Shortlisted for the International Booker Prize 2020, an enthralling Orwellian novel about the terrors of state surveillance from one of Japan's greatest writers.

Hat, ribbon, bird rose.

To the people on the island, a disappeared thing no longer has any meaning. It can be burned in the garden, thrown in the river or handed over to the Memory Police. Soon enough, the island forgets it ever existed.

When a young novelist discovers that her editor is in danger of being taken away by the Memory Police, she desperately wants to save him. For some reason, he doesn't forget, and it's becoming increasingly difficult for him to hide his memories. Who knows what will vanish next?

On sleepless nights, I open the matchbox and reread the story of the girl who gathered shooting stars

After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life.

While the 1970s transform Japan, her uncle's magnificent colonial mansion is a place out of time; its sprawling gardens are even home to a pet pygmy hippo. Equally beguiling are Tomoko’s relatives, especially her cousin Mina. Their growing friendship draws her into an intoxicating world – one full of secret crushes and elaborate storytelling.

Rich with the magic and mystery of youth, Mina’s Matchbox is an evocative snapshot of a moment frozen in time, and a striking depiction of a family on the edge of collapse.

< B> Handbook of the Aging Brain< /B> brings together diverse scientific disciplines to cover the most recent research findings in an easy-to-read summary. Scientists and clinicians will find a wide spectrum of subjects including gerontology, neurology, psychology, molecular biology, and cellular biology. The book includes general chapters on the neuroanatomy and neurobiology of the aging brain, and moves on to discussion of specifics including signal transduction, cell death, and specific cellular and neurological changes associated with dementia, Alzheimer's and Parkinson's Disease. Other chapters discuss the affect of aging on learning and memory, language, and cognition.

'A cyberpunk coming-of-age tale' Japan Times Two babies are left in a Tokyo station coin locker and survive against the odds, but their lives are forever tainted by this inauspicious start. Raised amidst the outcasts and misfits of Toxitown, they carve out vastly different paths: one as a bisexual rock star on a desperate search for his mother, the other as an athlete consumed by revenge against the woman who left him behind. When their twisted journeys start to intertwine, this savage and stunning story plunges headlong into a surrealistic whirl of violence. 'Encapsulates the fin de siècle cultural detonation of Japanese youth' Kirkus

Distributive justice is one of the most discussed topics in political philosophy. Focusing on the plurality of irreconcilable conceptions of social and political justice, this book presents an array of new perspectives on the topic. Bringing together 30 original essays of well-established and young international scholars, the volume is essential reading for anyone interested in social and political justice.

This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the 'world'. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art's end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche's case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art's historical forms.

Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned, some reprinted, and others in translation - look at De Sica's varied career from many perspecives.

Structured chronologically, the volume begins by introducing readers to De Sica's early popularity as an actor and singer during the years of Italian Fascism, and to his initial directorial efforts before the end of World War II. It was not until the postwar era, however, that De Sica made his mark in film history. Special attention is given to this critical phase of his career, which encompasses the neorealist films that made him famous: "Shoeshine," "Bicycle Thieves," "Miracle in Milan," and "Umberto D."

When the neorealist movement waned after 1955, De Sica returned to his roots in Neapolitan comedy for a series of commercially successful films starring Sophia Loren and Marcello Mastroianni. Memorable works from this period include "Two Women" and "Marriage Italian Style" as well as "Yesterday, Today, and Tomorrow," which won De Sica an Academy Award in 1965. In one of his final films, "The Garden of the Finzi Continis," he returned to the subject of World War II and to the human tragedy characteristic of his best neorealist productions.

This fine anthology offers a comprehensive critical survey that covers the entire scope of De Sica's career, and is an excellent resource for students, critics and film enthusiasts.

When Yuko Moriguchi's four-year-old daughter died in the middle school where she teaches, everyone thought it was a tragic accident. It's the last day of term, and Yuko's last day at work. She tells her students that she has resigned because of what happened - but not for the reasons they think. Her daughter didn't die in an accident. Her daughter was killed by two people in the class. And before she leaves, she has a lesson to teach... But revenge has a way of spinning out of control, and Yuko's last lecture is only the start of the story. In this bestselling Japanese thriller of love, despair and murder, everyone has a confession to make, and no one will escape unharmed.

Childhood Autism provides clinicians with a comprehensive guide for working with autistic children and their families. It offers practical assistance with early diagnosis, cutting edge treatment options and goals, interdisciplinary insights, and available resources. Empirical research findings are presented in a clear, accessible manner. Perhaps most importantly, vivid case examples bring both the therapista (TM)s and patienta (TM)s experience to the fore as they work towards recovery.

This clear and informative book should be required reading for professionals and students in the fields of medicine, social work, psychology, education, and any other clinicians who work with children on the autism spectrum.

Her pupils murdered her daughter. Now she will have her revenge.
After calling off her engagement in the wake of a tragic revelation, Yuko Moriguchi had nothing to live for except her only child, four-year-old child, Manami. Now, following an accident on the grounds of the middle school where she teaches, Yuko has given up and tendered her resignation.
But first she has one last lecture to deliver. She tells a story that upends everything her students ever thought they knew about two of their peers, and sets in motion a diabolical plot for revenge.
Narrated in alternating voices, with twists you'll never see coming, "Confessions" probes the limits of punishment, despair, and tragic love, culminating in a harrowing confrontation between teacher and student that will place the occupants of an entire school in danger. You'll never look at a classroom the same way again.

Distributive justice is one of the most discussed topics in political philosophy. Focusing on the plurality of irreconcilable conceptions of social and political justice, this book presents an array of new perspectives on the topic. Bringing together 30 original essays of well-established and young international scholars, the volume is essential reading for anyone interested in social and political justice.

This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill.  However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms. 

This is a clear and in-depth description of the jhanas, the traditional Theravadan meditation practice, from two authors who have practised these meditations in retreat with and under the close guidance of one of the great modern masters. Pa Auk Sayadaw is the abbot of Pa Auk Monastery in Burma (Myanmar) and the successor to Mahasi Sayadaw (d. 1982), who has several well-known books in English and who was a spiritual mentor to numerous American Buddhist teachers, including Jack Kornfield, Joseph Goldstein, Rodney Smith, and Sharon Salzberg. He is considered by many to be the leading teacher of the jhanas. The authors describe the techniques and their results, based on their own experience. This helpful book will be appealing to anyone who wants to learn more about this type of meditation. The instructions are thorough and detailed and will help even experienced meditators who have done retreats at one of the many popular Buddhist centres where concentration meditation is taught.

A story of friendship and family secrets in 1970s Japan, from the prizewinning author of The Memory Police.

After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life.

The 1970s are bringing changes to Japan and her uncle's magnificent colonial mansion opens up a new and unfamiliar world for Tomoko; its sprawling gardens are even home to a pygmy hippo the family keeps as a pet. Tomoko finds her relatives equally exotic and beguiling and her growing friendship with her cousin Mina draws her into an intoxicating world full of secret crushes and elaborate storytelling.

As the two girls share confidences their eyes are opened to the complications of the adult world. Tomoko’s understanding of her uncle’s mysterious absences, her grandmother’s wartime experiences and her aunt’s unhappiness will all come into clearer focus as she and Mina build an enduring bond. Rich with the magic and mystery of youth, Mina’s Matchbox is an evocative snapshot of a moment frozen in time, and a striking depiction of a family on the edge of collapse.

A tale of twisted love, from the author of "The Diving Pool" and "The Housekeeper and the Professor" In a crumbling seaside hotel on the coast of Japan, quiet seventeen-year-old Mari works the front desk as her mother tends to the off-season customers. When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for. The man is a proud if threadbare translator living on an island off the coast. A widower, there are whispers around town that he may have murdered his wife. Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator. As Mari's mother begins to close in on the affair, Mari's sense of what is suitable and what is desirable are recklessly engaged. "Hotel Iris" is a stirring novel about the sometimes violent ways in which we express intimacy and about the untranslatable essence of love.

The first major English translation of one of contemporary Japan's bestselling and most celebrated authors

From Akutagawa Award-winning author Yoko Ogawa comes a haunting trio of novellas about love, fertility, obsession, and how even the most innocent gestures may contain a hairline crack of cruel intent.

A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool--a peculiar infatuation that sends unexpected ripples through her life.

A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination--but whose hallucination is it, hers or her sister's?

A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.

Hauntingly spare, beautiful, and twisted, "The Diving Pool "is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.

Originally published in 1918, "Rivalry" is regarded as the masterpiece of Nagai Kafu, a Japanese novelist known for his brilliant renderings of Tokyo in the early years of modern Japan. Stephen Snyder offers the first English translation of the complete, uncensored text, which has long been celebrated as one of the most convincing and sensually rich portraits of the geisha profession.

"Rivalry" tells a sweeping story in which sexual politics compete with sisterly affection in a world ruled by material transaction. Komayo is a former geisha who, upon the death of her husband, must return to the "world of flower and willow" to escape poverty. A chance encounter with an old patron, Yoshioka, leads to a relationship in which both lovers hope to profit: Yoshioka believes Komayo can restore his lost innocence; Komayo plans to use Yoshioka's patronage to compete in the elaborate music and dance performances staged by her fellow geisha.

Yoshioka is eager to ransom Komayo, but as she considers his offer, Komayo falls in love with Segawa, a young actor who promises to turn the talented geisha into the finest dancer in the Shimbashi quarter. Though her feelings for Segawa are genuine, Komayo is eager to use her lover's position to become the lead performer among her peers. Her ambition even tempts her to take on a third patron known only as the "Sea Monster," a repellent but wealthy antiques dealer whose deep pockets promise to shoot Komayo to the height of celebrity.

Though she finds herself at the pinnacle of a glittering career, Komayo nevertheless becomes the target of a bitter rivalry between her three lovers that leaves her both thrilled and exhausted, both brutalized and redeemed. Kafu's compelling tale takes readers from the intimate corners of the geisha house to the back rooms of assignation, from the dressing areas of the great kabuki theaters to the lonely country villa of a theater critic and connoisseur of Shimbashi women. His lush depictions of architecture and costumes and his incisive descriptions of urban life and individual motive provide a vivid backdrop for Komayo's struggle-one woman's absorbing quest to find fame, affection, and financial security in the refined but ruthless theater of Shimbashi.