Writing Wales explores representations of Wales in English and Welsh literatures written across a broad sweep of history, from the union of Wales with England in 1536 to the beginnings of its industrialization at the turn of the nineteenth century. The collection offers a timely contribution to the current devolutionary energies that are transforming the study of British literatures today, and it builds on recent work on Wales in Renaissance, eighteenth-century, and Romantic literary studies. What is unique about Writing Wales is that it cuts across these period divisions to enable readers for the first time to chart the development of literary treatments of Wales across three of the most tumultuous centuries in the history of British state-formation. Writing Wales explores how these period divisions have helped shape scholarly treatments of Wales, and it asks if we should continue to reinforce such period divisions, or else reconfigure our approach to Wales' literary past. The essays collected here reflect the full 300-year time span of the volume and explore writers canonical and non-canonical alike: George Peele, Michael Drayton, Henry Vaughan, Katherine Philips, and John Dyer here feature alongside other lesser-known authors. The collection showcases the wide variety of literary representations of Wales, and it explores relationships between the perception of Wales in literature and the realities of its role on the British political stage.

Writing Wales explores representations of Wales in English and Welsh literatures written across a broad sweep of history, from the union of Wales with England in 1536 to the beginnings of its industrialization at the turn of the nineteenth century. The collection offers a timely contribution to the current devolutionary energies that are transforming the study of British literatures today, and it builds on recent work on Wales in Renaissance, eighteenth-century, and Romantic literary studies. What is unique about Writing Wales is that it cuts across these period divisions to enable readers for the first time to chart the development of literary treatments of Wales across three of the most tumultuous centuries in the history of British state-formation. Writing Wales explores how these period divisions have helped shape scholarly treatments of Wales, and it asks if we should continue to reinforce such period divisions, or else reconfigure our approach to Wales' literary past. The essays collected here reflect the full 300-year time span of the volume and explore writers canonical and non-canonical alike: George Peele, Michael Drayton, Henry Vaughan, Katherine Philips, and John Dyer here feature alongside other lesser-known authors. The collection showcases the wide variety of literary representations of Wales, and it explores relationships between the perception of Wales in literature and the realities of its role on the British political stage.

The most recent research in matters Arthurian, by leading scholars in the field. The essays in this volume represent a wide range of Arthurian subjects, reaching as far back as the sixth century, and as far forward as the nineteenth; they include studies of Arthur as an icon of an independent England in the reign of Henry VIII, the source of Geoffrey of Monmouth's knowledge of Merlin, Malory's Morte Darthur, and the works of Chretien - both in literature and in depictions of scenes from his romances in ivory caskets from the Middle Ages and beyond. Of special interest is the appearance for the first time in print of a newly discovered Arthurian text: a letter in Anglo-Norman French purportedly written by Morgan le Fay. Elizabeth Archibald is Professor of English, University of Durham; DAVID F. JOHNSON is Professor of English, Florida State University. CONTRIBUTORS: CAROLYNE LARRINGTON, MARTINE MEUWESE, STEWART MOTTRAM, RALUCA RADULESCU, NICOLAI TOLSTOY, MICHAEL TWOMEY

Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653). It focuses on representations of ruined churches, monasteries, and cathedrals in the works of a range of English Protestant writers, including Spenser, Shakespeare, Jonson, Herbert, Denham, and Marvell, reading literature alongside episodes in English reformation history: from the dissolution of the monasteries and the destruction of church icons and images, to the puritan reforms of the 1640s. The study departs from previous responses to literature's 'bare ruined choirs', which tend to read writerly ambivalence towards the dissolution of the monasteries as evidence of traditionalist, catholic, or Laudian nostalgia for the pre-reformation church. Instead, Ruin and Reformation shows how English protestants of all varieties-from Laudians to Presbyterians-could, and did, feel ambivalence towards, and anxiety about, the violence that accompanied the dissolution of the monasteries and other acts of protestant reform. The study therefore demonstrates that writerly misgivings about ruin and reformation need not necessarily signal an author's opposition to England's reformation project. In so doing, Ruin and Reformation makes an important contribution to cross-disciplinary debates about the character of English Protestantism in its formative century, revealing that doubts about religious destruction were as much a part of the experience of English protestantism as expressions of popular support for iconoclasm in the sixteenth and seventeenth centuries.

Sensitive readings of Renaissance texts offer new insights into the perception of imperialism in the sixteenth century. The complex topics of colonialism, empire and nation run throughout English Renaissance literature. Here, the author moves beyond recent work on England's "British" colonial interests, arguing for England's self-image in the sixteenth century as an "empire of itself", part of a culture which deliberately set itself apart from Britain and Europe. In the first section of the book he explores England's self-image as empire in the Arthurian and classical pageants of two Tudor royal entries into the City of London: Charles V's in 1522 and Anne Boleyn's in 1533. Part Two focuses on the culture of English Bible-reading and its influence on England's imperial self-image in the Tudor period. He offers fresh new readings of texts by Richard Morison, William Tyndale, John Bale, Nicholas Udall, and William Lightfoot, among other authors represented. Dr STEWART MOTTRAM is Research Lecturer, Institute for Medieval and Early Modern Studies, Aberystwyth University.