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"Indispensable.... for anyone who cares about journalism." -
Professor Karin Wahl-Jorgensen How can we understand the complex
relationship between journalism and emotion? In a world of
live-streamed terror, polarised political debates and fake news,
emotion has become central to our understanding of contemporary
journalism. Including interviews with leading journalists
throughout, Journalism and Emotion critically explores the impact
of this new affective media environment, not just on the practice
of journalism, but also the lived experience of journalists
themselves. Bringing together theory and practice, Stephen Jukes
explores: The history of objectivity and emotion in journalism,
from pre-internet to digital. The 'emotionalisation' of culture in
today's populist media landscape. The blurring of boundaries
between journalism and social media content. The professional
practices of journalists working with emotive material. The mental
health risks to journalists covering traumatic stories. The impact
on journalists handling graphic user-generated content. In today's
interactive, interconnected and participatory media environment,
there is more emotive content being produced and shared than ever
before. Journalism and Emotion helps you make sense of this,
explaining how emotion is mobilised to influence public opinion,
and how journalists themselves work with and through emotional
material.
This book explores the role of international news agencies and
investigates whether they have been able to adapt to the
contemporary media landscape following the disruption wrought by
fake news, social media and an increasingly polarised public
discourse. News Agencies addresses the key players in the industry,
beginning with the 'big three' (Reuters, The Associated Press and
Agence France-Presse) and then moving on to the newest global
player, Bloomberg. It also explores the role of alternative
providers of international news which are seeking to challenge the
Western-centric perspective of the agencies. Drawing on interviews
with senior editors, Jukes investigates the challenges agencies
face in terms of their editorial strategy and business models in
today's social media context. At a time when there is widespread
distrust in the media and agencies are relying increasingly on
user-generated content as a source for news, Jukes critically
explores the role of these agencies in the debate over fake news
and policies on objectivity, impartiality and verification.
Shedding light on a sector of the news industry that has
steadfastly remained out of the public spotlight, this book will be
of interest to students and academics in the fields of journalism
and media studies.
Advances in digital communication have affected the relationship
between society, journalism and politics within different contexts
in varied ways and intensities. This volume, combining
interdisciplinary academic and professional perspectives, assesses
the impact of the digital media environment on citizens,
journalists and politicians in diverse sociopolitical landscapes.
The first part evaluates the transformative power of media literacy
in the digital age and the challenges that journalism pedagogy
encounters in global and fragmented environments. The second part
critically examines the methods in which social media is used by
politicians and activists to communicate during political campaigns
and social protests. The third part analyses the impact of
digitalization on professional journalism and news consumption
strategies. The fourth part offers a range of case studies that
illustrate the significant challenges facing online media regarding
the framing and representation of communities in crisis and
shifting contexts. The book is intended to introduce readers to the
crucial dynamic and diverse challenges that affect our societies
and communitive practices as a result of the interplay between
digital media and political and societal structures.
In this current period of uncertainty and introspection in the
media, New Journalisms not only focuses on new challenges facing
journalism, but also seeks to capture a wide range of new practices
that are being employed across a diversity of media. This edited
collection explores how these new practices can lead to a
reimagining of journalism in terms of practice, theory, and
pedagogy, bringing together high-profile academics, emerging
researchers, and well-known journalism practitioners. The book's
opening chapters assess the challenges of loss of trust and
connectivity, shifting professional identity, and the demise of
local journalism. A section on new practices evaluates algorithms,
online participatory news websites, and verification. Finally, the
collection explores whether new pedagogies offer potential routes
to new journalisms. Representing a timely intervention in the
debate and providing sustainable impact through its forward-looking
focus, New Journalisms is essential reading for students of
journalism and media studies.
Understanding Broadcast Journalism presents an insightful
exploration of broadcast journalism today; its characteristics,
motivations, methods and paradigms. The authors balance discussions
of industry practice with critical examinations of content, across
television, radio and associated multiplatform journalism. They
highlight key issues including ownership and shifting regulatory
environments, the revolutionary role of user-generated-content and
digital convergence, and coverage of global issues by rolling news
services. Chapters include: * a brief history of broadcasting; * an
overview of recent commercial challenges in the news industry and
the impact on television news; * current trends in the running of
local radio stations, with particular focus on the rise of
'hubbing'; * the ethics of broadcast journalism; * the significance
of international broadcasters including the BBC, CNN and
Al-Jazeera. The book identifies how the dissemination of broadcast
journalism is evolving, whilst also arguing for the continued
resilience of this industry now and in the future, making the case
that journalistic storytelling remains at its most effective in
broadcast environments. Professional journalists and students of
media studies and journalism will find this a timely and
thought-provoking intervention, which will help to inform their
professional practice and research.
In this current period of uncertainty and introspection in the
media, New Journalisms not only focuses on new challenges facing
journalism, but also seeks to capture a wide range of new practices
that are being employed across a diversity of media. This edited
collection explores how these new practices can lead to a
reimagining of journalism in terms of practice, theory, and
pedagogy, bringing together high-profile academics, emerging
researchers, and well-known journalism practitioners. The book's
opening chapters assess the challenges of loss of trust and
connectivity, shifting professional identity, and the demise of
local journalism. A section on new practices evaluates algorithms,
online participatory news websites, and verification. Finally, the
collection explores whether new pedagogies offer potential routes
to new journalisms. Representing a timely intervention in the
debate and providing sustainable impact through its forward-looking
focus, New Journalisms is essential reading for students of
journalism and media studies.
Understanding Broadcast Journalism presents an insightful
exploration of broadcast journalism today; its characteristics,
motivations, methods and paradigms. The authors balance discussions
of industry practice with critical examinations of content, across
television, radio and associated multiplatform journalism. They
highlight key issues including ownership and shifting regulatory
environments, the revolutionary role of user-generated-content and
digital convergence, and coverage of global issues by rolling news
services. Chapters include: * a brief history of broadcasting; * an
overview of recent commercial challenges in the news industry and
the impact on television news; * current trends in the running of
local radio stations, with particular focus on the rise of
'hubbing'; * the ethics of broadcast journalism; * the significance
of international broadcasters including the BBC, CNN and
Al-Jazeera. The book identifies how the dissemination of broadcast
journalism is evolving, whilst also arguing for the continued
resilience of this industry now and in the future, making the case
that journalistic storytelling remains at its most effective in
broadcast environments. Professional journalists and students of
media studies and journalism will find this a timely and
thought-provoking intervention, which will help to inform their
professional practice and research.
"Indispensable.... for anyone who cares about journalism." -
Professor Karin Wahl-Jorgensen How can we understand the complex
relationship between journalism and emotion? In a world of
live-streamed terror, polarised political debates and fake news,
emotion has become central to our understanding of contemporary
journalism. Including interviews with leading journalists
throughout, Journalism and Emotion critically explores the impact
of this new affective media environment, not just on the practice
of journalism, but also the lived experience of journalists
themselves. Bringing together theory and practice, Stephen Jukes
explores: The history of objectivity and emotion in journalism,
from pre-internet to digital. The 'emotionalisation' of culture in
today's populist media landscape. The blurring of boundaries
between journalism and social media content. The professional
practices of journalists working with emotive material. The mental
health risks to journalists covering traumatic stories. The impact
on journalists handling graphic user-generated content. In today's
interactive, interconnected and participatory media environment,
there is more emotive content being produced and shared than ever
before. Journalism and Emotion helps you make sense of this,
explaining how emotion is mobilised to influence public opinion,
and how journalists themselves work with and through emotional
material.
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