With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, Aldon Lynn Nielsen and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America. The Bloomsbury Handbook of Contemporary American Poetry covers such topics as: * Major histories and genealogies of post-war poetry - from the language poets and the Black Arts Movement to New York school and the Beats * Poetry, identity and community - from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability * Key genres and forms - including digital, visual, documentary and children's poetry * Central critical themes - economics, publishing, popular culture, ecopoetics, translation and biography The book also includes an interview section in which major contemporary poets such as Rae Armantrout, Charles Bernstein and Claudia Rankine reflect on the craft and value of poetry today.

This is a "biography of the imagination, " an inner narrative of Sylvia Plath's life and work. Combining psychoanalytical, feminist, and intertextual methods, Steven Gould Axelrod traces what Roland Barthes has called "the body's journey through language." After an introductory look at the roles played by language and silence in Plath's verbal universe, Axelrod explores the ways in which the poet's father -- and father figures, including male literary precursors -- interfered with her imagination even as they helped shape it. He describes Plath's ambiguous relations with her mother and with the two literary forebears who took the mother's place -- Virginia Woolf and Emily Dickinson. And he examines Plath's doubling relationship to her husband, describing how she eventually transferred her doubling impulse to her texts. Axelrod concludes by suggesting a link between Plath's discontinuous narrative of the double and her personal fate.

Sylvia Plath: The Wound and the Cure of Words offers illuminating and often revolutionary readings of all of Plath's major texts, including such poems as "Daddy" and "Three Women, " her novel, The Bell Jar, and her letters and journals. At once sympathetic and incisive, it offers a compelling account of Plath's creative drive and personal history.

Bringing together fifty years of exciting modernisms, The New Anthology of American Poetry, Volume 2 includes over 600 poems by sixty-five American poets writing in the period between 1900 and 1950. The most recognized poets of the era, such as William Carlos Williams, Ezra Pound, Wallace Stevens, T. S. Eliot, H. D., Gertrude Stein, Robert Frost, Marianne Moore, Hart Crane, and Langston Hughes are represented, along with many other Harlem Renaissance poets, women poets, immigrant and working-class poets, imagists, and objectivists. It is also the first modernist anthology to include poems and songs from popular culture.

This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.