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This volume of spellbinding essays explores the tense relationship
between Alfred Hitchcock and Bernard Herrmann, providing new
perspectives on their collaboration. Featuring chapters by leading
scholars of Hitchcock's work, including Richard Allen, Charles
Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the
collection examines the working relationship between the pair and
the contribution that Herrmann's work brings to Hitchcock's idiom.
Examining key works, including The Man Who Knew Too Much, Psycho,
Marnie and Vertigo, the essays explore approaches to sound, music,
collaborative authorship and the distinctive contribution that
Herrmann's work with Hitchcock brought to this body of films,
examining the significance, meanings, histories and enduring
legacies of one of film history's most important partnerships. By
engaging with the collaborative work of Hitchcock and Herrmann, the
book explores the ways in which film directors and composers
collaborate, how this collaboration is experienced in the film
text, and the ways in which such partnerships inspire later work.
-- .
This volume of spellbinding essays explores the tense relationship
between Alfred Hitchcock and Bernard Herrmann, providing new
perspectives on their collaboration. Featuring chapters by leading
scholars of Hitchcock's work, including Richard Allen, Charles
Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, the
collection examines the working relationship between the pair and
the contribution that Herrmann's work brings to Hitchcock's idiom.
Examining key works, including The Man Who Knew Too Much, Psycho,
Marnie and Vertigo, the essays explore approaches to sound, music,
collaborative authorship and the distinctive contribution that
Herrmann's work with Hitchcock brought to this body of films,
examining the significance, meanings, histories and enduring
legacies of one of film history's most important partnerships. By
engaging with the collaborative work of Hitchcock and Herrmann, the
book explores the ways in which film directors and composers
collaborate, how this collaboration is experienced in the film
text, and the ways in which such partnerships inspire later work.
-- .
An effective filmmaker needs to have a good understanding of how
film language works, and more importantly, how to actively
influence an audience's thoughts and feelings and guide their gaze
around the screen. Packed with examples from classic and
contemporary cinema, The Language of Film reveals the essential
building blocks of film and explains how the screen communicates
meaning to its audience. You will learn about fundamental theories
and concepts, including film semiotics, narrative structures,
ideology, and genre, as well as how elements such as shot size,
camera movement, editing technique, and color come together to
create the cinematic image. With insightful case studies and
discussion questions, dozens of practical tips and exercises, and a
new chapter on film sound, this new edition of The Language of Film
is a must-have guide for aspiring filmmakers.
This core teaching text provides a thorough overview of the
recently emerged field of transnational film studies. Covering a
range of approaches to analysing films about migrant,
cross-cultural and cross-border experience, Steven Rawle
demonstrates how film production has moved beyond clear national
boundaries to become a product of border crossing finance and
creative personnel. This comprehensive introduction brings together
the key concepts and theories of transnational cinema, including
genre, remakes, diasporic and exilic cinema, and the limits of
thinking about cinema as a particularly national cultural artefact.
It is an excellent course companion for undergraduate students of
film, cinema, media and cultural studies studying transnational and
global cinema, and provides both students and lovers of film alike
with a strong grounding in this timely field of film studies.
You can find information on starting your own business almost
anywhere - on television, on the radio, on the Internet, in books,
etc. But have you ever really thought about why you should start
your own business? Whether you have or not, this book "Habits for
Success - Why You Should Start Your Own Business Today" gives you
compelling reasons to do so. It goes into great detail on the
benefits and advantages of being an entrepreneur. Even if you do
not want to pursue your own business because you have a job already
or you are pursuing other things, try doing it as a second career.
Options are available for that which is thoroughly discussed in
Chapter 5. You would be amazingly surprised at what's out there for
you by just taking in some basic knowledge in relation to this
pursuit. It is never too late and this book is a great way to
consider or reconsider going down this path.
Many of the laws now on our books can be traced back to biblical
precepts. Legal Strategies to Defend Biblical Truth is a lawyer's
guide to provide practical application of legal strategies and
methods employed by successful trial attorneys in defending their
clients, maximizing results, and winning cases. It seeks to expand
the reader's confidence and boldness in effectively advocating
biblical authority and to assist the reader in countering the
strongholds of false ideas, human philosophies, and compromise. It
encourages readers to think independently, analytically, and
critically, not just routinely accepting consensus of thought.
Legal Strategies to Defend Biblical Truth: Uses the vocabulary of
the law, principles of law, and practice as a correlation and
parallel to advocating for biblical truth. Is intended for teen
through adult and is especially tailored for those fascinated by
the law and legal systems. Is thoroughly scriptural and includes
analogy to legal concepts, rules, and principles that govern the
practice of law. Includes analogies and parallels, not just from
the legal field, but language, culture, politics, government,
constitutional principles, and religious liberty issues.
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