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Showing 1 - 8 of 8 matches in All Departments
On February 18, 1938, Joseph P. Kennedy was sworn in as US Ambassador to the Court of St. James. To say his appointment to the most prestigious and strategic diplomatic post in the world shocked the Establishment was an understatement - known for his profound Irish roots and staunch Catholicism, not to mention his "plain-spoken" opinions and womanising, he was a curious choice as Europe hurtled toward war. Initially welcomed by the British, in less than two short years Kennedy was loathed by the White House, the State Department and the British Government. Believing firmly that Fascism was the inevitable wave of the future, he consistently misrepresented official US foreign policy internationally as well as direct instructions from FDR himself. The Americans were the first to disown him and the British and the Nazis used Kennedy to their own ends. Through meticulous research and many newly available sources, Ronald confirms in impressive detail what has long been believed by many: that Kennedy was a Fascist sympathiser and an anti-Semite whose only loyalty was to his family's advancement. She also reveals the ambitions of the Kennedy dynasty during this period abroad, as they sought to enter the world of high society London and establish themselves as America's first family. Thorough and utterly readable, The Ambassador explores a darker side of the Kennedy patriarch in an account sure to generate attention and controversy.
Elizabeth I was originally dubbed 'the pirate queen' by Philip II of Spain and acknowledged as such by the pope. Extravagant, whimsical, hot-tempered, sexually enticing and the epitome of power, Elizabeth I has never ceased to amaze, entertain, and educate through the centuries. Yet very little has been written, and no books have been dedicated to, Elizabeth I for the financial magician that she was. She played the helpless woman in a man's world to great effect and beleaguered Protestant queen in a predominantly Catholic Europe, using her wiles to exploit every political and social opportunity at hand.Yet her many accomplishments would have never been possible without her daring merchants, gifted rapscallion adventurers, astronomer philosophers, and stalwart Privy Councilors like William Cecil, Francis Walsingham, and Nicholas Bacon. All these men contributed their vast genius, power, greed, and expertise to the rise of England and the foundations of the British Empire. Her foundation of empire was built on a carefully choreographed strategic plan where privateering - piracy to us today - was the expedient method she and her advisors selected to turn her rogue state into the greatest empire the world has ever seen.
The fascinating six-hundred-year history of one of the world's most
coveted gems and the royal feuds, intrigues, and betrayals it
engendered
The first biography in over thirty years of Conde Nast, the pioneering publisher of Vogue and Vanity Fair and main rival to media magnate William Randolph Hearst. Conde Nast's life and career was as high profile and glamourous as his magazines. Moving to New York in the early twentieth century with just the shirt on his back, he soon became the highest paid executive in the United States, acquiring Vogue in 1909 and Vanity Fair in 1913. Alongside his editors, Edna Woolman Chase at Vogue and Frank Crowninshield at Vanity Fair, he built the first-ever international magazine empire, introducing European modern art, style, and fashions to an American audience. Credited with creating the "cafe society," Nast became a permanent fixture on the international fashion scene and a major figure in New York society. His superbly appointed apartment at 1040 Park Avenue, decorated by the legendary Elsie de Wolfe, became a gathering place for the major artistic figures of the time. Nast launched the careers of icons like Cecil Beaton, Clare Boothe Luce, Lee Miller, Dorothy Parker and Noel Coward. He left behind a legacy that endures today in media powerhouses such as Anna Wintour, Tina Brown, and Graydon Carter. Written with the cooperation of his family on both sides of the Atlantic and a dedicated team at Conde Nast Publications, critically acclaimed biographer Susan Ronald reveals the life of an extraordinary American success story.
The acclaimed author of Hitler's Art Thief takes readers into the shadowy world of the aristocrats and business leaders on both sides of the Atlantic who secretly aided Hitler and Nazi Germany. Hitler said, 'I am convinced that propaganda is an essential means to achieve one's aims.' Enlisting Europe's aristocracy, international industrialists, and the political elite in Britain and America, Hitler spun a treacherous tale everyone wanted to believe: he was a man of peace. Central to his deception was an international high society Black Widow, Princess Stephanie Hohenlohe-Waldenburg-Schillingsfurst, whom Hitler called 'his dear princess.' She, and others, conspired for Hitler at the highest levels of the British aristocracy and spread their web to America's wealthy powerbrokers. Hitler's aristocrats became his eyes, listening posts, and mouthpieces in the drawing rooms, cocktail parties, and weekend retreats of Europe and America. Among these 'gentlemen spies' and 'ladies of mystery' were the Duke and Duchess of Windsor, Lady Nancy Astor, Charles Lindbergh, and two of the Mitford sisters. They were the trusted voices disseminating his political and cultural propaganda about the 'New Germany,' brushing aside the Nazis' atrocities. Distrustful of his own Foreign Ministry, Hitler used his aristocrats to open the right doors in Great Britain and the United States, creating a formidable fifth column within government and financial circles. In a tale of drama and intrigue, Hitler's Aristocrats uncovers the battle between these influencers and those who heroically opposed them.
Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris, aged eleven. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould. She guided Frank's millions into hotels and casinos, creating a luxury hotel and casino empire. She entertained Zelda and Scott Fitzgerald, Pablo Picasso, Joseph Kennedy, and many Hollywood stars, like Charlie Chaplin, who became her lover. While the party ended for most Americans after the Crash of 1929, Frank and Florence refused to go home. During the Occupation, Florence took several German lovers and hosted a controversial salon. As the Allies closed in, the unscrupulous Florence became embroiled in a notorious money laundering operation for fleeing high-ranking Nazis. Yet after the war, not only did she avoid prosecution, but her vast fortune bought her respectability as a significant contributor to the Metropolitan Museum and New York University, among many others. It also earned her friends like Estee Lauder who obligingly looked the other way. A seductive and utterly amoral woman who loved to say "money doesn't care who owns it", Florence's life proved a strong argument that perhaps money can buy happiness after all.
The world was stunned when eighty-year old Cornelius Gurlitt became an international media superstar in November 2013 on the discovery of over 1,400 artworks in his 1,076 square-foot Munich apartment, valued at $1.35 billion. Gurlitt became known as a man who never was - he didn't have a bank account, never paid tax, never received social security. He simply did not exist. He had been hard-wired into a life of shadows and secrecy by his own father long before he had inherited his art collection built on the spoliation of museums and Jews during Hitler's Third Reich. The ensuing media frenzy unleashed international calls for restitution, unsettled international relations, and rocked the art world. Ronald reveals in this stranger than fiction tale how Hildebrand Gurlitt succeeded in looting in the name of the Third Reich, duping the Monuments Men and the Nazis alike. As an "official dealer" for Hitler and Goebbels, Hildebrand Gurlitt became one of the Third Reich's most prolific art looters. Yet he stole from Hitler too, allegedly to save modern art. This is the untold story of Hildebrand Gurlitt, who stole more than art - he stole lives, too.
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