Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Sarsaparilla Sue is not your ordinary girl. She's smart, mannerly and thoughtful. So it's not terribly surprising that Sarsaparilla is also an amateur scientist in her room-in her spare time. But what comes out of her mouth after one of her experiments surprises everyone Her snarky retorts and seemingly selfish sassing are out of control and she intends to find out why And she had better hurry It's back to the science books for Sarsaparilla, where she is destined to meet none other than the Sassmouth

This book articulates the first theoretical context for a 'cyborg theatre, ' metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understanding performance in our changing world.

When Angels Are Born celebrates poetry as a language of deep intimacy, a language meant to touch the human spirit and awaken it to the mystery of life, all life. These poems are an invitation into a world that is intimate and wondrous, one that explores the depths of all human hearts. Beckoning the reader to engage in a spiritual practice of divine intimacy that opens the eyes and ears of the human heart, and invites a person into the mystery of relationships and creation, a world of openness and timelessness. Such a practice offers the reader an opportunity to explore the mystery of human thought, interconnections, creativity, and design, our deepest intentions, in a perichoresis or divine dance of words, love, intimacy, and transformation. Through this dance and practice, this openness the reader may discover a spiritual indwelling, an intimacy, where we discover oneness at work throughout creation, where we find that we dwell within one another, come and dance this divine dance. "That they all may be one; as thou, Father, art in me, and I in thee, that they also may be one in us (John 17:21)."

Out of the annals of the author's own family history comes this story of the strange death of a popular circuit judge in a mysterieous shooting that remained unsolved for many years. "Who shot the Judge?" remained an unsettled question, despite all efforts to find the answer. This is the account of a hunting accident in the north woods of Michigan and the effects of such unsolved mystery on members of the family and others. The story concludes with a surprise ending and alludes to the question of the degree to which such unhealed grief might affect even succeeding generations. The prompting to write the story was born for the author in an experience of personal healing in a prayer group, from which the author emerged with a compelling sense that this story had to be written. He could never seem to let it go. The judge was the author's own grandfather, whom he, of course, never knew.

Understanding the roles of editors, and the processes of editorship in knowledge dissemination, are highly relevant issues for most scholars. Written by leading scholars with strong editorial experience, this book will serve as a guide for editors and scholars wishing to become editors in management and behavioral sciences.

"Chosen." "Special." Those are the words Margot Starbuck used to describe herself as a child adopted into a loving family. And when her adoptive parents divorced, her dad moved east, and her mom and dad each got remarried, she told herself that she was extra loved, since she had more than two parents and people in different times zones who cared about her. But the word she really believed about herself was rejected. First by her birthparents. Then by her adoptive father-when he moved away. Then by her stepfather. Then by her birthfather a second time, when she tried to invite him into her life. Most of all, Margot felt rejected by God the Father, who she also suspected could not be trusted. Margot's story begins with a woman looking for her biological father. But it doesn't end when she finds him. Instead, his rejection punctures her soul and sends her on a different search--one that leads to a different Father. This Father did not just "sacrifice a son" like the parents she knew, but instead gave his own life out of love for her. Maybe you've been disappointed and wounded by parents who divorced, left, were abusive, or simply weren't there. Enter into Margot's story. She has been where you are. She knows the pain you carry. And her journey can lead you to the God who nurtures, protects and always says, "I am for you."