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New approaches to a range of Old English texts. Throughout her
career, Professor Katherine O'Brien O'Keeffe has focused on the
often-overlooked details of early medieval textual life, moving
from the smallest punctum to a complete reframing of the
humanities' biggest questions. In her hands, the traditional tools
of medieval studies -- philology, paleography, and close reading -
become a fulcrum to reveal the unspoken worldviews animating early
medieval textual production. The essays collected here both honour
and reflect her influence as a scholar and teacher. They cover
Latin works, such as the writings of Prudentius and Bede, along
with vernacular prose texts: the Pastoral Care, the OE Boethius,
the law codes, the Anglo-Saxon Chronicle, and AElfric's Lives of
Saints. The Old English poetic corpus is also considered, with a
focus on less-studied works, including Genesis and Fortunes of Men.
This diverse array of texts provides a foundation for the volume's
analysis of agency, identity, and subjectivity in early medieval
England; united in their methodology, the articles in this
collection all question received wisdom and challenge critical
consensus on key issues of humanistic inquiry, among them affect
and embodied cognition, sovereignty and power, and community
formation.
This collection honours the scholarship of Professor David F.
Johnson, exploring the wider view of medieval England and its
cultural contracts with the Low Countries, and highlighting common
texts, motifs, and themes across the textual traditions of Old
English and later medieval romances in both English and Middle
Dutch. Few scholars have contributed as much to the wider view of
medieval England and its cultural contacts with the Low Countries
than Professor David F. Johnson. His wide-ranging scholarship
embraces both the textual traditions of Old English, especially in
manuscript production, and later medieval romances in both English
and Middle Dutch, highlighting their common texts, motifs, and
themes. Taking Johnson's work as its starting point and model, the
essays collected here investigate early English manuscript
production and preservation, illuminating the complexities of
reinterpreting Old English poetry, particularly Beowulf, and then
go on to pursue those nuances through later English and Middle
Dutch Arthurian romances and drama, including Sir Gawain and the
Green Knight, The Canterbury Tales, and the Roman van Walewein.
They explore a plethora of material, including early medieval
textual traditions and stone sculpture, and draw on a range of
approaches, such as Body and Disability Theories. Overall, the aim
is to bring multiple disciplines into dialogue with each other, in
order to present a richer and more nuanced view of the medieval
literary past and cross-cultural contact between England and the
Low Countries, from the pre-Conquest period to the late-Middle
Ages, thus forming a most appropriate tribute to Professor
Johnson's pioneering work.
In Ruling Women, Stacy S. Klein explores how queens functioned as
imaginative figures in Anglo-Saxon texts. Focusing on pre-Conquest
works ranging from Bede to AElfric, Klein argues that Anglo-Saxon
writers drew upon accounts of legendary royal wives to construct
cultural ideals of queenship during a time when that institution
was undergoing profound change. Also a study of gender, her book
examines how Anglo-Saxon writers used women of the highest social
rank to forge broader cultural ideals of femininity, even as they
used female voices to articulate far less comfortable social
truths. Capitalizing on queens' strong associations with
intercession, Anglo-Saxon writers consistently looked to royal
women as mediatory figures for negotiating sustained tensions, and
sometimes overt antagonisms, among different peoples, institutions,
and systems of belief. Yet as authors appropriated legendary queens
and inserted them into contemporary Anglo-Saxon culture, these
royal "peaceweavers" simultaneously threatened to destroy existing
unities and to expose the fragility of seemingly entrenched social
formations. Drawing on the strengths of historical, typological,
and literary criticism, feminist theory, and cultural studies,
Ruling Women offers us a way to understand Anglo-Saxon texts as
both literary monuments and historical documents, and thus to
illuminate the ideological fissures and cultural stakes of
Anglo-Saxon literary practice.
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