In 1859, Dubliners strolling along country roads witnessed something new emerging from the green fields. The Victorian house had arrived: wide red brick structures stood back behind manicured front lawns. Over the next forty years, an estimated 35,000 of these homes were constructed in the fields surrounding the city. The most elaborate were built for Dublin's upper middle classes, distinguished by their granite staircases and decorative entrances. Today, they are some of the Irish capital's most highly valued structures, and are protected under strict conservation laws. Dublin's Bourgeois Homes is the first in-depth analysis of the city's upper middle-class houses. Focusing on the work of three entrepreneurial developers, Susan Galavan follows in their footsteps as they speculated in house building: signing leases, acquiring plots and sourcing bricks and mortar. She analyses a select range of homes in three different districts: Ballsbridge, Rathgar and Kingstown (now Dun Laoghaire), exploring their architectural characteristics: from external form to plan type, and detailing of materials. Using measured surveys, photographs, and contemporary drawings and maps, she shows how house design evolved over time, as bay windows pushed through facades and new lines of coloured brick were introduced. Taking the reader behind the facades into the interiors, she shows how domestic space reflected the lifestyle and aspirations of the Victorian middle classes. This analysis of the planning, design and execution of Dublin's bourgeois homes is an original contribution to the history of an important city in the British Empire.

This interdisciplinary collection investigates the forms that authority assumed in nineteenth-century Ireland, the relations they bore to international redefinitions of authority, and Irish contributions to the reshaping of authority in the modern age. At a time when age-old sources of social, political, spiritual and cultural authority were eroded in the Western world, Ireland witnessed both the restoration of older forms of authority and the rise of figures who defined new models of authority in a democratic age. Using new comparative perspectives as well as archival resources in a wide range of fields, the essays gathered here show how new authorities were embodied in emerging types of politicians, clerics and professionals, and in material extensions of their power in visual, oral and print cultures. These analyses often eerily echo twenty-first-century debates about populism, suspicion of scholarly and intellectual expertise, and the role of new technologies and forms of association in contesting and recreating authority. Several contributions highlight the role of emotion in the way authority was deployed by figures ranging from Daniel O’Connell to W.B. Yeats, foreshadowing the perceived rise of emotional politics in our own age. This volume demonstrates that many contested forms of authority that now look ‘traditional’ emerged from nineteenth-century crises and developments, as did the challenges that undermine authority. CONTRIBUTORS: Marguerite Corporaal, Patrick Geoghegan, Patrick Maume, Michelle McCann, Caroline M. McGee, James H. Murphy, Shane Nagle, Niamh NicGhabhann, Richard Parfitt, Colleen M. Thomas, Tom Walker

This interdisciplinary collection investigates the forms that authority assumed in nineteenth-century Ireland, the relations they bore to international redefinitions of authority, and Irish contributions to the reshaping of authority in the modern age. At a time when age-old sources of social, political, spiritual and cultural authority were eroded in the Western world, Ireland witnessed both the restoration of older forms of authority and the rise of figures who defined new models of authority in a democratic age. Using new comparative perspectives as well as archival resources in a wide range of fields, the essays gathered here show how new authorities were embodied in emerging types of politicians, clerics and professionals, and in material extensions of their power in visual, oral and print cultures. These analyses often eerily echo twenty-first-century debates about populism, suspicion of scholarly and intellectual expertise, and the role of new technologies and forms of association in contesting and recreating authority. Several contributions highlight the role of emotion in the way authority was deployed by figures ranging from Daniel O'Connell to W.B. Yeats, foreshadowing the perceived rise of emotional politics in our own age. This volume demonstrates that many contested forms of authority that now look 'traditional' emerged from nineteenth-century crises and developments, as did the challenges that undermine authority. CONTRIBUTORS: Marguerite Corporaal, Patrick Geoghegan, Patrick Maume, Michelle McCann, Caroline M. McGee, James H. Murphy, Shane Nagle, Niamh NicGhabhann, Richard Parfitt, Colleen M. Thomas, Tom Walker

In 1859, Dubliners strolling along country roads witnessed something new emerging from the green fields. The Victorian house had arrived: wide red brick structures stood back behind manicured front lawns. Over the next forty years, an estimated 35,000 of these homes were constructed in the fields surrounding the city. The most elaborate were built for Dublin's upper middle classes, distinguished by their granite staircases and decorative entrances. Today, they are some of the Irish capital's most highly valued structures, and are protected under strict conservation laws. Dublin's Bourgeois Homes is the first in-depth analysis of the city's upper middle-class houses. Focusing on the work of three entrepreneurial developers, Susan Galavan follows in their footsteps as they speculated in house building: signing leases, acquiring plots and sourcing bricks and mortar. She analyses a select range of homes in three different districts: Ballsbridge, Rathgar and Kingstown (now Dun Laoghaire), exploring their architectural characteristics: from external form to plan type, and detailing of materials. Using measured surveys, photographs, and contemporary drawings and maps, she shows how house design evolved over time, as bay windows pushed through facades and new lines of coloured brick were introduced. Taking the reader behind the facades into the interiors, she shows how domestic space reflected the lifestyle and aspirations of the Victorian middle classes. This analysis of the planning, design and execution of Dublin's bourgeois homes is an original contribution to the history of an important city in the British Empire.