In 1975, a small group of enterprising, discontented members of the international art community in Quebec posed the question: "What do we know of contemporary art outside of Quebec, in Canada or abroad? Do we even know what contemporary art exists in Montreal? How does information about art circulate?" By way of an answer, the artistically unconventional and theoretically cutting-edge magazine "Parachute" was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in "Parachute." Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from "Parachute" gathers texts around "Performance and Performativity."

For over five hundred years, Gypsies, Roma and Travellers have been persecuted, misrepresented, enslaved and even murdered in whatever land they reside, and there is a deep ignorance of the absolute centrality of religious conviction at the heart of GRT communities. Steven Horne’s Gypsies and Jesus lights the touchpaper on the grace-filled, intimate and unheard core of GRT religiosity that is Traveller Theology. This is a field of study that has long been dominated by non-GRT voices. In this book Dr Horne attempts to take back the pen and reclaim a past and a future for Gypsies and Travellers. Gypsies and Jesus: A Traveller Theology identifies and threads cultural strands (beliefs and customs, narratives and histories, and rituals and traditions) from Gypsy and Traveller culture into a coherent message that speaks of collective piety and cultural purity. Testimonies from members of the GRT community develop this message further. All of these factors are supported with a biblical exegesis to produce an exciting, revelatory and at times sobering book that, for perhaps the first time, hands over the reins of Gypsy-Christian identity to Gypsies themselves.