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Dreams (Hardcover)
Richard A Lupoff, Steven Gilberts
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R781
Discovery Miles 7 810
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Ships in 12 - 17 working days
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The long-awaited completion of Lupoff's epic trio of short-story
collections contains stories that range from Lovecraftian horror to
Holmesian detection, from hard science fiction to whimsy, from
semi-autobiographical recreations of past decades to images of the
distant future. 260 pp.
This book contains the proceedings of a symposium held at the
College of Charleston, Charleston, South Carolina, USA, 16-20 June
1986. The seed for this symposium arose from a group of
physiologists , soU scientists and biochemists that met in
Leningrad, USSR in July 1975 at the 12th Botanical Conference in a
Session organized by Professor B.B. Vartepetian. This group and
others later conspired to contribute to a book entitled Plant Life
in Anaerobic Environments (eds. D. D. Hook and R. M. M. Crawford,
Ann Arbor Science, 1978). Several contributors to the book
suggested in 1983 that a broad-scoped symposium on wetlands would
be useful (a) in facilitating communication among the diverse
research groups involved in wetlands research (b) in bringing
researchers and managers together and (c) in presenting a com
prehensive and balanced coverage on the status of ecology ami
management of wetlands from a global perspective. With this
encouragement, the senior editor organized a Plan ning Committee
that encompassed expertise from many disciplines of wetland
scientists and managers. This Committee, with input from their
colleagues around the world, organized a symposium that addressed
almost every aspect of wetland ecology and management.
The book begins with a thorough coverage of a number of
elementary matters. This may be regarded either as a review or as a
reorientation in preparation for the systematic presentation that
follows.
Beginning in Part Two ideas that are more specifically
Schenkerian are developed and applied to the analysis of short
compositions. Since the book is also intended to cover all of the
basic standard form it has seemed logical to use this feature in
organizing the material. Thus, Part Two ends with longer forms and
Part Three covers the main large forms (sonata, rondo, and so on).
The various types of Schenkerian prolongations are introduced
gradually and discussed and illustrated thoroughly in the text.
Each chapter ends with a set of exercises keyed to the topics
that have been presented, and the student is given precise
instructions for completing the exercises as well as occasional
hints about pitfalls and special problems that they contain.
Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is
at once a model of literary interpretation and a psycho-critical
reading of Hemingway's life and art. This book is a provocative and
theoretically sophisticated inquiry into the traumatic origins of
the creative impulse and the dynamics of identity formation in
Hemingway. Building on a body of wound-theory scholarship, the book
seeks to reconcile the tensions between opposing Hemingway camps,
while moving beyond these rivalries into a broader analysis of the
relationship between trauma, identity formation and art in
Hemingway.
This compendium is an alphabetical listing of the British Regular
Army or [¬Redcoat[¬ officers who served in North America during the
American Revolution from 1775 to 1783. For each officer, the
listing includes his name, rank and date of commission. The of
"It is highly readable and offers the right combination of
imaginative fantasy and reality." - Olivia Manning, "The Spectator"
"A writer of distinction." - E. M. Forster
"A piece of imaginative work worthy of a genius." - "Northern
Whig"
While exploring the jungles of South America, Dr. Theodore Browne
stumbles upon a previously unknown species of primate that could be
the "missing link" between apes and humans in the theory of
evolution. He names the animal Bimbo and brings him back to Belfast
for further research, but his untimely death leaves Bimbo in the
hands of his brother, a callous businessman who sees him only as a
resource to exploit for financial gain. One day, Bimbo surprises
everyone by demonstrating that he can speak, and it soon becomes
clear that he is far more intelligent than his human captors. Bimbo
begins to think about his future and dreams of going in search of
his family, but first he will have to escape the wiles of the
wicked Mr. Browne, who has other plans in store for him. . . .
A highly original and imaginative work that blends elements of
adventure, fantasy, and science fiction and raises ethical
questions about mankind's treatment of animals, "Monkeyface" (1948)
is one of the most enjoyable novels by Stephen Gilbert (1912-2010).
This first-ever reprint of the novel features a new introduction by
Andrew Doyle. All of Gilbert's books, including his horror classic
"Ratman's Notebooks" (1968), the basis for the film "Willard," are
being republished by Valancourt Books.
" U]nlike any other tale I can recall. It is not only a good story;
it has a charm beyond that. The spirit of the open air is in it,
the freshness and poetry of Nature." - Forrest Reid
"The story has many delicious moments." - "The Guardian"
"Rich in exciting and imaginative incidents ... the most enticing
romance I have read for a long time ... a good book, and an
exceptionally pleasant one." - "Northern Whig and Belfast Post"
"It is brilliant, for in over 200 pages the author carries on the
situation without seeming to be telling anything that he has not
actually seen.... H.G. Wells ... is nowhere its equal. It is a
strange and satisfying book." - "Dublin Review"
"An original and graceful novel ... has a salty freshness, a
shining of youth." - "John O'London's"
"Will my poor book ever be read by anyone? It is about a dragon
and a sea serpent, and a kind of prehistoric dog and an old man and
a boy and a priest. I sent it to a publisher last July and it has
been lost ever since. I know it is good ... It is unlike any story
that has ever been written before." Thus lamented Stephen Gilbert,
and when a copy of the manuscript was finally found and published
in 1943, the critics agreed: "The Landslide" was a fresh and
original fantasy story, and its author was hailed as an exciting
new voice in modern Irish fiction.
A landslide in a remote section of the Irish coast exposes a
long-buried primeval world, filled with lush and exotic vegetation
and an array of strange creatures, including a dragon and a sea
serpent. Twelve-year-old Wolfe and his grandfather are the first to
discover the marvels, and as they befriend and communicate with the
animals, they experience wonder and excitement unlike anything they
have known before. But their idyllic happiness cannot last: the
narrow-minded priest Father Binyon and the superstitious locals
believe the creatures have been sent by the devil, and they intend
to exterminate them ... and Wolfe and his grandfather. This
first-ever republication of "The Landslide" features a new
introduction by Andrew Doyle.
When his nagging mother discovers a rat infestation, the anonymous
writer of these notebooks sets out to drown the pests, but finds
himself unable to go through with it. Instead, he befriends the
rats, learning to train and communicate with them. Before long he
has the idea of using the rats for revenge against a world in which
he has been a failure. His target is his hateful boss, Mr Jones,
who treats him with supreme disrespect and plans to fire him and
replace him with someone less expensive.
"A writer of distinction." - E. M. Forster
" A]n unusual, talented book with many good things in it. ...]
Stephen Gilbert is an interesting writer, whose material is out of
the ordinary run of things." - Anthony Powell
Marcus Brownlow was a strange and imaginative young schoolboy
whose dreams sometimes foretold the future. Now he's nineteen,
unemployed, directionless, and not ready to grow up. An unexpected
invitation from a school friend to visit him at the house of his
eccentric millionaire uncle Mr. Burnaby seems to hint at adventure
and a change of fortune. But what Marcus doesn't know is that Mr.
Burnaby wants his help in a series of strange experiments whose
ultimate goal is to discover what happens to the soul after death.
What begins as harmless fun as Mr. Burnaby teaches Marcus how to
project his spirit out from his body quickly becomes more sinister,
and may lead to a horrible fate even more terrifying than death. .
. .
Stephen Gilbert (1912-2010) is best remembered for his novel
"Ratman's Notebooks" (1968), twice filmed as Willard, and for his
friendship as a young man with the much older novelist Forrest
Reid. "The Burnaby Experiments" (1952) is a brilliant and
unclassifiable novel, part fantasy, part science fiction, part
horror, and partly a thinly veiled and blackly humorous
fictionalization of Gilbert's difficult relationship with Reid.
This first-ever reprinting of Gilbert's scarce novel coincides with
its 60th anniversary and features the original jacket art by
legendary book designer Berthold Wolpe.
These provocative new essays redefine the goals, methods, and
assumptions of qualitative and ethnographic research in composition
studies, making evident not only the crucial importance of
ethnographic research, but also its resilience as well. As
"Ethnography Unbound makes evident, critical ethnographies are
retheorizing their methodologies in ways that both redefine
ethnographic practices and values and, at the same time, have begun
to liberate ethnographic practices from the often-disabling
stronghold of postmodern critique. Showing how ethnography works
through dialogic processes and moves toward political ends, this
collection opens the doors to rethinking ethnographic research in
composition studies.
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