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This book is the first in English to comprehensively examine the French economy and how it is adjusting to the exigencies of an increasingly globalized environment. The opening of the French market to international competition has forced recent governments to realize that the old closed model in which France had considerable autonomy over policy is no longer valid. French solutions to domestic problems had to be given up in the early 1980s. Changes in technology have had dramatic impacts on the comparative advantage of French producers and the necessary restructuring has been far from easy. These twin aspects of globalization have also altered the situation of France's various regions and urban economies and the highly centralized structure has come under pressure. This has forced a change in the thinking of French public and private sector leaders. The role of the state, the degree of intervention, the extent of control over the domestic economy, and the need to be accommodative to market forces have all been subject to public debate and to fundamental reconsideration. While this is a book on the French economy, Kresl and Gallais deal with issues, challenges, and processes of change and adaptation that are facing all of Europe, and indeed all industrialized economies. Economists, political scientists, business scholars and anyone interested in globalization will find this comprehensive study engaging and topical.
A bilingual collection of poems that offers a surreal perspective of urban experience. This bilingual edition of Nicole Brossard's lyrical poetry is a sequence of lush, taut cityscapes. Known for her elliptical and materially grounded poetics, Brossard creates an intimate series of poems drawn loosely from urban experience. The poems comprise an evocative distillation of postmodern urban life with a sharp sense of cultural and gendered histories of violence and beauty and struggles for survival and intimacy. The poems capture the emotional and ecological surroundings of each city and its people. The cities in Brossard's poems feel surreal and in them dwell survivors of "misfortunes," living in urban landscapes with their "gleaming debris" and "bridges, ghats, / rivers in a time of peace and torture." These poems gesture toward a transmuted social context and toward a quest "to meet the horizon the day after the horizon."
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