Ronald Reagan in Hollywood explores the relationship between the motion picture industry and American politics through the prism of Reagan's film career at Warner Brothers. During the Depression, World War II, and the early Cold War era, the film industry served as a "grand, world-wide propaganda base," using movies to influence attitudes about patriotism, national defense, communism, the welfare state, race, sex, and civil liberties. Ronald Reagan thrived in this environment. During his years in Hollywood from 1937 to 1952, he formed many of the ideas that were later carried into his presidency. Not merely a star, Reagan also became an articulate industry spokesperson and skilled propagandist, playing an important role in "the battle of the world today to capture the minds" of humanity in the struggle against communism. By the time he left Warner Brothers in 1952, Reagan had abandoned his New Deal liberalism and had become a militant anticommunist. Based on hundreds of interviews (including some with President Reagan), formerly secret FBI files, and archival materials, Ronald Reagan in Hollywood provides an incisive analysis of Reagan's important formative years.

Richard Vaughn's account of the development of the American movie rating system situates contemporary cinema within the turbulent context of the history of censorship, America's cultural wars, and the impact of new technologies that have transformed entertainment. Based on the private papers and oral history of Richard D. Heffner, who headed MPAA's Classification and Rating Administration for two decades, from 1974 to 1994, it chronicles the often tense working relationship between Heffner and Jack Valenti, the long-standing currently 83 year old President and Chief Executive of the Motion Picture Association of America. It also documents the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others. Heffner's memoirs reveal the conflicted behind-the-scenes history of the American movie rating system from the perspective of a man once called "the least-known most powerful person in Hollywood." Stephen Vaughn has taught the history of communication at the University of Wisconsin, Madison, since 1981. His previous books include Ronald Reagan in Hollywood: Movies and Politics (1994), The Vital Past: Writings on the Uses of History (1985), and Holding Fast the Inner Lines: Democracy, Nationalism and the Committee on Public Information (1980). He is General Editor of a three-volume Encyclopedia of American Journalism, and has published a two-volume annotated bibliography in electronic format.

He didn't know it until he looked up, but when Max finally figures out there is a star just for him, he is determined to hold onto it. Join Max on his adventure to find his passion, his grit, and a team that can help him go after his star. Through it all, discover what it takes to chase your dreams and overcome your obstacles.

The importance of history and its relevance to the present have seldom gone unquestioned in modern times. This is particularly true in the United States, born as the quintessentially modern nation, where the image of a vast open frontier and the unofficial state creed of limitless progress have diminished the importance of the past, and where the writings of Ralph Waldo Emerson proclaimed that nature and personal experience made tradition irrelevant for the self-reliant American.

Richard Vaughn's account of the development of the American movie rating system situates contemporary cinema within the turbulent context of the history of censorship, America's cultural wars, and the impact of new technologies that have transformed entertainment. Based on the private papers and oral history of Richard D. Heffner, who headed MPAA's Classification and Rating Administration for two decades, from 1974 to 1994, it chronicles the often tense working relationship between Heffner and Jack Valenti, the long-standing currently 83 year old President and Chief Executive of the Motion Picture Association of America. It also documents the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others. Heffner's memoirs reveal the conflicted behind-the-scenes history of the American movie rating system from the perspective of a man once called "the least-known most powerful person in Hollywood." Stephen Vaughn has taught the history of communication at the University of Wisconsin, Madison, since 1981. His previous books include Ronald Reagan in Hollywood: Movies and Politics (1994), The Vital Past: Writings on the Uses of History (1985), and Holding Fast the Inner Lines: Democracy, Nationalism and the Committee on Public Information (1980). He is General Editor of a three-volume Encyclopedia of American Journalism, and has published a two-volume annotated bibliography in electronic format.

Ever since the threads of seventeenth-century natural philosophy began to coalesce into an understanding of the natural world, printed artifacts such as laboratory notebooks, research journals, college textbooks, and popular paperbacks have been instrumental to the development of what we think of today as 'science.' But just as the history of science involves more than recording discoveries, so too does the study of print culture extend beyond the mere cataloguing of books. In both disciplines, researchers attempt to comprehend how social structures of power, reputation, and meaning permeate both the written record and the intellectual scaffolding through which scientific debate takes place. Science in Print brings together scholars from the fields of print culture, environmental history, science and technology studies, medical history, and library and information studies. This ambitious volume paints a rich picture of those tools and techniques of printing, publishing, and reading that shaped the ideas and practices that grew into modern science, from the days of the Royal Society of London in the late 1600s to the beginning of the modern U.S. environmental movement in the early 1960s.