A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments-until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.

At its best, all Christian worship is led by the Holy Spirit. But is there a distinctive theology of Pentecostal worship? The Pentecostal church or the renewal movement is among the fastest-growing parts of the body of Christ around the world, which makes understanding its theology and practice critical for the future of the church. In this volume in IVP Academic's Dynamics of Christian Worship (DCW) series, theologian Steven Felix-Jager offers a theology of renewal worship, including its biblical foundations, how its global nature is expressed in particular localities, and how charismatic worship distinctively shapes the community of faith. With his guidance, the whole church might understand better what it means to pray, "Come, Holy Spirit!" The Dynamics of Christian Worship series draws from a wide range of worshiping contexts and denominational backgrounds to unpack the many dynamics of Christian worship-including prayer, reading the Bible, preaching, baptism, the Lord's Supper, music, visual art, architecture, and more-to deepen both the theology and practice of Christian worship for the life of the church.

This book extends a theory of art that addresses the present era's shift towards global pluralism. By focusing on extrinsic rather than intrinsic qualities of art, this book helps viewers evaluate art across cultural boundaries. Art can be universally classified by an evaluation of its guiding narrative, and can be understood and judged through hermeneutical methods. Since artists engage culture through various local, transnational, and emerging global narratives, it is difficult to decipher what standards are used for evaluation, and which authoritative body evaluates the work. This book implements a narrative-hermeneutical approach to properly classify an artwork and establish its meaning and value.

This book extends a theory of art that addresses the present era's shift towards global pluralism. By focusing on extrinsic rather than intrinsic qualities of art, this book helps viewers evaluate art across cultural boundaries. Art can be universally classified by an evaluation of its guiding narrative, and can be understood and judged through hermeneutical methods. Since artists engage culture through various local, transnational, and emerging global narratives, it is difficult to decipher what standards are used for evaluation, and which authoritative body evaluates the work. This book implements a narrative-hermeneutical approach to properly classify an artwork and establish its meaning and value.