Arnold Schwarzenegger stars as US secret agent Harry Tasker in James Cameron's attempt at screwball-comedy and action-adventure. Tasker's bored housewife, Helen (Jamie Lee Curtis), believes her husband to be a salesman, blissfully unaware of his espionage activities even after fifteen years of marriage. Suspecting Helen of conducting an affair, Harry uses all the resources at his disposal to find out what's going on. He is shocked to discover that she is falling for used car salesman Simon (Bill Paxton), who has wooed her by claiming to be a spy! However, when Helen and Harry are both captured by a gang of Arab terrorists, he is forced to reveal his true profession.

New York Times best-selling writer Pat Conroy (1945-2016) inspired a worldwide legion of devoted fans numbering in the millions, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year writing life. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on twentieth- and twenty-first-century literary life in and well beyond the American South. Conroy's was a messy fellowship of people from all walks of life. His relationships were complicated, and people and places he thought he'd left behind often circled back to him at crucial moments. The pantheon of contributors includes Pulitzer Prize winners Rick Bragg and Kathleen Parker; Grammy winners Barbra Streisand and Janis Ian; Lillian Smith Award winners Anthony Grooms and Mary Hood; National Book Award winner Nikky Finney; James Beard Foundation Award winners Nathalie Dupree and Cynthia Graubart; a corps of New York Times best-selling authors, including Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; longtime Conroy friends Bernie Schein, Cliff Graubart, John Warley, and Walter Edgar; Pat's students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a vibrant, multifaceted portrait of him comes to life and sheds new light on the writer and the man. Loosely following Conroy's own chronology, the essays in Our Prince of Scribes wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched and loved along the way.

On the day Juno Browne's van goes up in flames and nearly cooks a dog, Juno meets James Westershall, owner of Moorworthy Chase, a large family estate. She is invited, along with her friends from Old Nick's, to bring along their goods for sale to an upcoming garden fete. Included in the invitation is the newest and most irritating member of the Old Nick's team, Gavin. During the fete Gavin wanders off and is later discovered dead in nearby woods, apparently the victim of a bizarre accident. A police investigation ensues, but results are inconclusive and Juno has a theory of her own. As she begins to investigate, she discovers that Gavin's is not the only strange death to have occurred at Moorworthy Chase, including that of an expert, researching colonies of rare bats in caves on the Moorworthy Estate. It soon becomes clear to Juno that there is something very wrong at Moorworthy and the caves contain a dark and dangerous secret.

When Juno Browne finds a life-sized effigy floating in the River Ashburn, a note attached claims it as the work of Cutty Dyer, Ashburton's mythical blood-drinking demon. But despite Juno's instinct that this is a sign of trouble ahead, the police dismiss her find as a practical joke. Then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. But as suspicion falls on someone close to her, Juno finds herself drawn into solving the mystery, desperate to prove her friend's innocence. As the rain falls steadily and the level of the River Ashburn continues to rise, Juno must unmask the real identity of Cutty Dyer, or risk being swept away on a murderous tide.

Electronic Inspection Copy available for instructors here `Do read this book - it will refresh you if you have not come across critical psychology before. If you are already "critical", this is an excellent, up-to-date overview of the area' - THE (Times Higher Education) 'An excellent book in all respects - compulsory reading for scholars interested in a socio-political contextual analysis of complex human behaviour' - Professor David F Marks, City University, London 'The arrival of a Second Edition of this classic is an exciting event. The editors have assembled a world class array of authors to bring students to the forefront of critical scholarship today. Adding to the work's lustre are fresh new chapters on critical social issues, along with a set of new pedagogical aids. Bravo!' - Kenneth J. Gergen, Senior Research Professor, Swarthmore College The Second Edition of Critical Psychology extends the original's comprehensive and accessible critique of mainstream psychology. Fully revised, reconfigured and expanded, the Second Edition explores critical psychology's continued growth and diversification, offering practical advice, and noting significant theoretical and political dilemmas confronting critical psychologists today. While other texts focus on narrower specialties within critical psychology or on specific theoretical or methodological perspectives, Critical Psychology retains its focus on critical psychology as a whole. Key features of the new edition include: - each chapter now also includes a summary of main points, a glossary of important terms, suggested readings and Internet sites, and questions for discussion - the book's contributors - most of them new - have thoroughly updated the original chapters and provide multiple perspectives on critical psychology's core concerns - reflecting recent developments, Parts Three and Four are completely new to this edition. Part Three provides in-depth coverage of critical psychology's relevance to social justice, focusing on the issues of race, class, gender, disability, colonization/globalization, human rights/social justice in post-conflict settings, and oppression/empowerment in mental health systems. Part Four examines critical psychology practice, from theory, methodology and therapy to community organizing and the politics of resistance.

Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. Despite warnings to the contrary, she ventures into the shady world of antiques dealing when she takes on a new client, Old Nick, who has a reputation for conducting business by the back door. When Juno prevents two menacing thugs from giving Nick a beating, it's clear one of his deals has gone horribly wrong - and it isn't long before Nick is found dead. As the police search for answers starts to stall, Juno begins her own investigation. But when one of her suspects is killed and Juno is herself the subject of unwanted attention, she must piece the puzzle together before she becomes the next victim.

Juno Browne is a self-appointed Domestic Goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque town of Ashburton in her trusty van ready to turn her hand to anything. Despite warnings to the contrary, she ventures into the shady world of antiques dealing when she takes on a new client, Old Nick, who has a reputation for conducting business by the back door. When Juno prevents two menacing thugs from giving Nick a beating, it's clear one of his deals has gone horribly wrong - and it isn't long before Nick is found dead. As the police search for answers starts to stall, Juno begins her own investigation. But when one of her suspects is killed and Juno is herself the subject of unwanted attention, she must piece the puzzle together before she becomes the next victim.

When Juno Browne finds a life-sized effigy floating in the River Ashburn, a note attached claims it as the work of Cutty Dyer, Ashburton's mythical blood-drinking demon. But despite Juno's instinct that this is a sign of trouble ahead, the police dismiss her find as a practical joke. Then the body of a woman is discovered by the river and it becomes clear that a killer has taken on Cutty's identity. But as suspicion falls on someone close to her, Juno finds herself drawn into solving the mystery, desperate to prove her friend's innocence. As the rain falls steadily and the level of the River Ashburn continues to rise, Juno must unmask the real identity of Cutty Dyer, or risk being swept away on a murderous tide.

Electronic Inspection Copy available for instructors here `Do read this book - it will refresh you if you have not come across critical psychology before. If you are already "critical", this is an excellent, up-to-date overview of the area' - THE (Times Higher Education) 'An excellent book in all respects - compulsory reading for scholars interested in a socio-political contextual analysis of complex human behaviour' - Professor David F Marks, City University, London 'The arrival of a Second Edition of this classic is an exciting event. The editors have assembled a world class array of authors to bring students to the forefront of critical scholarship today. Adding to the work's lustre are fresh new chapters on critical social issues, along with a set of new pedagogical aids. Bravo!' - Kenneth J. Gergen, Senior Research Professor, Swarthmore College The Second Edition of Critical Psychology extends the original's comprehensive and accessible critique of mainstream psychology. Fully revised, reconfigured and expanded, the Second Edition explores critical psychology's continued growth and diversification, offering practical advice, and noting significant theoretical and political dilemmas confronting critical psychologists today. While other texts focus on narrower specialties within critical psychology or on specific theoretical or methodological perspectives, Critical Psychology retains its focus on critical psychology as a whole. Key features of the new edition include: - each chapter now also includes a summary of main points, a glossary of important terms, suggested readings and Internet sites, and questions for discussion - the book's contributors - most of them new - have thoroughly updated the original chapters and provide multiple perspectives on critical psychology's core concerns - reflecting recent developments, Parts Three and Four are completely new to this edition. Part Three provides in-depth coverage of critical psychology's relevance to social justice, focusing on the issues of race, class, gender, disability, colonization/globalization, human rights/social justice in post-conflict settings, and oppression/empowerment in mental health systems. Part Four examines critical psychology practice, from theory, methodology and therapy to community organizing and the politics of resistance.

On the day Juno Browne's van goes up in flames and nearly cooks a dog, Juno meets James Westershall, owner of Moorworthy Chase, a large family estate. She is invited, along with her friends from Old Nick's, to bring along their goods for sale at an upcoming garden fete. Included in the invitation is the newest and most irritating member of the Old Nick's team, Gavin. During the fete Gavin wanders off and is later discovered dead in nearby woods, apparently the victim of a bizarre accident. A police investigation ensues, but results are inconclusive and Juno has a theory of her own. As she begins to investigate, she discovers that Gavin's is not the only strange death to have occurred at Moorworthy Chase, including that of an expert researching colonies of rare bats in caves on the estate. It soon becomes clear to Juno that there is something very wrong at Moorworthy and the caves contain a dark and dangerous secret.