"The George Sand-Gustave Flaubert Letters" is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period: an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants.

Translated from the French by A.L. McKenzie (1921), with an introduction by Stuart Sherman.

In bringing biography and celebrity together, the essays in Making Stars interrogate contemporary and current understandings of each. Although biography was not invented in the eighteenth century, the period saw the emergence of works that focus on individuals who are interesting as much, if not more, for their everyday, lived experience than for their status or actions. At the same time, celebrity emerged as public fascination for the private lives of publicly visible individuals. Biography and celebrity are mutually constitutive, but in complex and varied ways that this volume unpacks. Contributors to this volume present us a picture of eighteenth-century celebrity that was mediated across multiple sites, demonstrating that eighteenth-century celebrity culture in Britain was more pervasive, diverse and, in many ways, more egalitarian, than previously supposed.

In bringing biography and celebrity together, the essays in Making Stars interrogate contemporary and current understandings of each. Although biography was not invented in the eighteenth century, the period saw the emergence of works that focus on individuals who are interesting as much, if not more, for their everyday, lived experience than for their status or actions. At the same time, celebrity emerged as public fascination for the private lives of publicly visible individuals. Biography and celebrity are mutually constitutive, but in complex and varied ways that this volume unpacks. Contributors to this volume present us a picture of eighteenth-century celebrity that was mediated across multiple sites, demonstrating that eighteenth-century celebrity culture in Britain was more pervasive, diverse and, in many ways, more egalitarian, than previously supposed.

A revolution in clock technology in England during the 1660s allowed people to measure time more accurately, attend to it more minutely, and possess it more privately than previously imaginable. In "Telling Time," Stuart Sherman argues that innovations in prose emerged simultaneously with this technological breakthrough, enabling authors to recount the new kind of time by which England was learning to live and work.
Through brilliant readings of Samuel Pepys's diary, Joseph Addison and Richard Steele's daily "Spectator," the travel writings of Samuel Johnson and James Boswell, and the novels of Daniel Defoe and Frances Burney, Sherman traces the development of a new way of counting time in prose--the diurnal structure of consecutively dated installments--within the cultural context of the daily institutions which gave it form and motion. "Telling Time" is not only a major accomplishment for seventeenth- and eighteenth-century literary studies, but it also makes important contributions to current discourse in cultural studies.

This is a new release of the original 1927 edition.

1927. A collection of essays on writers and books by the late Stuart Sherman, all of which exhibit his theory of the function of a critic in a time of change as being that of revealing to the public those qualities which are truly vital and significant in the writings of the day. Among the personalities discussed, for instance are Sandburg, Lincoln, Thoreau, Burroughs, Beebe, Mark Twain, Dean Briggs, Dreiser, Mark Sullivan, Ring W. Lardner, George Moore, Walter de la Mare, Edith Wharton, Anatole France. They constitute a series of essays which fully explain that pre-eminence as an American critic which Stuart Sherman had come to hold.

"The George Sand-Gustave Flaubert Letters" is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period: an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants.

Translated from the French by A.L. McKenzie (1921), with an introduction by Stuart Sherman.