The first novel available to English readers by Fawzia Zouari, one of the most important North African authors writing today, begins with an emergency crew's arrival at a Parisian apartment. Two emaciated young women, sisters, are brought out on stretchers. To the crowd of onlookers the women's condition is mystifying; for the two sisters, this is the inescapable end to a tragic series of events. Inspired by an actual news story from the French headlines, I Die by This Country introduces us to Nacera and Amira. Casting her mind back in the midst of the opening pages' upheaval, Nacera pieces together her fragmentary knowledge of her parents' lives in rural French Algeria and their immigration to Paris in the years following Algeria's war for independence. Her memories of how both she and Amira struggled to find their place as children of immigrants reveals the enormous stress of social exclusion and identity conflicts facing immigrant youth. Nacera and her family yearn for acceptance, but the reader sees this dream becoming increasingly unattainable. Zouari's frank prose and penetrating storytelling deftly relates the multigenerational experience of Franco-Algerian immigration during the last quarter of the twentieth century. As France continues, like so many western countries, to struggle with questions regarding national identity, immigration, and its colonial past, the experiences depicted in this novel resonate more than ever.

Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.

The first novel available to English readers by Fawzia Zouari, one of the most important North African authors writing today, begins with an emergency crew's arrival at a Parisian apartment. Two emaciated young women, sisters, are brought out on stretchers. To the crowd of onlookers the women's condition is mystifying; for the two sisters, this is the inescapable end to a tragic series of events. Inspired by an actual news story from the French headlines, I Die by This Country introduces us to Nacera and Amira. Casting her mind back in the midst of the opening pages' upheaval, Nacera pieces together her fragmentary knowledge of her parents' lives in rural French Algeria and their immigration to Paris in the years following Algeria's war for independence. Her memories of how both she and Amira struggled to find their place as children of immigrants reveals the enormous stress of social exclusion and identity conflicts facing immigrant youth. Nacera and her family yearn for acceptance, but the reader sees this dream becoming increasingly unattainable. Zouari's frank prose and penetrating storytelling deftly relates the multigenerational experience of Franco-Algerian immigration during the last quarter of the twentieth century. As France continues, like so many western countries, to struggle with questions regarding national identity, immigration, and its colonial past, the experiences depicted in this novel resonate more than ever.

With several hundreds of thousands space debris "bullets" orbiting the Earth, the U.S. Government enters a high risk environment whenever a satellite is launched into orbit. Because of the United States' dependence on space assets, the threat of space debris should be regarded as any other threat to national security interests. The current U.S. policy towards mitigating space debris will limit the amount of space debris created by the U.S. space industry. However, since there is no 'check and balance' approach or binding authority to ensure that other space faring nations or private industries follow the current United Nations Space Debris Mitigation Guidelines, there is a threat to U.S. national security. The United Nations Space Debris Mitigation Guidelines are voluntary and lack the enforcement mechanisms to effectively ensure compliance across the international industry. A space debris mitigation compliance program within the international community would better protect U.S. national security interests in space. This thesis compares two international groups with compliance measures to explore the compliance framework and the effectiveness of the compliance programs on the impacted industry. The analysis resulted in the development of a recommended model for incorporating compliance measures for the United Nations Space Debris Mitigation Guidelines.

This interdisciplinary collection of essays unites researchers from many divergent fields in a common effort to explore the complexity, diversity, and paradoxes of French Harki literature. Given the growing body of literature written by, for, and about the Harkis, this project begins to fill a significant research gap. Although French Harki literature continues to evolve and diversify with each passing day, this book represents the first systematic attempt to delineate the significance of this emerging field within the larger context of Francophone literature, migration studies, and diaspora studies. Furthermore, the invaluable contributions of noted historians which open the volume offer an essential theoretical framework which places Harki literature in its appropriate historical context on both sides of the Mediterranean. As the title of this collection unequivocally implies, this volume was intentionally designed to foster meaningful collaboration with scholars from disciplines such as French/Francophone literature, history, anthropology, and sociology in a common effort to create intellectually rigorous essays which are also accessible to a broad audience. A Practical Guide to French Harki Literature is a much-needed point of departure that strives to encourage other researchers to contribute to the conversation regarding the past and present repercussions of the construction of the social group known as the Harkis.

Long repressed following the collapse of empire, memories of the French colonial experience have recently gained unprecedented visibility. In popular culture, scholarly research, personal memoirs, public commemorations, and new ethnicities associated with the settlement of postcolonial immigrant minorities, the legacy of colonialism is now more apparent in France than at any time in the past. How is this upsurge of interest in the colonial past to be explained? Does the commemoration of empire necessarily imply glorification or condemnation? To what extent have previously marginalized voices succeeded in making themselves heard in new narratives of empire? While veils of secrecy have been lifted, what taboos still remain and why? These are among the questions addressed by an international team of leading researchers in this interdisciplinary volume, which will interest scholars in a wide range of disciplines including French studies, history, literature, cultural studies, and anthropology.

This is the first comprehensive study in English of the post-war literature of immigration in Quebec. It examines the literary representation of immigration as it relates to those who have moved to Quebec from such areas as the Caribbean, the Middle East, North Africa, and Asia. Through this focus on immigration, the essays raise a series of questions related to gender, cultural pluralism, identity politics, and narrative forms. One of the key objectives is to consider the ways in which the literary texts portray the concept of immigrant culture and shape debates about Quebec's national and cultural identity. The book explores how these texts re-imagine and redefine problematic issues related to the immigrant experience. Textualizing the Immigrant Experience in Contemporary Quebec by Patrice J. Proulx and Susan Ireland is a cross-disciplinary work that will be of interest to scholars of French and francophone literature, cultural studies, the history of immigration, Canadian studies, and the literature of exile. The essays in this volume examine the ways in which the appearance of this contemporary corpus has led to a modification of critical categories, as scholars have sought ways to conceptualize this new body of literature.

The first comprehensive survey of its kind in English, this book examines the experience of immigration as represented by authors who moved to France from the Caribbean, the Maghreb, sub-Saharan Africa, and Asia after World War II. Essays by expert contributors address the literary productions of different ethnic groups while taking into account generational differences and the effects of class and gender. The focus on immigration, a subject which has moved to the center of many sensitive social and political debates, raises questions related to cultural hybridity, identity politics, border writing, and the status of minority literature within the traditional literary canon, all of which constitute vital areas of research in literary, cultural, and historical studies today.

Included are broad socio-historical chapters on general topics related to immigration, along with chapters providing detailed readings of specific texts and authors. A key objective of the book is to consider the ways in which literary texts by authors of immigrant origin explore what it means to be French, and how these works shape debates about French national and cultural identity. The contributors discuss such issues as cultural hybridity, linguistic identity, and the textualization and theorization of otherness.