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Fully revised and with a new chapter and international case
studies, this second edition of the best-selling book traces how
artists and designers continue to adapt and incorporate 3D printing
technology into their work and explains how the creative industries
are directly interfacing with this new technology. Covering a broad
range of applied art practice - from fine art and furniture-design
to film-making - Stephen Hoskins introduces some of his
groundbreaking research from the Centre for Fine Print Research
along with an updated history of 3D print technology, a new chapter
on fashion and animation, and new case studies featuring artists
working with metal, plastic, ceramic and other materials. A
fascinating investigation into how the applied arts continue to
adapt to new technologies and a forecast of what developments we
might expect in the future, this book is essential reading for
students, researchers studying contemporary art and design and
professionals involved in the creative industries.
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