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The papers published in this book were delivered at two conferences
held in conjunction with the exhibition, " The Currency of Fame:
Portrait Medals of the Renaissance"
Contents: An introduction to "Perspectives on the Renaissance Medal", Stephen K.Scher. Giovanni Bernardi and the question of medal attributions in sixteenth century Italy, Philip Attwood. Changing patterns of antiquarianism in the imagery of the Italian Renaissance medal, John Cunnally. Correct and incorrect: the composition of medallic reverses in late seventeenth century France, Mark Jones. 'Un gran pelago': the impresa and the medal reverse in fifteenth century Italy, Kristen Lippincott. Ancient themes on Erzgebirgishen Medals, Hermann Maue. Text and image: themes on reverses of fifteenth and sixteenth century medals, Graham Pollard. A creative moment: thoughts on the genesis of the German portrait medal, Jeffrey Chipps Smith. Mint and medal in the Renaissance, Alan Stahl. Pisanello's Paragoni, Raymond Waddington. "The Modern Lysippus": A Roman quattrocento medalist in context, Louis Alexander. Visual constructions of the art of war: images for Machiavelli's Prince. Joanna Woods-Marsden.
The Stephen K. and Janie Woo Scher Collection is considered the
world's greatest private collection of portrait medals, rivalling
many collections in international museums. This fully illustrated
catalogue documenting the Scher Collection is an essential resource
for scholars, students, collectors, and curators. Portrait medals
were developed during the Italian Renaissance and are central to
the history of European portraiture, flourishing as an art form
through the nineteenth century and into the twentieth century.
Though less familiar to us now than painting and sculpture, these
exquisitely crafted objects, typically made from lead, bronze,
silver or gold, were produced (sometimes in large numbers) to
commemorate individuals, to acknowledge special events, and to
disseminate the identity and power of their sitters. The study of
the portrait medal has become, through the work of Stephen Scher
and others, a burgeoning area of new scholarship. Excellent
reproductions of all medals to size, with details of obverse,
reverse and full captions, are accompanied by scholarly essays,
interesting facts and historical references in this important new
volume.
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