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It has been much disputed to what extent thinkers in Greek and Roman antiquity adhered to ideas of evolution and progress in human affairs. Did they lack any conception of process in time, or did they anticipate Darwinian and Lamarckian hypotheses? The Origins of Civilization in Greek and Roman Thought, first published in1986, comprehensively examines this issue. Beginning with creation myths - Mother Earth and Pandora, the anti-progressive ideas of the Golden Age, and the cyclical theories of Orphism - Professor Blundell goes on to explore the origins of scientific speculation among the Pre-Socratics, its development into the teleological science of Aristotle, and the advent of the progressivist views of the Stoics. Attention is also given to the 'primitivist' debate, involving ideas about the noble savage and reflections of such speculation in poetry, and finally the relationship between nature and culture in ancient thought is investigated.
It has been much disputed to what extent thinkers in Greek and Roman antiquity adhered to ideas of evolution and progress in human affairs. Did they lack any conception of process in time, or did they anticipate Darwinian and Lamarckian hypotheses? The Origins of Civilization in Greek and Roman Thought, first published in1986, comprehensively examines this issue. Beginning with creation myths - Mother Earth and Pandora, the anti-progressive ideas of the Golden Age, and the cyclical theories of Orphism - Professor Blundell goes on to explore the origins of scientific speculation among the Pre-Socratics, its development into the teleological science of Aristotle, and the advent of the progressivist views of the Stoics. Attention is also given to the 'primitivist' debate, involving ideas about the noble savage and reflections of such speculation in poetry, and finally the relationship between nature and culture in ancient thought is investigated.
While the men of Classical Athens were fighting wars and producing great works of art, what were the women doing? According to some of the male writers of the period, they were at home, making babies and wool; others thought they were likely to be visiting their friends and partying till the small hours. This text investigates the many contrasting images of Athenian women which the Classical Age produced. Taking as its starting point women in the Parthenon sculptures, it examines two levels of feminine experience: the human and the divine. The interplay between women's religious prominence and their domestic obscurity is discussed in relation to the young citizen women who lead the procession; while the great goddesses represented in the frieze are studied in terms of their relationships with human worshippers and, on a symbolic level, with the mythological females, such as the Amazons, who appear in the metopes. Finally, the book turns to a third aspect, looking at the women who do not appear in the Parthenon sculptures -- the prostitutes, slaves and alien women who make a vital economic and ideological contribution to the Athenian achievement.
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