and the nature of heaven and hell. But his major concern is the difference between the City of God and the City of Man - one built on love of God, the other on love of self. One cannot but be moved and impressed by the author's breadth of interest and penetrating intelligence. For all those who are interested in the greatest classics of Christian antiquity, The City of God is indispensible. This long-awaited translation by William Babcock is published in two volumes, with an introduction and annotation that make Augustine's monumental work approachable.

Soliloquies is a work from Augustine's early life, shortly after his conversion, in which are visible all the seeds contained in his future writings. Here we see Augustine as a philosopher, a thinker and a budding theologian.

De bono coniugali and De sancta virginitate were written in the same year (AD 401). In them Augustine rebuffs the Manichees, who argued that marriage was evil, and the followers of Jovinian, who argued that the married state was as meritorious as that of virginity. The first work analyses why marriage is good, and the second why virginity is a higher good. Both are closely related to present-day controversies amongst theologians and social historians. This edition includes the Latin text, a new translation, an introduction, and explanatory notes.

Aurelius Augustinus, aka SAINT AUGUSTINE (354-430) was bishop of Hippo, today called Bona, in Algeria. Before his conversion to Christianity, however, he lead a wild and licentious youth in Carthage and later studied philosophy for years in Milan. His Confessions, in which he begs forgiveness from God for his sins and sets himself entirely to devotion to God, is not only a foundational work of Western theology, it is also one of the earliest autobiographies, offering keen insight into the workings of the medieval mind. ALSO AVAILABLE FROM COSIMO CLASSICS: Saint Augustine's "The City of God" Translator and British clergyman EDWARD BOUVERIE PUSEY (1800-1882) was one of the most influential figures in the Anglican church in the 19th century, formulated theology and doctrine that radically altered the practice of Christianity in England.

The Doctrina Christiana (On the Teachings of Christianity) is one of Augustine's most important works. In particular, it spells out just how far Christians may use the legacy of their classical, pagan past. This is a completely new translation, accurate and stylish, with a brief introduction that takes into account recent studies. The book includes a freshly edited complete text.

Since the dawn of the fifth century, theology students, religious scholars, and Christian readers have turned to this volume for instruction. Written by one of the foremost leaders in the development of Christian thought, it offers practical as well as theoretical guidance on how to read the Bible and explain the meaning of scripture. Augustine intended his treatise for the priests in his North African diocese of Hippo, but ultimately, the saint's counsel laid the groundwork for modern hermeneutics and semiotics.
The first of "On Christian Doctrine"'s four parts begins with an overview of the subjects treated in holy scripture. Subsequent parts discuss signs and their recognition, the distinctions between literal and figurative expressions, and the scriptures' stylistic combination of eloquence and wisdom. Above all, Augustine's text concerns itself with the ways in which individuals can live in harmony with Jesus' teachings. Christians and non-Christians alike value this work for its role in historical theology, its influence on the development of Biblical interpretation, and its insights into the mind of a great Christian philosopher and ecclesiastic.

Throughout history, some books have changed the world. They have transformed the way we see ourselves and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are. One of the greatest explorations of sin, epiphany and redemption ever written, the Confessions of Saint Augustine continue to shape our ideas with their passionate declaration of the life-changing power of faith.

There is no time like the present. Is it also true that there is no time but the present? According to presentism, the present time is special in the most fundamental sense because all of reality is included in it. What is past is no longer; what is future is yet to be. This philosophy of time, with roots as far back as Saint Augustine and beyond, is the focus of vigorous and widespread discussion in contemporary philosophy. Presentism: Essential Readings brings together for the first time the seminal works by both presentists and their opponents. Works by Augustine, McTaggart, Prior, Craig and others, address a wide array of issues concerning presentism. How can time pass if everything is present? Is there no future to come to the present; nor a past to receive the present? How can there be truths about the past? Generally a statement is true because of events in reality. But if presentism is correct, then the past would seem to lack a basis in reality. If only the present is real, how can things last? To persist seems to require that something exist at more than one time, but presentism holds that there is only one time: the present. The collected essays on presentism address these and other aspects of the debate a debate that is just beginning. With explanatory introductions written by the editors, Presentism: Essential Essays will fascinate and stretch the minds of both scholars and novices alike.