First full-scale guide to the origins and development of the early printed book, and the issues associated with it. The history of the book is now recognized as a field of central importance for understanding the cultural changes that swept through Tudor England. This companion aims to provide a comprehensive guide to the issues relevant to theearly printed book, covering the significant cultural, social and technological developments from 1476 (the introduction of printing to England) to 1558 (the death of Mary Tudor). Divided into thematic sections (the printed booktrade; the book as artefact; patrons, purchasers and producers; and the cultural capital of print), it considers the social, historical, and cultural context of the rise of print, with the problems as well as advantages of the transmission from manuscript to print. the printers of the period; the significant Latin trade and its effect on the English market; paper, types, bindings, and woodcuts and other decorative features which create the packaged book; and the main sponsors and consumers of the printed book: merchants, the lay clientele, secular and religious clergy, and the two Universities, as well as secular colleges and chantries. Further topics addressed include humanism, women translators, and the role of censorship and the continuity of Catholic publishing from that time. The book is completed with a chronology and detailed indices. Vincent Gillespie is J.R.R. Tolkien Professor of English Literature and Language at the University of Oxford; Susan Powell held a Chair in Medieval Texts and Culture at the University of Salford, and is currently affiliated to the Universities of London and York. Contributors: Tamara Atkin, Alan Coates, Thomas Betteridge, Julia Boffey, James Clark, A.S.G. Edwards, Martha W. Driver, Mary Erler, Alexandra Gillespie, Vincent Gillespie, Andrew Hope, Brenda Hosington, Susan Powell, Pamela Robinson, AnneF. Sutton, Daniel Wakelin, James Willoughby, Lucy Wooding

First full-scale guide to the origins and development of the early printed book, and the issues associated with it. The history of the book is now recognized as a field of central importance for understanding the cultural changes that swept through Tudor England. This companion aims to provide a comprehensive guide to the issues relevant to theearly printed book, covering the significant cultural, social and technological developments from 1476 (the introduction of printing to England) to 1558 (the death of Mary Tudor). Divided into thematic sections (the printed booktrade; the book as artefact; patrons, purchasers and producers; and the cultural capital of print), it considers the social, historical, and cultural context of the rise of print, with the problems as well as advantages of the transmission from manuscript to print. the printers of the period; the significant Latin trade and its effect on the English market; paper, types, bindings, and woodcuts and other decorative features which create the packaged book; and the main sponsors and consumers of the printed book: merchants, the lay clientele, secular and religious clergy, and the two Universities, as well as secular colleges and chantries. Further topics addressed include humanism, women translators, and the role of censorship and the continuity of Catholic publishing from that time. The book is completed with a chronology and detailed indices. VINCENT GILLESPIE is J.R.R. Tolkien Professor of English Literature and Language at the University of Oxford; SUSAN POWELL held a Chair in Medieval Texts and Culture at the University of Salford, and is currently affiliated to the Universities of London and York. Contributors: Tamara Atkin, Alan Coates, Thomas Betteridge, Julia Boffey, James Clark, A.S.G. Edwards, Martha W. Driver, Mary Erler, Alexandra Gillespie, Vincent Gillespie, Andrew Hope, Brenda Hosington, Susan Powell, Pamela Robinson, AnneF. Sutton, Daniel Wakelin, James Willoughby, Lucy Wooding

The Festial, most probably composed in the late 1380s by the Augustinian canon, John Mirk, of Lilleshall Abbey, Shropshire, was the most popular and influential collection of sermons in English in the late medieval and early Tudor period, surviving in many copies, and printed by Caxton and his successors. The collection was designed to be accessible and entertaining, as well as orthodox, to counter the success of Lollard preaching, and taught both the priests who used the sermons, as well as their audiences, the fundamentals of the Christian faith and doctrine, illustrated by many stories. The Festial is the only English sermon collection to be printed in England before the Reformation and is probably the most frequently printed work of its time before religious change made it unacceptable.

This volume contains indexes to a university library, a monastic library, two cathedral libraries, a diocesan library and three record offices. Outstanding among the manuscripts are two Wycliffite New Testaments and John Mirk's popular sermon collection 'The Festial'.

Lady Margaret Beaufort (1443-1509) was the mother of Henry Tudor (1457-1509) by her first husband, Edmund Tudor, who died before his son was born. A strong and determined woman, after many vicissitudes she was instrumental in the overthrow of Richard III and the accession of her son to the throne after the Battle of Bosworth (1485). The documents edited here are the principal household accounts, extant in St John's College, Cambridge, for the period 1498-1509, during which she ran her own household, variously at Collyweston, Croydon and Hatfield, independent of her third husband, Thomas Stanley, earl of Derby. The accounts record the economy and management of the household at the height of Lady Margaret's power, wealth, and influence and offer unique evidence of both the household and Lady Margaret herself.

This collaborative collection considers the packaging, presentation and consumption of medieval manuscripts and early printed books in Europe 1350-1550. It showcases innovative research on the history of the book from a range of established and younger scholars from the US and Europe in the fields of English and French Studies, History, Music, and Art History. The collection falls naturally into three sections: * Packaging and Presentation: The physical context of the manuscript and printed book including its binding, visual presentation and internal organization * Consumers: Producers, Owners, and Readers * Consuming the Text: The experience of the audience(s) for books These three strands are interdependent, and highlight the materiality of the manuscript or printed book as a consumable, focusing on its 'consumability' in the sense of its packaging and presentation, its consumers, and on the act of consumption in the sense of reading and reception or literal decay.

The Index of Middle English Prose is an international collaborative project which will ultimately locate, identify and record all extant Middle English prose texts composed between c.1200 and c.1500, in both manuscript andprinted form in medieval and post-medieval versions. The first step towards this goal has been this series of Handlists, each recording the holdings of a major library or group of libraries. Compiled by scholars, Handlists include detailed descriptions ofeach prose item with identifications, categorisations and full bibliographical data. Every Handlist will also contain a series of indexes including listings of opening and closing lines, authors, titles, subject matter and rubrics. For students of the middle ages Handlists provide essential bibliographical tools and shed light on a wide range of subjects.