'HEIDA IS A FORCE OF NATURE . . . EXACTLY THE RIGHT SORT OF MODERN ROLE MODEL' SUNDAY TIMES The inspiring story of Icelandic sheep farmer, former model and feminist heroine Heida Asgeirsdottir has become a double prize-winning international bestseller. As heard on Radio 4's Start the Week I'm not on my own because I've been sitting crying into a handkerchief or apron over a lack of interested men. I've been made every offer imaginable over the years. Men offer themselves, their sons . . . drunk fathers sometimes call me up and say things like: "Do you need a farmhand?" "I can lift the hay bales" "I can repair your tractors". . . Heida is a solitary farmer with a flock of 500 sheep in a remorseless area bordering Iceland's highlands. It's known as the End of the World. One of her nearest neighbours is Iceland's most notorious volcano, Katla, which has periodically driven away the inhabitants of Ljotarstadir ever since people first started farming there in the twelfth century. This portrait of Heida written with wit and humour by one of Iceland's most acclaimed novelists, Steinunn Sigurdardottir, tells a heroic tale of a charismatic young woman, who walked away from a career as a model to take over the family farm at the age of 23. I want to tell women they can do anything, and to show that sheep farming isn't just a man's game. Divided into four seasons, Heida tells the story of a remarkable year, when Heida reluctantly went into politics to fight plans to raise a hydro-electric power station on her land. This book paints a unforgettable portrait of a remote life close to nature. Translated into six languages, Heida has won two non-fiction prizes and has become an international bestseller. We humans are mortal; the land outlives us, new people come, new sheep, new birds and so on but the land with its rivers and lakes and resources, remains. 'UTTERLY CHARMING' MAIL ON SUNDAY 'REVELATORY AND INSPIRING' HERALD

Winner of the VISA Cultural Prize and the Icelandic National Literature Prize.

Single mother Harpa has always been a misfit. Her physical description is like no other Icelander: so small she self-deprecatingly refers to herself as a dwarf, so dark-skinned she doubts her genetic link to her parents, so strange she nearly believed the children who mistook her for a mythical creature of the forest. Even as an adult, she struggles to make sense of her place in the world.

So when she sees how her teenage daughter, Edda, has suffered since a close friend's drug overdose, Harpa has no choice but to tear her away from her friends in the city. She enlists the help of a friend and loads her reprobate daughter and their belongings into a pickup truck, setting out on a road trip to Iceland's bucolic eastern fjords.

As they drive through the starkly beautiful landscape, winding around volcanic peaks, battling fierce windstorms, and forging ahead to a verdant valley, their personal vulnerabilities feel somehow less dangerous. The natural world, with all its contrasts, offers Harpa solace and the chance to reflect on her past in order to open her heart.