Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism. Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges. Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels.

Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism.

Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges.

Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels.

In order to attract investment and tourism, cities are increasingly competing to re-brand themselves as cosmopolitan, and in recent years, cosmopolitanism has become the focus of considerable critical attention in academia. Here, renowned editors and contributors have come together to produce one of the first books to tackle cosmopolitanism from a geographical perspective. Central to the cosmopolitan process is how traditionally marginalized groups have become re-valued and reconstructed as a resource in the eyes of planners and politicians. This fascinating book examines the politics of these transformations by understanding the everyday practices of cosmopolitanism. Which forms of cultural difference are valued and which are excluded from this re-visioning of the contemporary city? Organized in three distinct parts, the book covers: production and consumption, and cosmopolitanism the spatialities of cosmopolitanism the deployment, mobilization and articulation of cosmopolitan discourses in policy-making and urban design. The volume is groundbreaking in examining the complex politics of cosmopolitanism in empirical case studies from Montreal to Singapore, London to Texas, Auckland to Amsterdam. With a strong editorial steer, including general and section introductions and a conclusion to guide the student reader, Cosmopolitan Urbanism employs a range of theoretical and empirical approaches to provide a grounded treatment essential for students of human geography, urban studies and sociology.

In order to attract investment and tourism, cities are increasingly competing to re-brand themselves as cosmopolitan, and in recent years, cosmopolitanism has become the focus of considerable critical attention in academia. Here, renowned editors and contributors have come together to produce one of the first books to tackle cosmopolitanism from a geographical perspective. Central to the cosmopolitan process is how traditionally marginalized groups have become re-valued and reconstructed as a resource in the eyes of planners and politicians. This fascinating book examines the politics of these transformations by understanding the everyday practices of cosmopolitanism. Which forms of cultural difference are valued and which are excluded from this re-visioning of the contemporary city? Organized in three distinct parts, the book covers: production and consumption, and cosmopolitanism the spatialities of cosmopolitanism the deployment, mobilization and articulation of cosmopolitan discourses in policy-making and urban design. The volume is groundbreaking in examining the complex politics of cosmopolitanism in empirical case studies from Montreal to Singapore, London to Texas, Auckland to Amsterdam. With a strong editorial steer, including general and section introductions and a conclusion to guide the student reader, Cosmopolitan Urbanism employs a range of theoretical and empirical approaches to provide a grounded treatment essential for students of human geography, urban studies and sociology.