Through all its transformations and reinventions over the past century, "Sin City" has consistently been regarded by artists and cultural critics as expressing in purest form, for better or worse, an aesthetic and social order spawned by neon signs and institutionalized indulgence. In other words, Las Vegas provides a codex with which to confront the problems of the West and to track the people, materials, ideas, and virtual images that constitute postregional space. Morta Las Vegas considers Las Vegas and the problem of regional identity in the American West through a case study of a single episode of the television crime drama CSI: Crime Scene Investigation. Delving deep into the interwoven events of the episode titled "4 x 4," but resisting a linear, logical case-study approach, the authors draw connections between the city-a layered and complex world-and the violent, uncanny mysteries of a crime scene. Morta Las Vegas reveals nuanced issues characterizing the emergence of a postregional West, moving back and forth between a geographical and a procedural site and into a place both in between and beyond Western identity.

Although the origins of the western are as old as colonial westward expansion, it was Owen Wister's novel "The Virginian," published in 1902, that established most of the now-familiar conventions of the genre. On the heels of the classic western's centennial, this collection of essays both re-examines the text of The Virginian and uses Wister's novel as a lens for studying what the next century of western writing and reading will bring. The contributors address Wister's life and travels, the novel's influence on and handling of gender and race issues, and its illustrations and various retellings on stage, film, and television as points of departure for speculations about the "new West"--as indeed Wister himself does at the end of the novel. The contributors reconsider the novel's textual complexity and investigate "The Virginian's" role in American literary and cultural history. Together their essays represent a new western literary studies, comparable to the new western history.

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.